WE FARM MEMORIES - A BROADSIDE by DAVID MAS MASUMOTO, a Central California Organic Peach and Grape Farmer.

ART by PATRICIA CURTAN.

SIGNED by the Farmer / Author, David Mas Masumoto.

Broadside, printed on heavy-stock laid paper, 9x14 inches.

Published by Point Reyes Books, 2009. First edition. Limited Edition, so stated, number of copies unstated.

NEAR FINE condition, light signs of handling, a bright, lovely copy.

Colophon at the bottom states: "Broadside Published by Point Reyes Books on the Occasion of The Geography of Hope Conference: Celebrating Writing on Farming and Rural Life, Point Reyes Station, March 2009. TEXT: David Mas Masumoto... ARTWORK: 'Peaches' by Patricia Curtan... Printed Letterpress by Point Reyes Printing Co. / Limited Edition."

Read the broadside's text and you will be craving a fresh, deliciously sweet, peach.

The broadside would look great mounted and framed.

EAST VIEW OF THE ROYAL COLLEGE OF ETON

To the Reverend ye Provost & Fellows of the Royal College of Eton / This East View of the said College, is most Humbly Inscrib'd by Their Dutiful and most Obedient Humble Servant W. Collier. Publish'd according to Act of Parliament by W. Collier at Eton, 1742. By whom Lands are Survey'd & Maps drawn of ye same in ye best & cheapest Manner. Sold by J. Pine Engraver in Old Bond Street, & T. Bakewell, Printseller in Fleet Street.

John Pine (1690-1756), after Alexander Cozens (1717-1786) Engraving with hand coloring on watermarked laid paper (fleur-de-lys). Published by William Collier at Eton, inscribed A Cozens delin. 1742, First printing. Paper trimmed almost to platemark: 18.25" x 11.75"

Excellent Condition: trimmed, light foxing, verso of upper margin with 2 tape hinges adhered to later matboard, overall solid and quite bright.

This early British landscape engraving highlights Eton College, where Alexander Cozens was later employed as Drawing Master. Featuring the chapel of Eton College and other buildings belonging to the school on the opposite bank of the Thames, some partially obscured by trees, several boats on the water of the river including a barge drawn by a team of horses on the near bank, a ferry with an elegant company drawing up to the bank and bathers in the shallows, a gentleman and a young boy with a dog to the foreground.

In 1742 publisher William Collier also printed a rare map "A Plan of the Town and Castle of Windsor and Little-Park, Town and College of Eton" which was also engraved by John Pine.

John Pine (1690-1756) Print Seller, Publisher, Engraver who was considered Britain's foremost heraldic and decorative engraver of his generation. Pine was the first Black man in England to join the Masons. He was a close friend of William Hogarth who painted his portrait several times. Although nothing is known about Pine's direct heritage, biographical sketches frequently refer to him as Black or of African ancestry and from Hogarth's portraits his Blackness is quite apparent. Alexander Cozens was Pine's apprentice and he married Pine's daughter.

Alexander Cozens (1717-1786) British Landscape Painter born in Russia. He is best known for his imaginary mountain landscapes which were worked up from abstract blots of ink on paper. Over a century later his ideas became inspiration for the Surrealists and Abstract Expressionists.

Referenced in the British Museum Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc., London, 1829. Two copies in OCLC collections worldwide, at the British Library and Yale Center for British Art. Eton has a framed b&w copy in their collection.

LOVER OF ROBER GRAVES ATTEMPTED SUICIDE IN 1927 SAID SHE WOULD NEVER WRITE ANOTHER POEM

A POEM : HOW A POEM CAME TO BE. A Lovely BROADSIDE POEM by LAURA RIDING JACKSON.

SIGNED by LAURA RIDING JACKSON at the end of her poem, beneath her printed name.

Published by [Lord John Press, 1980]. Presentation Copy - Presentation Copies are normally printed prior to numbered copies, making them quite hard to find. Subsequently printed in a limited edition of only 150 numbered copies.

Broadside, printed on fine, heavy stock, watermarked paper (Arches, France), deckled top and bottom edges, 15x22 inches.

NEAR FINE condition, a bright and beautiful copy. Would look great mounted and/or framed.

From the Broadside: "Within a very few years of the publication of my Collected Poems (1938)... I renounced further trying the way of poetry... saying: I would write no more poems - and I wrote no more poems... (however) I wrote for (a close friend), in the 1978 Christmastime, a poem, marked as a poem for him only, giving it the title HOW A POEM CAME TO BE. I kept no copy of this privately written and given poem, and forgot the writing and the giving of it... I chanced, recently, to tell my friend of receiving a request for a poem to publish in broadside form from the Lord John Press, indicating my feeling some surprise that Mr. Yellin, the Press's director, should not have been aware that FOR FORTY YEARS there had been NO NEW POEMS of mine. But my friend reminded me that about a year ago there HAD been a new poem - the one I wrote for him; and he urged me to let him release it to me from its private status of being a poem for him only... I give here the poem, given him, to be out in the world..."

LAURA RIDING JACKSON, 1901-1991, was an iconoclastic American Poet. She left New England at the age of 25 to live with ROBERT GRAVES and his wife, Nancy Nicholson. The triangle did not suit her, and Laura Riding tried to commit suicide in 1927. Thereafter Robert Graves divorced his wife and lived together with Laura Riding in Majorca, France, England and Switzerland, and even went with her when she returned to the United States. They bitterly broke up in 1939. In 1941 Laura Riding Jackson renounced poetry, married Schuyler B. Jackson, and lived quietly with him in Wabasso, Florida, until her death in 1991. In the 60s, 70s and 80s she wrote a number of pieces explaining her reasons for renouncing poetry, but no poetry. This is apparently THE ONLY POEM written by Laura Riding Jackson since 1941.

You can read much more about LAURA RIDING on Wikipedia and elsewhere on the Internet.

This Large and Lovely BROADSIDE will be shipped carefully rolled in a sturdy mailing tube.

MADONNA - PHOTOGRAPH BY HERB RITTS - Original Poster for the Exhibition that took place at the Fahey / Klein Gallery, Los Angeles, from October 21 - November 26 [1986].

SIGNED, INSCRIBED & DATED by the PHOTOGRAPHER, HERB RITTS, in the bottom left corner: "To Sergio / Herb Ritts / '90".

Large poster, 31.5x23.5 inches. Published by Bankcrest Worldwide, London, for the Fahey / Klein Gallery, Los Angeles.

VERY GOOD condition, bright, clean and clear; the blank backside has some light rubs. A lovely poster that has not been mounted or framed.

MADONNA POSTER - SCARCE SIGNED BY HERB RITTS.

The poster will be shipped carefully rolled (its natural state) in a very sturdy mailing tube.

INTERNATIONAL BUYERS PLEASE NOTE: This poster will be sent in a long, sturdy mailing tube, and will require additional shipping charges. After placing your order you will be notified of the charges and be able to accept or reject them before payment is taken. Thanks!

THE TREES. A BROADSIDE POEM by ADRIENNE RICH. ILLUSTRATED by JOAN GOGUEN.

Published by LOWELL HOUSE PRINTERS, The College Yard, CAMBRIDGE, May, 1964.

Limited Edition, this being 1 of only 75 copies. "This poem was hand-set and printed in 14-point Garamond Roman in an edition limited to 75 copies by the Lowell House Printers. Illustration by Joan Goguen. The College Yard, Cambridge, May, 1964".

Broadside with b&w illustration, printed on fine, watermarked, cream colored, rag paper, 12.5x17.5 inches. The watermark is an image of a hammer and anvil.

NEAR FINE condition. A light crease near the top edge, waviness to the edges where the broadside was "pulled" in the hand-press printing process, as normal. A Lovely Broadside.

This broadside came from the estate of Dennis C. Turner, a San Francisco Doctor who was a Friend of Many Poets and Artists, and who was also a Fine-Printer and broadside publisher in his early days at Harvard when he was involved as one of the student printers at the LOWELL-ADAMS HOUSE PRINTERS. He was a longtime friend of Cecil Day Lewis, Albert Gelpi, and a number of other poets and writers. He died in 2013.

These LOWELL HOUSE, COLLEGE YARD (Harvard) broadsides from the mid 1960s, especially those by important American poets, are SCARCE.

About LOWELL HOUSE PRINTERS:

******Lowell House Printers was a printing press located in Cambridge, Massachusetts, known for producing limited edition books and pamphlets. One example is "The Trees", a poem by Adrienne Rich with illustrations by Joan Goguen, published in 1964 in an edition of 75 copies. The press was associated with Lowell House, one of the residential houses at Harvard University.******

TAYLOR OF SAN FRANCISCO Custom Leather, Body Jewelry Free Piercing, 3-Star Aroma, Leather Repairs, Hot Action Art, Toys For The Playroom [At The Brig]

Original 1978 Illustrated Advertising Poster. (I can't find information on the artist). B&W lithograph on heavy paper, 21" x 14.25". VERY GOOD CONDITION: stiff creases, some age toning to the rear, a handsome piece of San Francisco LGBTQ+ ephemera.

Way before the Folsom Street Fair, Leathermen paraded along the streets of SoMa, mostly after dark. Decked out in black or western leather chaps, vests, jackets, belts, harnesses, and codpieces, all that rigging, kink wear, BDSM restraints and body jewelry were made and sold in the fantasy leather and sex toy shops found in SoMa bars like Taylor of San Francisco at the Brig. South of Market was one of the most extensive and densely occupied Leather neighborhoods in the world.

Joe Taylor ran his leather goods shop at the back of Brig Bar in 1978 and moved to the Ramrod Bar circa 1982. He also ran a custom leather workshop and private dungeon (featured in the "Dungeons of San Francisco" issue of Drummer magazine, #17) on Clementina in SoMa from the late 70s into the mid 80s. In the style of the times, Taylor billed his business as "Taylor of San Francisco" following the gay icon "Tom of Finland." Taylor was a SoMa icon in his own right and his workshop is listed in the SoMa registry of historic places.

Original Clash Promotional Poster circa 1978. Halftone, printed on paper, issued rolled, 27" x 20" inches.

From a 1978 black & white photograph taken by Pennie Smith during a photo session for the promotion of the band's second album Give 'Em Enough Rope (1978). A Russian propaganda poster was used as the photo's backdrop. GOOD CONDITION: surface creasing and scratches, egdewear, touch of waviness, overall a solid and bright vintage punk poster. Will be sent rolled in sturdy mailing tube. Uncommon.

Formed in London in 1976 The Clash was one of the most successful bands from Punks first wave in the 1970s, early Clash gigs were notoriously violent establishing them as a leading voice of Punk Rock. Clash members were vocalist Joe Strummer, guitarist Mick Jones, bass player Paul Simonon and drummer Topper Headon.

Artist Pennie Smith (b. 1949) is one of the United Kingdoms most acclaimed rock photographers. She created one of the most iconic Punk Rock photographs ever, the cover image for London Calling by The Clash.

In the 1960s Pan American Airlines produced a series of large format promotional travel posters depicting fabulous shots of iconic destinations with bold red and blue text and airplane icon at the bottom stating "Fly Pan Am To ..."

Vintage 1965 FLY PAN AM TO SPAIN Poster. From an original photograph taken by American advertising photographer and Director of Photography at Pan American Airlines Ewing Krainin (1912-2004). The poster is marked KRAININ©PAA in the plate.

Off-set Color Lithograph, published by [Pan American Airlines], circa 1965, large format 35" x 44", printed on matte paper. VERY GOOD Condition: some edgewear, edge creases and a few tiny edge chips, some small creasing in the bottom margin, and age toning, but overall a bright, clean and uncommon 1965 Pan Am advertising poster. Will be shipped safely rolled in a sturdy tube.A striking vintage poster that would make a powerful statement framed.

Original vintage 1965 FLY PAN AM TO HAWAII Poster. From an original photograph believed to be taken by long time Pan Am staff photographer Chester "Blackie" Kronfeld who died tragically at the age of 49 while on assignment in the horrific American Airlines plane crash that killed 95 people in New York on March 1, 1962.

Off-set Color Lithograph, published by [Pan American Airlines], November, 1965 (as indicated by the printing code 11/65 in the lower right margin), large format 34.5" x 44", printed on matte paper. VERY GOOD Condition: the bottom edge has some wear/creasing and a tiny chip on the lower left corner, and a quarter size touch of light shorelining on the rear of the image that is barely visible in the sky, overall a bright, clean and uncommon 1965 Pan Am advertising poster. Will be shipped safely rolled in a sturdy tube. A striking vintage poster that would make a powerful statement framed.

In the 1960s Pan Am produced a series of large format promotional travel posters depicting fabulous shots of iconic destinations with bold red and blue text and airplane icon at the bottom stating "Fly Pan Am To ..."

PUBLIC OUTCRY - Broadside Poem by JOYCE CAROL OATES. SIGNED beneath her printed name.

An unusual broadside poem by Oates published in 1976 the year of America's Bicentennial. The work focuses on the triviality of what the press defines as "Outrageous" and the trivial ways in which the press advises its followers to take action. The poem is surrounded by images of newspaper articles, including one that notes the Bicentennial "Color Your Yard Red, White and Blue".

Published by the SLOW LORIS PRESS, Pittsburgh, Pennsylvania, 1976. Printed in an edition of only 65 signed and numbered copies, this being copy 60.

The broadside poem is 11x17 inches (28x42.5 cm), and is professionally dry mounted on a 16x22 inch (40x55.5 cm) stiff mounting board. It is thus ready for framing.

VERY GOOD condition, a bit of edgewear to the mounting board, overall solid and nice.

Something about this poem shakes me, it is so relevant to today's world. Please keep at it Joyce.

SHAMROCK OVER IRELAND! from the "Shamrock Song" by Katharine Tynan.

"Made for ALBERT M. BENDER by ANSEL ADAMS / Saint Patrick's Day - March seventeenth nineteen thirty-nine".

Fold-open broadside, folded measures 9.5x12.5 inches oblong, folds open to show two inner panels, the entire sheet can fold open to show all 4 front facing panels, the backside is blank. Folded open the sheet measures 19 x 25 inches.

The broadside was made by ANSEL ADAMS for his friend and patron, ALBERT M. BENDER. Printed by Johnck & Seeger, Printers, San Francisco, as stated on the bottom corner of the rear panel of the folded broadside.

FAIR PLUS condition: there is creasing around the center fold, corners and edges; the rear panel (when folded) has a 1 inch closed tear to the bottom edge where the printer's information is printed; there is light soiling here and there; still a solid and bright copy. The folded broadside came in a plain heavy stock envelope, which remains in good condition.

Rare ANSEL ADAMS / ALBERT M. BENDER item. OCLC notes only six copies held worldwide, including ones at Trinity College Dublin, the National Library of Ireland, Stanford University, U.C. Berkeley, and the Huntington Library.

About ALBERT M. BENDER (from Wikipedia):

******Albert Maurice Bender (born Dublin 1866 died San Francisco 1941) was a German-Irish-American art collector who was one of the leading patrons of the arts in San Francisco in the 1920s and 1930s. HE PLAYED A KEY ROLE IN THE EARLY CAREER OF ANSEL ADAMS and was one of Diego Rivera's first American patrons. By providing financial assistance to artists, writers, and institutions, he had a significant impact on the cultural development of the San Francisco Bay Area and beyond.

A lover of literature from an early age, Bender began collecting rare books and helped create the Book Club of California in 1912. Inspired by his cousin Anne Bremer, a professional artist, Bender began collecting art,

Bender enjoyed giving things away even more than he liked acquiring them, and he became a prolific donor to Bay Area museums and libraries. Beginning in 1932 he donated 260 pieces of art to the National Museum of Ireland in memory of his mother. He gave important collections of rare books and fine printing to Mills College, Stanford University, the University of California, and the San Francisco Public Library. Stanford University has a Bender Room in its library.

Bender helped launch the career of many artists and photographers, including Ansel Adams. He financed the publication of Adams's first portfolio (Parmelian Prints of the High Sierras, 1927) and his first book (Taos Pueblo, with author Mary Hunter Austin, 1930).******

SUPERMARKET Words and Music By LEW WELCH and CHRIS ROBERTS

BROADSIDE, self published 1965, 13" x 9.75", reproduced holograph manuscript music score and chord chart for spoken word, voice and orchestra, printed on thin brown paper.

NEAR FINE CONDITION. This copy is from the personal collection of Donald Allen. Scarce, only one copy held in institutional hands located in the Lew Welch Papers at Special Collections & Archives UC San Diego, which was originally acquired from Donald Allen.

LEW WELCH (1926-1971) prominent Beat and cult figure, one of a handful of poets including Allen Ginsberg, Gary Snyder and Michael McClure, who emerged from the San Francisco Renaissance of the 1950s. Welch was a misfit even among the Beats. He wrote for the hipsters, Beats and beatniks who gathered nightly in San Francisco to listen to jazz, drink cappuccinos and sip red wine. In 1971 he wrote a suicide note that read, "I never could make anything work out right and now I'm betraying my friends." Then, with gun in hand he wandered into the forest surrounding Gary Snyder's home in the Sierra Nevadas, his body has never been found.

DONALD ALLEN (1912-2004) Lew Welch's literary executor, Grove Press editor, publisher, and author of The New American Poetry 1945-1960, the landmark literary anthology that has come to define the canon of early Beat poetry.

Original 1982 Exhibition Poster by Beat Collage Artist JESS [Collins].

Published by Gallery Paule Anglim, San Francisco, California, 1983. Featuring the Paste-up titled QUONDAM QUIDDITIES. First edition (edition size unknown) unsigned, un-numbered, color off-set lithograph on paper, 24.5" x 18", machine folded twice for mailing (one vertical and one horizontal fold), JESS Paste-ups 1954 to 1982, Opening May 11 through June 11, 1983 and Gallery Paule Anglim return address printed on the verso. VERY GOOD CONDITION: original large folded sheet, pinhole at center fold, some light creasing from handling, otherwise clean and vibrant, a lovely example of this scarce vintage exhibition poster, it would look great framed.

Painter and Collagist Jess (1923-2004) was a leading light of the San Francisco art scene from the 1950s until his death. One of the most original artists of the second half of the 20th century, his collages evoke comparisons to Max Ernst, Kurt Schwitters, and Joseph Cornell. He was married to San Francisco Renaissance Poet Robert Duncan for four decades. Jess's work is held many museum collections including the San Francisco Museum of Modern Art, the Museum of Modern Art and Metropolitan Museum of Art in New York City, and the National Gallery of Art.

Will be mailed folded.

JOINT SHOW. Large and Psychedelically Amazing Poster by WES WILSON created for the Joint Show, exhibition that took place at the Moore Gallery, San Francisco, in 1967. The artists in the show were five of the major psychedelic artists of the time, Wes Wilson, Stanley Mouse, Alton Kelley, Victor Moscoso, and Rick Griffin.

Brilliantly colored, ink looks and feels fresh and vibrant, large 25x37.5 inches. Published by [NEON ROSE, San Francisco, 1967], later printing with no statement printed along the bottom edge.

NEAR FINE condition, a touch of edge wear, bright and lovely.

The poster has been stored in a rolled state (note the books in the photos holding down the poster's edges to keep it flat). It will be sent in its rolled state in a very sturdy mailing tube.

Nothing says 1967 quite like this poster! Would look great mounted and framed.

POETRY BROADSIDE "32 BEAMS OF LIGHT..." by DAVID MELTZER, with a tipped-on WOODCUT by JAMES HIBBARD.

Published by the Yes! Press in an edition of only 100 copies in 1970, as stated in the colophon at the bottom of the sheet.

The BROADSIDE is SIGNED by DAVID MELTZER above his printed name. The WOODCUT is SIGNED by JIM HIBBARD below the printed image, and hand dated 12/6/70.

The BROADSIDE SHEET, including the tipped-on woodcut, is 9x13 inches. The woodcut is 5.25x5.75 inches and is tipped-on to the upper part of the broadside.

GOOD condition, some creasing to the margins and corners, otherwise solid and bright.

About DAVID MELTZER, Poet (from Wikipedia):

******David Meltzer, b.1937 d.2016, was an American poet and musician of the Beat Generation and San Francisco Renaissance. One of the key poets of the Beat generation, Meltzer was also a jazz guitarist, Kabbalist scholar, and the author of books of poetry and prose. Lawrence Ferlinghetti described him as one of the great post WWII San Francisco poets.******

About JAMES HIBBARD, Artist (from the Hallie Ford Museum of Art / Willamette University Museum website):

******Jim Hibbard, b.1936 d.2022, was an important Northwest artist who, after a 30-year career of exhibiting and teaching in Portland, established a new home and studio in Guanajuato, Mexico, where he continued to work productively almost until his death in 2022. The HFMA will have an retrospective of his artworks from Mexico and his earlier Portland years titled: Jim Hibbard: Back in View. The exhibition will run from May 6 - August 12, 2023.******