A BIBLIOGRAPHY of the ORIGINAL QUARTOS and FOLIOS of SHAKESPEARE - with PARTICULAR REFERENCE to COPIES in AMERICA. By Justin Winsor, Superintendent of the Boston Public Library. ILLUSTRATED with 68 HELIOTYPE PLATES.

BOSTON: James R. Osgood and Company, 1876. First Edition. LIMITED to TWO HUNDRED AND FIFTY COPIES - OF WHICH THIS IS NO. 6, so stated on the copyright / limitation page.

Hardcovers, brown cloth covered boards 10x14 inches, 109 pages of text and 68 heliotype plates depicting original Quartos and Folios of Shakespeare.

GOOD Condition: The spine title label is worn off and the covers have some rubs, scrapes and scratches, otherwise the covers are solid and doing their job well; internally, the endpapers and a few pages have a scattering of foxing, the plates are lightly toned as normal, overall the pages and plates are tight, bright, clean and unmarked. A solid, nice, presentable copy.

This scholarly and well illustrated bibliography is becoming increasingly hard-to-find.

INTERNATIONAL BUYERS PLEASE NOTE: This book is heavy and will require substantial additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact us ahead of time to find out the shipping charge to your country. Thanks.

DIE BÜCHER-ORNAMENTIK DER RENAISSANCE : Eine Auswahl Stylvoller Titeleinfassungen, Initialen, Leisten, Vignetten und Druckerzeichen Hervorragender Italienischer, Deutscher umd Französischer Officinen aus der Zeit der Fruh renaissance. Nach der eigenen Sammlung Herausgegeben und Erlautert Von A. F. BUTSCH. (ORNAMENTATION of RENAISSANCE BOOKS: A Selection of Printed Ornaments including Stylish Titles, Initial Letters, Borders / Frames, Vignettes, and Excellent Printing

of Italian, German, and French origin from the time of the Early Renaissance. From the personal collection of, and edited and annotated by, A. F. BUTSCH.) Published by G. HIRTH, LEIPZIG, MDCCCLXXVIII (1878). This is Volume I, which stands on its own with its 100 plates. A second volume was published at a later date. Hardcovers, 1/4 leather and marbled paper covered boards, folio

10x14 inches (25x35 cm), 72 pages of text, including descriptions of the plates, and 100 PLATES each printed on its own leaf. The 100 Plates are lovely and a Great Reference to Early Renaissance Printing. Condition: The spine is lacking its leather covering (the spine card covering is still present), the spine folds are worn, the corners are lacking their leather covering, and the marbled paper covered boards are worn through at places along the edges; nonetheless the covers are sturdy and still doing their job; internally nice, the pages are just lightly used, still tight, bright, clean and unmarked. The 100 plates are all present and beautiful. INTERNATIONAL BUYERS PLEASE NOTE: This book is large and heavy and will require substantial additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact us ahead of time to find out the shipping charge to your country. Thanks.

L'ART DANS LA DÉCORATION EXTÉRIEURE DES LIVRES - Les Couvertures Illustrées, Les Cartonnages d'Éditeurs, La Reliure d'Art. Par OCTAVE UZANNE.

[ART in the EXTERIOR DECORATION of BOOKS - Illustrated Covers, Publishers' Bindings, Art Bindings. By Octave Uzanne.]

SIGNED and INSCRIBED PRESENTATION COPY. Inscribed on the half-title page by OCTAVE UZANNE to the renowned book collector JAMES CARLETON YOUNG. The inscription reads:

"à James Carleton Young / Un ami des livres dédicacés pour qui bien volontiers J'offre en décoration extérieur de celui-ci la signature de son ami / Octave Uzanne".

(to James Carleton Young / A friend of dedicated books for whom I gladly offer as an exterior decoration of this one the signature of his friend / Octave Uzanne)

PARIS: Société Française d'Editions d'Art / L-Henry May, 1898. LIMITED EDITION of only 1060 copies. This copy is an unnumbered presentation copy.

FINE-BINDING. The original softcover book, including the front and rear wrappers, are bound in fine contemporary hardcovers, 3/4 leather and marbled paper covered boards, five raised spine bands, gilt spine titling, marbled endpapers, and gilt top page edges; 8x10.5 inches, VI, 272 pages.

ILLUSTRATED throughout with examples of decorative artistic covers, bindings and cases.

VERY GOOD condition: The hardcover binding has some scrapes to the leather at the spine ends, spine folds, and corners, but overall the fine-binding is solid and attractive. The bound-in original softcover book is very nice, the pages are lightly toned, as normal, otherwise tight, bright, clean and clear. The personal inscription by Octave Uzanne to James Carleton Young is bright and clear.

A lovely, presentation copy of this rare book that deserves to go from the home of one great collector, James Carleton Young, to another.

You can read all about the amazing French bibliophile, writer and publisher OCTAVE UZANNE on his wikipedia page and many other places on the Internet.

Here is some information about the lesser known Minnesota bibliophile JAMES CARLETON YOUNG (from the Hennepin County Library website):

******James Carleton Young, b.1856 d.1918, was an internationally known Midwest American

book collector. He graduated with an M.A. from Cornell College in 1876, and in 1909 Cornell presented him with its first-ever Doctor of Literature degree. He became wealthy buying and selling mid-west real estate, and used almost all of it to acquire first edition books.

Young collected first editions of both contemporary and non-contemporary authors, often sending the contemporary books to their authors with a request that they inscribe them. In Europe Young was given the title "Le Roi des Livres". Young was named honorary commissioner to the Paris exposition of 1878, elected as one of the three foreign members to the Société Des Amis Des Livres in Paris, awarded the Cross of the Legion of Honor in 1910, made a Fellow to the Royal Geographical Society of London, and received awards from many other important European and American book clubs and societies. The books in his library ultimately numbered in the tens of thousands and required the services of a full-time librarian, bookkeeper, several assistants, catalogers, translators, and agents.

Mounting obstacles to his dream of keeping the collection together and eventually donating it to the Smithsonian forced him to allow it to be auctioned off in installments by the Anderson galleries in New York in 1916. Young took consolation that his books would "pass into the possession of my fellow collectors and enrich hundreds of public and private libraries." He ended up being much better known abroad than in America, and relatively unknown in Minneapolis.******

INTERNATIONAL BUYERS PLEASE NOTE: This book will require additional shipping charges. After placing your order you will be notified of the charges and be able to accept or reject them before payment is taken. Thanks!

FORMULAS FOR BOOKBINDERS, by Louis H. Kinder. Kinder was the head binder at the Roycroft printing and binding shop.

SIGNED and NUMBERED LIMITED EDITION, this being Copy No. 472 of 490 copies. SIGNED and NUMBERED by LOUIS H. KINDER on the Limitation page.

Hardcovers, cloth covered spine and paper covered boards, paper spine title label, 9x11.5 inches (22x29 cm), printed on Imperial Japan Vellum, title page printed in red & black, margin notes in red. Pagination: [12], vii, [3], 115, [1] pages. Illustrated with two plates, including the frontispiece, displaying bindings by the author.

GOOD Condition: The covers have soiling, a few marks, edgewear, and finger smudges; the paper spine title label is chipped at its top edge affecting several letters; internally there is occasional marginal finger soiling (one can imagine a bookbinder's not perfectly clean fingers handling this book), otherwise tight, bright, clean, clear and unmarked.

From the title page: "Being a Collection of Trade Formulas, the Results of Twenty-five Years Study and Practice in the Arts of Tooling in Gold, Edge Gilding, Marbling, Stamping, and various other Departments of Bookbinding."

Rare 1905 Signed, Limited, True First Edition of Formulas For Bookbinders.

BOOKBINDING MAGAZINE : The Official Business Paper of the Bookbinding Industry : A Magazine of Business Building Ideas for the Bindery. Arthur Freund and Leo H. Joachim, Publishers. Published in New York, 1929-1931. SIX ISSUES: Vol. X, No. 6, Dec. 1929; Vol. XI, No. 1, Jan. 1930; Vol. XI, No. 3, Mar. 1930; Vol.XI, No. 4, Apr. 1930; Vol. XII, No. 4, Oct. 1930; Vol. XIII, No. 8, May 1931. Softcover magazines, side stapled, 8.5x11.5 inches, approximately 70 pages per issue, including lots of ads for bookbinding machinery and materials. These 6 issues are in generally GOOD condition, the spines have wear including scrapes and peeling; there are some creases and general signs of handling; overall the issues are used but still tight, bright, clean and unmarked. Articles include: Bookbinding Industrial Exhibits; Views on Trade Outlook by Bookbinders (published in 1930, the beginning of the Great Depression); Local Bookbinders Associations; In Memoriam: George K. Bird; When a Woman Runs a Bindery; Economics of Book Production; If I Had to Choose Again I'd Be a Bookbinder; and more. A nice collection of six issues of this bookbinding trade magazine, all published at the beginning of the Great Depression. INTERNATIONAL BUYERS PLEASE NOTE: These six issues are heavy and will require substantial additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact me ahead of time to find out the shipping charge to your country. Thanks.

CATALOGUE OF IMPORTANT LETTERS, MANUSCRIPTS AND BOOKS BY OR RELATING TO WALT WHITMAN, The Property of His Intimate Friend, Biographer and Literary Executor, the Late Richard Maurice Bucke of London, Ontario (Sold By Order Of H. L. Bucke, Esq.) Which Will Be Sold by Auction by Messrs. Sotheby & Co. ... the 13th of May, 1935.

LONDON: Printed by Kitchen & Barratt Ltd., 1935.

Hard Library Covers, cloth covered boards, entire catalog bound within, 6x9.5 inches (15x24 cm), 31 pages plus 3 prelim pages (cover, foreword, conditions of sale). Illustrated with 4 facsimile illustrations of manuscript signatures and inscriptions.

117 lots are offered and described. No price estimates.

Condition: EX-LIB with a shelving number on spine, a UC Santa Cruz stamp on the front pastedown, a numerical stamp at the bottom of the Colophon page (last page), and a "Withdrawn UCSC" stamp on both the front free endpaper and the rear free endpaper, etc.; ex-lib aside, there is a slant to the spine, otherwise a solid, tight, bright, clean, clear and unmarked copy.

35 MINIATURE BOOKS IN DESIGNER BINDINGS, by Anne and David Bromer. Published by Bromer Booksellers (owned by Anne and David Bromer), Boston, 1987. First Edition. Printed by the Nimrod Press. Booklet / Catalog, chocolate covered wrappers, small format 4.5x4.5 inches, 74 unnumbered pages. Comes in a clear plastic snap shut case, as issued. ILLUSTRATED with 35 PHOTOGRAPHS of MINIATURE BOOKS in FINE BINDINGS, each photograph on its own page, with FACING pages of DESCRIPTIVE TEXT. This illustrated booklet was created as a catalogue for Bromer Booksellers. It offered these 35 miniature books with designer bindings en bloc. The Introduction states that the collection was sold prior to the publication of the catalogue. FINE condition, tight, bright, clean and unmarked; in a like plastic case. A lovely little look at a gathering of lovely little books offered in 1987 by Bromer Booksellers of Boston.

A COLLECTION OF PRESSMARKS: Gathered From America's Private Presses and From Others Not So Private.

COMPLETE SET OF ALL THREE VOLUMES. Hardcover Books, bound in gold, burgundy and blue cloth covered boards, 5x8 inches, 94, 102 and 100 pages respectively. Volume Three also has an Index to the Pressmarks in all Three Volumes. Each volume is fully ILLUSTRATED with PRESSMARKS from many American Private Presses. There are also two pieces of related ephemera laid-in.

Compiled, Written and Published by James Lamar Weygand aka "The Private Press of the Indiana Kid", Nappanee, Indiana, 1956, 1959 & 1962. First Editions, Limited to 165, 250 and 250 copies. James Lamar Weygand was a noted Indiana private press printer and publisher.

All three volumes are in NEAR FINE condition, just lightly used, tight, bright, clean, clear and unmarked. Lovely copies.

For some reason Volume One (1956) shows up from time to time, but Volumes Two (1959) and Three (1962) rarely appear.

ARMORIAL DU BIBLIOPHILE Avec Illustrations Dans le Texte (ARMORIAL BOOKPLATES with In-Text Illustrations). By Joannis Guigard.

TOMES I & II (Volumes I & II bound together).

Published by Librairie Bachelin-Deflorenne, Paris, 1870-1873.

Hardcovers, three-quarters morocco leather (spine and corners) with marbled paper covered boards, marbled endpapers, two volumes and original wrappers bound-in, 6.5x10 inches (16.7x26 cm).. Pagination: Volume I - 254 pages, Volume II - 272 pages. ILLUSTRATED throughout with reproductions of armorial bookplates.

GOOD PLUS condition: The covers are worn and lightly bumped at the corner tips and rubbed at the spine folds; internally, the pages are lightly age toned and have a light crease to the upper spine area, overall tight, bright, clean, clear and unmarked.

INTERNATIONAL BUYERS PLEASE NOTE: This book will require additional shipping charges. After placing your order you will be notified of the charges and be able to accept or reject them before payment is taken. Thanks!

EIGHT TYPOGRAPHY and PRINTING SPECIMEN BOOK CATALOGS:

* BARNHARTS STOCK CUT CATALOGUE. Published by BARNHART TYPE FOUNDRY, New York, c.1909. Softcovers, 9x12 inches, 199 [7] pages. Profusely ILLUSTRATED with over 2,300 antique ELECTROTYPE CUTS from the mid 19th century to Art Nouveau. GOOD MINUS condition, toning and some creasing to the covers, shorelining / light staining to the upper front corner area of the inner pages, otherwise tight, bright, clean and unmarked.

* PREFERRED TYPE FACES. Published by BARNHART BROTHERS & SPINDLER, Chicago, c.1915. Hardcovers, 9x12 inches oblong, 172 pages. Fully ILLUSTRATED with type fonts, decorations, image cuts, etc. GOOD condition, light spotting to the spine and rear cover, some wear to the cover corner tips and edges, inner pages have a smudge here and there, and a piece of a label is still stuck to the front free-endpaper, overall the pages are bright and clean. A nice copy.

* CASLON BOLD - BODY AND JOB TYPE. CASLON FONT SPECIMENS CATALOG. Caslon was a new font introduced in 1905. Published by KEYSTONE TYPE FOUNDRY, 1906. Softcovers, string bound, 8x12 inches oblong, 30 pages plus some mini pages tipped-in. ILLUSTRATED throughout. GOOD condition, a vertical crease where the catalog was once folded, and some creases here and there, still solid, clean and complete.

* KEYSTONE SPECIMEN BOOK OF DISPLAY FACES. Published by KEYSTONE TYPE FOUNDRY, c.1915. Wrappers, inner pages staple bound, 9x12 inches,182 pages. ILLUSTRATED throughout. GOOD condition, the spine covering is peeling, the front and rear covers have some soiling, the inner pages are bright, clean, clear and unmarked.

* BORDERS - KEYSTONE TYPE FOUNDRY SPECIMEN CATALOG. Published by KEYSTONE TYPE FOUNDRY, undated. Wrappers, inner pages staple bound, 9x12 inches, 42 pages. ILLUSTRATED throughout. FAIR condition, the wrappers have separated from the text block, are tape reinforced at the spine, and have creases and chips; internally the pages are toned and have a slight crease at the upper corner, otherwise they remain bright, clean and clear. Nice text block in worn and disbound wrappers.

* BRASS RULES SPECIMEN CATALOG. "HANSEN'S BRASS RULES: Graytone Rules, High Art Rules, Halftone Rules, Labor-Saving Rules, Head Rules, Column Rules, Odd Designs, Circles, Ovals, Diamonds, Dashes, Braces, Brass Corners, etc. Greatest Variety and Most Exclusive Designs Ever Produced." Published by H. C. HANSEN TYPE FOUNDRY, Boston, c.1916. Wrappers, 9x12 inches, 80 pages. ILLUSTRATED. GOOD condition, somewhat shaky binding, light toning, inner pages are bright, clean, clear and unmarked.

* ELECTROTYPE STOCK CUTS CATALOG. Published by CALIFORNIA ELECTROTYPE & STEREOTYPE CO., Los Angeles, c.1934. Wrappers, side stapled, 9x12 inches, 100 pages. ILLUSTRATED throughout. FAIR condition, the wrappers are well worn with chips, creases and tears, and have clear tape reinforcement / repair to the spine fold and edges; internally the pages are toned at the margins and have corner creases; nonetheless a complete catalog with pages and images that are bright and clear. A worn but complete copy.

* PROCESS PRINTING SAMPLE SHEETS / MACHINE TYPE FACES, RULES, BORDERS / HOW TO BUY PRINTING PROFITABLY. Three Works Bound In One. Published by PACE PRESS, and the Employing Printers Association, New York, 1927. FINELY BOUND for "S. R. Stratton", whose name is imprinted at the bottom of the front cover. Faux leather covers, intricate blind embossing and a gilt image on the front cover, gilt page edges, vinyl endpapers embossed with floral designs, 9x12 inches. First two works are SPECIMEN CATALOGS, unpaginated, fully ILLUSTRATED. The third work has 134 pages of text. VERY GOOD condition, some scrapes and rubs to the covers, pages show light signs of handling and use, overall tight, bright and clean. A nice copy.

BUYERS PLEASE NOTE: This lot is heavy and will require additional shipping charges.

(1) THE TYPE SPECIMEN OF THE VATICAN PRESS 1628. A Facsimile. AMSTERDAM: Menno Hertzberger & Co., 1967. Hardcovers, 5x7.5 inches. Pagination: 40 pages (title page, contents, introduction); 5 leaves (tables); 8-74 pages (the Facsimile). The title page of the facsimile is printed in red and black. GOOD MINUS condition: the covers are toned at the spine and edges, there is a light bump at the top of the spine and the front hinge is split at the top 1 inch; internally, the glue is old and cracking which means pages or signatures could come loose if opened wide (this is the case with every copy of this book I have seen - the binder used poor glue) but all the pages are currently holding, otherwise the pages are sharp, bright, clean, clear and unmarked.

(2) TYPE SPECIMEN OF DELACOLONGE / LES CARACTÈRES ET LES VIGNETTES DE LA FONDERIE DU SIEUR DELACOLONGE [Lyons 1773]. Facsimile with Introduction and Notes by Harry Carter. Amsterdam (Van Gendt & Co.), London and New York,1969. Hardcovers, 4.75x7.25 inches. Pagination: 82 plus the 120 Facsimile (facsimile pages printed on rectos only). GOOD MINUS condition: there is wear and a bit of splitting at the top and bottom spine folds, the inner pages are lightly toned and, like the above copy, poor glue was used in binding this book and the binding is crackling when when opened somewhat wide), otherwise the book is complete, tight, bright, clean and unmarked.

(3) THE TYPE SPECIMENS OF CLAUDE LAMESLE, a Facsimile of the First Edition printed at Paris in 1742. With an Introduction by A.F. Johnson. [AMSTERDAM]: Menno Hertzberger & Co., 1965. Hardcovers, 5.5x8.5 inches. Pagination: 11 pages + the Facsimile (approx 120 pages?) A facsimile of the original title page and a plate at the end are printed in red and black. GOOD condition: The covers are toned at the spine and edges, the spine ends are bumped, internally tight, bright, clean, clear and unmarked.

(4) XIXth CENTURY ORNAMENTED TYPES AND TITLE PAGES, by Nicolette Gray. LONDON: Faber and Faber, 1938. First edition. Hardcover Book in Dustjacket, 5.5x8.75, red top page edges, 213 pages. VERY GOOD book, some pushing at the top of the spine, light sunning to the edges, offsetting to the endpapers, otherwise tight, bright, clean, clear and unmarked; in a GOOD MINUS price-clipped dustjacket that is toned and has edge and spine-end wear.

(5) SCHRIFTPROBEN : ORIENTALISCHER TYPEN Wie Auch PHONETISCHE AKZENTE (WRITING SAMPLES : ORIENTAL TYPES as well as PHONETIC ACCENTS), Gluckstadt [Germany]: J.J. Augustin, 1933. Originally published in Hamburg in 1632. Text in German. Hardcovers, 5x8 inches, 104 pages. There is a pocket in the rear holding an 8 page booklet with additional fonts, it is printed in blue and black. GOOD condition, slight wear to the cover spine ends and corner tips, pages are age toned, otherwise tight, bright, clean and clear.

(6) SPECIMEN OF MODERN PRINTING TYPES, Edmund Fry. A facsimile. London: Printing Historical Society, 1986. Hardcovers, 6.5x10 inches. Pagination: 18 + the Facsimile (approx. 120 pages?) VERY GOOD condition.

(7) ANECDOTES TYPOGRAPHIQUES, by Nicolas Contat dit Le Brun; together with LA MISERE DE APPRENTIS IMPRIMEURS, by DUFRESNE. Reprints of works originally published in 1762 and 1710, this volume published by the Oxford Bibliographical Society, 1980. Hardcovers, 6x9.5 inches, 163 pages. The Introduction is in English, the reprints of the French works are in their original French. VERY GOOD condition.

(8) FREGI & MAJUSCOLE INCISE E FUSE DA GIAMBATTISTA. Small, paperbound facsimile of the book originally published in Parma in 1771. This facsimile published by the Harvard College Library from its Bentinck Smith Typographical Collection. Softcovers, small format, 4.5x7.75 inches. Pagination: XII, 58, plus 3 pages of notes at the rear. VERY GOOD condition.

This 8 volume lot will require additional shipping costs.

Fritz Eichenberg. WERKKATALOG DER ILLUSTRIERTEN BUCHER 1922-1987 / CATALOGUE RAISONNE OF THE ILLUSTRATED BOOKS 1922-1987.

SIGNED and warmly INSCRIBED by ANTONIE EICHENBERG to LILI (LILLY) and ERICH WRONKER. ANTONIE EICHENBERG was the WIFE of FRITZ EICHENBERG (she designed this as well as many other books by her husband). LILI WRONKER, b.1924 d.2019, was a noted book illustrator, typographer and small press operator. The inscription reads:

"To Lilly and Erich Wronker / Fritz would have loved to sign it - Now I have to do it to you both. / With Love / Toni / 24. XII. '90"

In addition Antonie Eichenberg SIGNED her name beside the frontispiece photo of her husband (which she took): "Foto: Toni"; and again SIGNED: "Love Toni" in the margin of the Publisher's Introduction next to the German printed text (here in English): "I also feel obliged to Antonie Eichenberg, who designed the book cover and styled the typography of so many of her husband's works and without her help this book could not have been possible."

MEMMINGEN: Edition Curt Visel, 1987. Text in GERMAN and ENGLISH.

Hardcovers, 8x9 inches, 164 unnumbered pages. The latter half of the book is filled with examples of Fritz Eichenberg's b&w graphic works.

GOOD condition: The covers are lightly soiled and have corners that are lightly bumped, else solid and bright; internally the pages are tight, bright, clean and clear. A nice, presentable copy.

About FRITZ EICHENBERG (from Wikipedia):

******Fritz Eichenberg b,1901 d.1990, was a German-American illustrator and arts educator who worked primarily in wood engraving. Eichenberg was born to a Jewish family in Cologne, Germany. In 1933 he fled the rise of the Nazis and emigrated with his wife and children to the United States, where he settled in New York City for most of the remainder of his life. He taught art at the New School for Social Research and the Pratt Institute and was part of the WPA's Federal Arts Project.

In his prolific career as a book illustrator, Eichenberg worked with many forms of literature but specialized in material with elements of spiritual and emotional conflict, illustrating such authors as Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories.******

About LILI WRONKER, to whom the book was inscribed (from an online obituary):

******Lili Cassel Wronker, b.1924 d.2019, was born in Berlin, Germany. She and her family fled the Nazi regime and immigrated to the United States in 1940, settling in New York. She illustrated her first children's book, The Rainbow Mother Goose, in 1947. It was described by the American Institute of Graphic Arts (AIGA) as one of the "Fifty Best Books of the Year". She later taught calligraphy at the New School.

In 1952 she married Erich Wronker with whom she would later run a small private press from their home.

A typophile par excellence and in deep love with Judaism, Lili Wronker was a founding member of the Society of Scribes in New York. Her typographic work can be seen in hundreds of book jackets between the 1940s and 1960s. Her love of Judaism found artistic expression in her Hebrew calligraphy, which appeared in many fine art books and magazines.******

JOE D'AMBROSIO - NINETEEN YEARS AND COUNTING, A RETROSPECTIVE BIBLIOGRAPHY, 1969-1988.

ARTIST'S BOOK by JOE D'AMBROSIO, Book Designer, Book Binder, Fine-Printer, Artist.

Self-published and self-made artist's book. First edition and only edition, 1989. Limited to 75 numbered copies and 10 artist proofs. This is copy #41. SIGNED and NUMBERED by D'Ambrosio on the title-page.

FINE and UNIQUE binding, the covers are marbled paper covered boards with a hinged leather spine and a burnished copper plate overlaid on the front; the dustjacket is gray denim cloth with marbled-paper trim; the endpapers are handmade marbled paper. An extraordinary binding.

The book is 6x9 inches and has 129 pages plus the Colophon page.

There are 60 mounted color photographs illustrating D'Ambrosio's fine printing works, books and broadsides, which he produced from 1969-1988.

Condition: FINE book in NEAR FINE dustjacket that has light signs of edge and corner wear. A lovely copy.

Joe d'Ambrosio, b.1934 d.2009, was a fine-printer and book artist who first began designing unusual printed items in Chicago in 1969.

MARTIN STONE, BOOKSCOUT, by PETER B. HOWARD.

SIGNED and INSCRIBED in pencil by PETER HOWARD on the title page: "for David and Beth / Peter Howard".

Published by SERENDIPITY BOOKS, Berkeley, 2000. Limited to 200 copies, so stated on the copyright page.

An essay by the late, renowned bookseller Peter Howard, about his friend, Martin Stone, a rock guitarist and an incredible antiquarian book scout.

Booklet, softcovers, sewn binding, 7.5x10 inches, 15 pages.

NEAR FINE Condition: just lightly handled, tight, bright, clean and unmarked.

Peter Howard, who owned Serendipity Books of Berkeley, California, and was at one time the President of the ABAA, died in 2010. Peter, wherever you are I want you to know that the Roast Suckling Pig you brought out every two years at the time of the San Francisco ABAA Book Fair was Yummy!

About MARTIN STONE (from Wikipedia):

******Martin Stone (11 December 1946, Woking, Surrey - 9 November 2016, Versailles, France) was an English guitarist and rare book dealer. He was a resident of Fingest in Buckinghamshire and, later, of Paris.

Educated at Whitgift School, Stone initially wanted to be a journalist and began as a cub reporter on The Croydon Advertiser, interviewing Jimmy Page when he was still a session musician. Stone's passion for the guitar led him to become a musician. His guitar talent was such that he was considered a possible replacement for Brian Jones in the Rolling Stones. Martin Stone played in many groups, including Junior's Blues Band, Stone's Masonry, Almost Presley, The Action, Savoy Brown Blues Band, Mighty Baby, Chilli Willi and the Red Hot Peppers, Southern Comfort, The Pink Fairies, and The 101'ers. His last album, which he called his legacy album is LIVE FROM THE TERMINAL CAFE with Michael Moorcock and the Deep Fix (Cleopatra Records, Autumn 2019).

Subsequent to his musical efforts Stone achieved international notoriety as a bookscout. He is a major player in John Baxter's memoir A Pound of Paper: Confessions of a Book Addict. He is the subject of a limited edition book Martin Stone, Bookscout by the California rare bookseller Peter Howard of Serendipity Books. He appeared in the television documentary Without Walls: The Cardinal And The Corpse (Iain Sinclair / Chris Petit 1992). He is also known to be the basis for the character Nicholas Lane in Sinclair's novel White Chappell, Scarlett Tracings (1987).

Stone was married in 1980 to Ruth Bullock and their daughter is the actress Sophie Leigh Stone.******

TINTAS DE IMPRENTA - NATIONAL PAPER & TYPE CO., NUEVA YORK - E-U-A. SUCURSALES en AMÉRICA del SUD, MÉXICO Y LAS ANTILLES.

SAMPLE TRADE CATALOG of PRINTING INKS Manufactured by GEORGE H. MORRILL CO. and Distributed to Spanish speaking countries in the Western Hemisphere by the NATIONAL PAPER & TYPE CO. through its Branches in SOUTH AMERICA, MEXICO and THE ANTILLES.

Contains 100 PRINTED SAMPLE PAGES with GORGEOUS ILLUSTRATIONS using various INKS, each sample printed on its own leaf.

Published jointly by the Ink Manufacturer GEORGE MORRILL COMPANY, Norwood, Massachusetts; and the Distributor NATIONAL PAPER & TYPE COMPANY, New York; undated but likely c.1920.

Hardcovers, cloth covered boards, printed titles and design on the front cover and devices of George H. Morrill Company and National Paper & Type Company on the rear cover, printed endpapers, 5.5x9.5 inches, 112 pages of which 100 are sample pages printed using various inks of George Morrill Co.

TEXT ENTIRELY IN SPANISH, including the captions of the sample pages, the introduction, etc.

There is a stamp on the front free endpaper that states: "Cataloga de Tintas de Imprenta, Numero 868", indicating this is copy #868 of an unstated limited edition.

GOOD Condition: The covers are worn through at the corner tips, rubbed at the edges, have some soiling, a few small stains, and the cloth hinge of the front cover has completely split but is holding. Internally, the front and rear inner hinges are split but holding, the endpapers have a couple spots, there are a few spots to the bottom of the first few plates, otherwise the inner pages and all the plates are tight, bright, clean, clear and unmarked.

A wonderful look at printing inks used by publishers in South America, Mexico and the Caribbean in the early 1900s. Though English language Morrill printing ink catalogs are not difficult to find, Morrill Spanish catalogs aimed at South America, Mexico, and the Caribbean are quite scarce.

About GEORGE H. MORRILL COMPANY (from the Norwood Historical Society):

******George H. Morrill Company made ink for the printing industry. Founded in 1845 in Massachusetts by Samuel Morrill who invented and produced a superior ink compared to what had been on the market. The company grew rapidly, new products were added, and sales expanded. By the early 1900s they had offices in New York, San Francisco, Philadelphia and Chicago. Their product line had grown as well. They started out making just black ink, around 1874 they began to make colored ink. By 1890, the company had enlarged its Norwood facilities to fourteen buildings. By 1910 it was said they were the largest producer of printing ink in the United States.******

ILLUSTRATED CATALOG of RARE BOOKS - COLLECTION of NATIONAL CULTURAL PROPERTIES in TENRI CENTRAL LIBRARY.

Hardcover Book, cloth covered boards, gilt titles (in Japanese) on spine, 10x10 inches (25x25 cm), 202 pages. Illustrated with 89 color photographic plates.

Each of the 89 rare items held in the Tenri Library Collection is fully described on its own page and beautifully illustrated on the facing page.

Published by the Tenri Central Library, Tenri, Nara Prefecture, Japan, 1997. TEXT ENTIRELY in JAPANESE, except for an English title page and Preface page.

VERY GOOD condition, there is a small pea size scrape / tear to the cloth near the top of the spine, and a touch of edge wear, else fine, tight, bright, clean, clear and unmarked. A solid, very presentable copy.

An amazing book illustrating and describing 89 rare Japanese books of cultural and historical importance.

About TENRI CENTRAL LIBRARY (from Wikipedia):

******Tenri Central Library is the library of Tenri University. It has notably extensive collections in antiquarian material, including original manuscripts from 13th century Japan, and artifacts of European exploration and early visits to Japan. Dating to 1926, the library predates the University itself. It has its origins in the private collection of the family of the foundress of Tenrikyo, Oyasama.

The library specializes in religion, Oriental studies, Near Eastern studies, anthropology, ethnology, topography, language, and Japanese literature. Among the valuable Japanese materials in its rare book collection are six volumes designated as national treasures (such as the Oyo Bunchuko Shu) and over seventy volumes designated as important cultural properties.******

INTERNATIONAL BUYERS PLEASE NOTE: This book is heavy and will require additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact us ahead of time to find out the shipping charge to your country. Thanks.

A PORTFOLIO w/ 14 Folios by 14 Small-Press Printers.

CLUB HISTORIES.

INCORPORATION & BY-LAWS.

(1) A PORTFOLIO for THE 50TH ANNIVERSARY OF THE SACRAMENTO BOOK COLLECTORS CLUB. Printed for THE SACRAMENTO BOOK COLLECTORS CLUB, 1989. LIMITED EDITION of only 125 COPIES.

Hardcover portfolio case holding 14 loose single-fold FOLIOS printed by 14 SMALL-PRESS PRINTERS from the Sacramento region. The folios describe libraries in the Sacramento, Yolo and San Joaquin counties.

"Each of the folios in this set recognizes a library in the region, describing the library and telling some of its history, and features one or two interesting books from its collections. Each folio was designed and printed by a club member who uses letterpress methods and is the proprietor of, or has access to, a private press."

(2) IN THE BEGINNING - The Early Years of the Sacramento Book Collectors Club, by Allan R. Otley. Wrappers, sewn bound, 14 pages. Printed by the Amaranth Press in an edition of 400 copies as a keepsake for the S.B.C.C.,1979. FINE condition.

(3) THE FIRST HALF CENTURY - The Sacramento Book Collectors Club 1939-1989; with a bibliography of the club's publications. Softcovers, 68 pages. Printed in an edition of 250 copies for the S.B.C.C., 1989. Fine Condition.

(4) THE SIXTH DECADE - The Sacramento Book Collectors Club 1989-1999, by Vincent J. Lozito. Booklet, 15 pages. Printed by the Haunted C & P Press, 2000. FINE condition.

(5) Sacramento Book Collectors Club Constitution, By-Laws & Articles of Incorporation, with a list of publications. Booklet, 1968; and another for 1977. Both are in FINE condition.

PLUS an assortment of other small-press items related to the S.B.C.C.

Everything is in VERY GOOD to FINE condition.

THE ASHENDENE PRESS, by Colin Franklin.

Published by the Bridwell Library, Southern Methodist University, Dallas, 1986. First Edition, limited to 750 copies as stated on the Colophon page (the last page).

SIGNED and INSCRIBED by COLIN FRANKLIN on the half title page: "For Alan / in a delightful visit to Sea Ranch & the presence of his marvelous book treasury / from Colin / February 1991".

Hardcovers, half cloth, patterned paper boards, paper spine label. 8x11.5 inches (20x29 cm), xiv, 256 pages. Printed by W. Thomas Taylor.

NEAR FINE condition, tight, bright, clean and clear. A lovely copy.

About THE ASHENDENE PRESS (from Wikipedia):

******The Ashendene Press was a small private press founded by St John Hornby, b.1867 d.1946. It operated from 1895 to 1915 in Chelsea, London and was revived after the war in 1920. The press closed in 1935. Its peers included the Kelmscott Press and the Doves Press. These three presses were part of a "revival of fine printing" that focused on treating bookmaking as fine art. The Ashendene Press was famous for producing high quality works by Dante. Ashendene books were carefully printed with large margins, and despite their lack of extravagant decoration, they were considered spectacular works of art. Two original typefaces were created for the Ashendene Press: Subiaco and Ptolemy. The Press was also known for handwritten, colored initials by Graily Hewitt. The Press' main customers were fine book collectors.******

About COLIN FRANKLIN (from Wikipedia):

******Colin Ellis Franklin, FSA, b.1923 d.2020, was an English writer, bibliographer, book-collector and antiquarian bookseller. He was born in Notting Hill, London. He worked for some years in publishing, at Routledge in London, before moving into antiquarian bookselling. He specialized in the study of private presses and the book arts, but also wrote on Shakespeare, Japanese books and prints, Lord Chesterfield, Elizabeth Barrett Browning and on printing techniques and media. He was Honorary President of the Oxford University Society of Bibliophiles, Patron to the Oundle School Society of Bibliophiles, and President of the Private Libraries Association and the Double Crown Club.******

INTERNATIONAL BUYERS PLEASE NOTE: This book will require additional shipping charges. After placing your order you will be notified of the charges and be able to accept or reject them before payment is taken. Thanks!