LOVER OF ROBER GRAVES ATTEMPTED SUICIDE IN 1927 SAID SHE WOULD NEVER WRITE ANOTHER POEM

A POEM : HOW A POEM CAME TO BE. A Lovely BROADSIDE POEM by LAURA RIDING JACKSON.

SIGNED by LAURA RIDING JACKSON at the end of her poem, beneath her printed name.

Published by [Lord John Press, 1980]. Presentation Copy - Presentation Copies are normally printed prior to numbered copies, making them quite hard to find. Subsequently printed in a limited edition of only 150 numbered copies.

Broadside, printed on fine heavy stock paper, deckled top and bottom edges, 15x22 inches.

NEAR FINE condition, a bright and beautiful copy. Would look great mounted and/or framed.

From the Broadside: "Within a very few years of the publication of my Collected Poems (1938)... I renounced further trying the way of poetry... saying: I would write no more poems - and I wrote no more poems... (however) I wrote for (a close friend), in the 1978 Christmastime, a poem, marked as a poem for him only, giving it the title HOW A POEM CAME TO BE. I kept no copy of this privately written and given poem, and forgot the writing and the giving of it... I chanced, recently, to tell my friend of receiving a request for a poem to publish in broadside form from the Lord John Press, indicating my feeling some surprise that Mr. Yellin, the Press's director, should not have been aware that FOR FORTY YEARS there had been NO NEW POEMS of mine. But my friend reminded me that about a year ago there HAD been a new poem - the one I wrote for him; and he urged me to let him release it to me from its private status of being a poem for him only... I give here the poem, given him, to be out in the world..."

LAURA RIDING JACKSON, 1901-1991, was an iconoclastic American Poet. She left New England at the age of 25 to live with ROBERT GRAVES and his wife, Nancy Nicholson. The triangle did not suit her, and Laura Riding tried to commit suicide in 1927. Thereafter Robert Graves divorced his wife and lived together with Laura Riding in Majorca, France, England and Switzerland, and even went with her when she returned to the United States. They bitterly broke up in 1939. In 1941 Laura Riding Jackson renounced poetry, married Schuyler B. Jackson, and lived quietly with him in Wabasso, Florida, until her death in 1991. In the 60s, 70s and 80s she wrote a number of pieces explaining her reasons for renouncing poetry, but no poetry. This is apparently THE ONLY POEM written by Laura Riding Jackson since 1941.

You can read much more about LAURA RIDING on Wikipedia and elsewhere on the Internet.

This Large and Lovely BROADSIDE will be shipped carefully rolled in a sturdy mailing tube.

ORIGINAL DOUBLE POSTCARD featuring images of two concert posters for upcoming concerts at the Avalon Ballroom in August 1968. Produced by Family Dog Productions during the zenith of San Francisco's psychedelic music scene. Family Dog Productions began producing concerts in the mid 1960s at the Fillmore Auditorium with Bill Graham and Chet Helms, they hired young artists to design the graphics for their concert posters and handbills, these artists, including Stanley Mouse are now renowned as innovators of psychedelic art.

FAMILY DOG 1968 original pre concert 1st printing double postcard. FD 133/134. Off-set printed in San Francisco, California, cream color card printed with brown ink, 9.25" x 6.5" inches, verso is printed with psychedelic Family Dog logo. Most of these postcards were sent through the mail to mailing list recipients advertising the upcoming event. The artists for Bill Haley and the Comets are George Hunter and Jerry Wainright, and for Spirit are Stanley Mouse and photographer Arnold Genthe (1869-1942). Of note, the Spirit image is from a 1915 photograph of famous dancer Anna Pavlova. VERY GOOD CONDITION: stamped name and address of recipient, light wear, a light horizontal fold along the middle, and some light creasing, overall a bright vintage relic from San Francisco's 1960s counterculture.

Uncommon vintage LIBRARY POSTER illustrated with all the Dustjackets of the Caldecott Award Winning Children's Books from the Awards inception in 1938 to 1988.

A Pictorial Record of The Caldecott Medal awarded each year for the most distinguished American Picture Book.

Published for schools and libraries by the Treasure Trove Binder, USA, 1988. Poster, paper, printed in color, issued folded, 38" x 25" inches. With text indicating Illustrator, Author, Publisher and Date of Award beneath each dustjacket. Includes information on the Award, Randolph Caldecott, and an image of the Medal at the bottom of the poster. VERY GOOD CONDITION: folded as issued, light wear to the folds, one small closed edge tear on fold, a touch of toning, and a few tiny spots of foxing, overall solid and bright.

Punk embodied juvenile delinquent culture with a psychobilly edginess that manifest in the late 1970s as herds of disaffected kids dealt with the social disintegration they saw around them. Stapled to poles and pasted up around town punk flyers are rare since they were made to be thrown away, totally unique cultural artifacts.

Three pieces of original punk ephemera from the late 1970s:

One Flyer from the Vacaville, California punk band THE PANTIES who played gigs all over the East Bay -

Flyer, paper, printed on one side, 8.5" x 11" inches. GOOD CONDITION: horizontal fold, numerous pinholes in the margins and in the image, small droplet stain in bottom margin, small edgewear, penned notations by band member Jim on the front, relevant penned note on verso, overall remains solid and bright.

Punch-out DEVO postcard from the cover of their second studio album Duty Now for the Future - color postcard, 9.25" x 6.25" inches: GOOD CONDITION: corner creasing, pinholes in the margins, age toning, penned Christmas notations, names and addresses on the verso but remains solid and bright.

Johnny Rotten themed printed birthday invitation - printed card, 5" x 4" inches folded: FAIR CONDITION: pinholes, tearing in the top margin, staining and wear, but remains extant which is pretty uncommon.

Original Clash Promotional Poster circa 1978. Halftone, printed on paper, issued rolled, 27" x 20" inches.

From a 1978 black & white photograph taken by Pennie Smith during a photo session for the promotion of the band's second album Give 'Em Enough Rope (1978). A Russian propaganda poster was used as the photo's backdrop. GOOD CONDITION: surface creasing and scratches, egdewear, touch of waviness, overall a solid and bright vintage punk poster. Will be sent rolled in sturdy mailing tube. Uncommon.

Formed in London in 1976 The Clash was one of the most successful bands from Punks first wave in the 1970s, early Clash gigs were notoriously violent establishing them as a leading voice of Punk Rock. Clash members were vocalist Joe Strummer, guitarist Mick Jones, bass player Paul Simonon and drummer Topper Headon.

Artist Pennie Smith (b. 1949) is one of the United Kingdoms most acclaimed rock photographers. She created one of the most iconic Punk Rock photographs ever, the cover image for London Calling by The Clash.

In the 1960s Pan American Airlines produced a series of large format promotional travel posters depicting fabulous shots of iconic destinations with bold red and blue text and airplane icon at the bottom stating "Fly Pan Am To . "

Vintage 1965 FLY PAN AM TO SPAIN Poster. From an original photograph taken by American advertising photographer and Director of Photography at Pan American Airlines Ewing Krainin (1912-2004). The poster is marked KRAININ©PAA in the plate.

Off-set Color Lithograph, published by [Pan American Airlines], circa 1965, large format 35" x 44", printed on matte paper. VERY GOOD Condition: some edgewear, edge creases and a few tiny edge chips, some small creasing in the bottom margin, and age toning, but overall a bright, clean and uncommon 1965 Pan Am advertising poster. Will be shipped safely rolled in a sturdy tube. A striking midcentury travel poster.

Original vintage 1965 FLY PAN AM TO HAWAII Poster. From an original photograph believed to be taken by long time Pan Am staff photographer Chester "Blackie" Kronfeld who died tragically at the age of 49 while on assignment in the horrific American Airlines plane crash that killed 95 people in New York on March 1, 1962.

Off-set Color Lithograph, published by [Pan American Airlines], November, 1965 (as indicated by the printing code 11/65 in the lower right margin), large format 34.5" x 44", printed on matte paper. VERY GOOD Condition: the bottom edge has some wear/creasing and a tiny chip on the lower left corner, and a quarter size touch of light shorelining on the rear of the image that is barely visible in the clouds above the umbrella, overall a bright, clean and uncommon 1965 Pan Am advertising poster. Will be shipped safely rolled in a sturdy tube. A respectable midcentury poster that would look stunning framed.

In the 1960s Pan Am produced a series of large format promotional travel posters depicting fabulous shots of iconic destinations with bold red and blue text and airplane icon at the bottom stating "Fly Pan Am To . "

Original vintage 1967 FLY PAN AM TO SAN FRANCISCO, U.S.A. Poster. From an original photograph believed to be taken by long time Pan Am staff photographer Chester "Blackie" Kronfeld who died tragically at the age of 49 while on assignment in the horrific American Airlines plane crash that killed 95 people in New York on March 1, 1962.

Off-set Color Lithograph, published by [Pan American Airlines], May, 1967 (as indicated by the printing code 5/67 in the lower right margin), large format 34.5" x 44", printed on matte paper. GOOD CONDITION: light age toning, light edgewear, and a quarter size old water droplet to the blank backside of the poster that is faintly visible on the image (it's in the sky just above the tower on the Marin side of the Golden Gate Bridge, see my photographs), no rips, tears, holes or chips, overall a bright, clean and uncommon 1967 Pan Am advertising poster. Will be shipped safely rolled in a sturdy tube. A respectable midcentury poster that would look stunning framed.

In the 1960s Pan Am produced a series of large format promotional travel posters depicting fabulous shots of iconic destinations with bold red and blue text and airplane icon at the bottom stating "Fly Pan Am To . "

PUBLIC OUTCRY - Broadside Poem by JOYCE CAROL OATES. SIGNED beneath her printed name.

An unusual broadside poem by Oates published in 1976 the year of America's Bicentennial. The work focuses on the triviality of what the press defines as "Outrageous" and the trivial ways in which the press advises its followers to take action. The poem is surrounded by images of newspaper articles, including one that notes the Bicentennial "Color Your Yard Red, White and Blue".

Published by the SLOW LORIS PRESS, Pittsburgh, Pennsylvania, 1976. Printed in an edition of only 65 signed and numbered copies, this being copy 60.

The broadside poem is 11x17 inches (28x42.5 cm), and is professionally dry mounted on a 16x22 inch (40x55.5 cm) stiff mounting board. It is thus ready for framing.

VERY GOOD condition, a bit of edgewear to the mounting board, overall solid and nice.

Something about this poem shakes me, it is so relevant to today's world. Please keep at it Joyce.

SHAMROCK OVER IRELAND! from the "Shamrock Song" by Katharine Tynan.

"Made for ALBERT M. BENDER by ANSEL ADAMS / Saint Patrick's Day - March seventeenth nineteen thirty-nine".

Fold-open broadside, folded measures 9.5x12.5 inches oblong, folds open to show two inner panels, the entire sheet can fold open to show all 4 front facing panels, the backside is blank. Folded open the sheet measures 19 x 25 inches.

The broadside was made by ANSEL ADAMS for his friend and patron, ALBERT M. BENDER. Printed by Johnck & Seeger, Printers, San Francisco, as stated on the bottom corner of the rear panel of the folded broadside.

FAIR PLUS condition: there is creasing around the center fold, corners and edges; the rear panel (when folded) has a 1 inch closed tear to the bottom edge where the printer's information is printed; there is light soiling here and there; still a solid and bright copy. The folded broadside came in a plain heavy stock envelope, which remains in good condition.

Rare ANSEL ADAMS / ALBERT M. BENDER item. OCLC notes only six copies held worldwide, including ones at Trinity College Dublin, the National Library of Ireland, Stanford University, U.C. Berkeley, and the Huntington Library.

About ALBERT M. BENDER (from Wikipedia):

******Albert Maurice Bender (born Dublin 1866 died San Francisco 1941) was a German-Irish-American art collector who was one of the leading patrons of the arts in San Francisco in the 1920s and 1930s. HE PLAYED A KEY ROLE IN THE EARLY CAREER OF ANSEL ADAMS and was one of Diego Rivera's first American patrons. By providing financial assistance to artists, writers, and institutions, he had a significant impact on the cultural development of the San Francisco Bay Area and beyond.

A lover of literature from an early age, Bender began collecting rare books and helped create the Book Club of California in 1912. Inspired by his cousin Anne Bremer, a professional artist, Bender began collecting art,

Bender enjoyed giving things away even more than he liked acquiring them, and he became a prolific donor to Bay Area museums and libraries. Beginning in 1932 he donated 260 pieces of art to the National Museum of Ireland in memory of his mother. He gave important collections of rare books and fine printing to Mills College, Stanford University, the University of California, and the San Francisco Public Library. Stanford University has a Bender Room in its library.

Bender helped launch the career of many artists and photographers, including Ansel Adams. He financed the publication of Adams's first portfolio (Parmelian Prints of the High Sierras, 1927) and his first book (Taos Pueblo, with author Mary Hunter Austin, 1930).******

SUPERMARKET Words and Music By LEW WELCH and CHRIS ROBERTS

BROADSIDE, self published 1965, 13" x 9.75", reproduced holograph manuscript music score and chord chart for spoken word, voice and orchestra, printed on thin brown paper.

NEAR FINE CONDITION. This copy is from the personal collection of Donald Allen. Scarce, only one copy held in institutional hands located in the Lew Welch Papers at Special Collections & Archives UC San Diego, which was originally acquired from Donald Allen.

LEW WELCH (1926-1971) prominent Beat and cult figure, one of a handful of poets including Allen Ginsberg, Gary Snyder and Michael McClure, who emerged from the San Francisco Renaissance of the 1950s. Welch was a misfit even among the Beats. He wrote for the hipsters, Beats and beatniks who gathered nightly in San Francisco to listen to jazz, drink cappuccinos and sip red wine. In 1971 he wrote a suicide note that read, "I never could make anything work out right and now I'm betraying my friends." Then, with gun in hand he wandered into the forest surrounding Gary Snyder's home in the Sierra Nevadas, his body has never been found.

DONALD ALLEN (1912-2004) Lew Welch's literary executor, Grove Press editor, publisher, and author of The New American Poetry 1945-1960, the landmark literary anthology that has come to define the canon of early Beat poetry.

EXHIBITION POSTER featuring a RISQUE ROARING 20s PHOTOGRAPH by ALBERT ARTHUR ALLEN. The photograph shows a line of NUDE WOMEN in a stylized pose. The photograph was likely taken in the midst of the Roaring Twenties when Albert Arthur Allen was most active (and at his most scandalous).

Poster, 20x24 inches, mounted onto stiff card backing. Will be mailed flat. Ready to be framed.

Published in 1978. The bottom right corner of the poster states "Copyright 1978 Collection of Mr. and Mrs. Jack Titelman". It is presumed this was a poster announcing an upcoming exhibition of Allen's photographs that took place in 1979.

VERY GOOD condition, there is a very light 1x2 inch water stain at the bottom margin, otherwise bright, clean and clear.

This poster is much more uncommon than the "Chorus Line" poster that appears for sale from time to time.

About ALBERT ARTHUR ALLEN (from Wikipedia):

******Albert Arthur Allen, b.1886 d.1962, was an American figure photographer and film director known for nude portraiture.

Allen was born to a wealthy New England family in 1886, and was educated in Boston. At the age of twenty-one, he moved to California and spent years traveling and studying art. In 1916, he opened the Allen Art Studios in Oakland, California. The studio later became known as the Allen Institute of Fine and Applied Art, before it was destroyed by a fire in 1925. The following year, Allen rebuilt the studio and called it the Classic Motion Picture Corporation, a venture that lasted two years before declaring bankruptcy.

A motorcycle accident in 1923 left Allen permanently disabled, but he continued to work. His nude photographs were considered scandalous by American standards during the Roaring Twenties. He was indicted for sending obscene materials through interstate mail, and spent years in litigation.

Little is known about Allen's later life. His first commercial exhibition did not take place until 1979, seventeen years after his death. Allen died in Hayward, California, at the age of 75.******

Original 1982 Exhibition Poster by Beat Collage Artist JESS [Collins].

Published by Gallery Paule Anglim, San Francisco, California, 1983. Featuring the Paste-up titled QUONDAM QUIDDITIES. First edition (edition size unknown) unsigned, un-numbered, color off-set lithograph on paper, 24.5" x 18", machine folded twice for mailing (one vertical and one horizontal fold), JESS Paste-ups 1954 to 1982, Opening May 11 through June 11, 1983 and Gallery Paule Anglim return address printed on the verso. VERY GOOD CONDITION: original large folded sheet, pinhole at center fold, some light creasing from handling, otherwise clean and vibrant, a lovely example of this scarce vintage exhibition poster, it would look great framed.

Painter and Collagist Jess (1923-2004) was a leading light of the San Francisco art scene from the 1950s until his death. One of the most original artists of the second half of the 20th century, his collages evoke comparisons to Max Ernst, Kurt Schwitters, and Joseph Cornell. He was married to San Francisco Renaissance Poet Robert Duncan for four decades. Jess's work is held many museum collections including the San Francisco Museum of Modern Art, the Museum of Modern Art and Metropolitan Museum of Art in New York City, and the National Gallery of Art.

Will be mailed folded.

JOINT SHOW. Large and Psychedelically Amazing Poster by WES WILSON created for the Joint Show, exhibition that took place at the Moore Gallery, San Francisco, in 1967. The artists in the show were five of the major psychedelic artists of the time, Wes Wilson, Stanley Mouse, Alton Kelley, Victor Moscoso, and Rick Griffin.

Brilliantly colored, ink looks and feels fresh and vibrant, large 25x37.5 inches. Published by [NEON ROSE, San Francisco, 1967], later printing with no statement printed along the bottom edge.

NEAR FINE condition, a touch of edge wear, bright and lovely.

The poster has been stored in a rolled state (note the books in the photos holding down the poster's edges to keep it flat). It will be sent in its rolled state in a very sturdy mailing tube.

Nothing says 1967 quite like this poster! Would look great mounted and framed.

POETRY BROADSIDE "32 BEAMS OF LIGHT..." by DAVID MELTZER, with a tipped-on WOODCUT by JAMES HIBBARD.

Published by the Yes! Press in an edition of only 100 copies in 1970, as stated in the colophon at the bottom of the sheet.

The BROADSIDE is SIGNED by DAVID MELTZER above his printed name. The WOODCUT is SIGNED by JIM HIBBARD below the printed image, and hand dated 12/6/70.

The BROADSIDE SHEET, including the tipped-on woodcut, is 9x13 inches. The woodcut is 5.25x5.75 inches and is tipped-on to the upper part of the broadside.

GOOD condition, some creasing to the margins and corners, otherwise solid and bright.

About DAVID MELTZER, Poet (from Wikipedia):

******David Meltzer, b.1937 d.2016, was an American poet and musician of the Beat Generation and San Francisco Renaissance. One of the key poets of the Beat generation, Meltzer was also a jazz guitarist, Kabbalist scholar, and the author of books of poetry and prose. Lawrence Ferlinghetti described him as one of the great post WWII San Francisco poets.******

About JAMES HIBBARD, Artist (from the Hallie Ford Museum of Art / Willamette University Museum website):

******Jim Hibbard, b.1936 d.2022, was an important Northwest artist who, after a 30-year career of exhibiting and teaching in Portland, established a new home and studio in Guanajuato, Mexico, where he continued to work productively almost until his death in 2022. The HFMA will have an retrospective of his artworks from Mexico and his earlier Portland years titled: Jim Hibbard: Back in View. The exhibition will run from May 6 - August 12, 2023.******

MACUNAIMA (1969). A Brazilian Cinema Novo masterpiece, considered one of the most important films in Brazilian history. Directed by Joaquim Pedro de Andrade, in Portuguese with English subtitles. A box office hit in Brazil, it was released in a dubbed version for American audiences in 1972 by New Line Cinema.

Illustrated by underground New York psychedelic comic artist Frank Mell. His incredible work is similar to legendary R. Crumb Comics, but much less known. His work is in the collection of the Oakland Museum, he illustrated psychedelic album covers, posters, and his work can be found in counter culture periodicals.

Original MOVIE POSTER, Offset lithograph on paper, 37" x 24.5". GOOD Condition: stored rolled for decades, so the colors remain very bright, the bottom margin has some waviness and shorelining/staining, the top edge has some light creasing, there are a few light smudges here and there and a few signs of wear, but overall the poster is solid, bright and clear.

An epic psychedelic adventure fantasy on Brazilian themes and myths, based on a Modernist novel written in 1928 by Mario de Andrade (no relation to the film's director), the metaphorical, savagely satirical film has drawn comparisons to the work of Fellini, John Waters and Lina Wertmuller. A revealing allegory of Brazil's complex racial and cultural history with subtle references to its repressive military rule. Like the musical style Tropicalia gave the world a uniquely Brazilian beat, Macunaima exhibits a strong Brazilian identity.

When the film was first released in the United States, its most sensational elements were played up. In a comprehensive 1976 essay about it in the media review journal Jump Cut, author J.R. Molotnik wrote that the movie had been dubbed "Jungle Freaks" for its U.S. release and was advertised in the Village Voice as "95 Minutes of Brazil Nuts." "New Line Cinema, the film's U.S. distributor, was clearly seeking to attract the Voice's avowedly offbeat readers with promises of an exotic spoof," Molotnik wrote. "The movie buff likely to attend such an 'underground' film was thus readied for a far-out lighthearted film, one bearing little resemblance to the 'heavy' classics of Latin American revolutionary cinema."

Will be shipped carefully rolled in a sturdy mailing tube.