TAYLOR OF SAN FRANCISCO Custom Leather, Body Jewelry Free Piercing, 3-Star Aroma, Leather Repairs, Hot Action Art, Toys For The Playroom [At The Brig]

Original 1978 Illustrated Advertising Poster. (I can't find information on the artist). B&W lithograph on heavy paper, 21" x 14.25". VERY GOOD CONDITION: stiff creases, some age toning to the rear, a handsome piece of San Francisco LGBTQ+ ephemera.

Way before the Folsom Street Fair, Leathermen paraded along the streets of SoMa, mostly after dark. Decked out in black or western leather chaps, vests, jackets, belts, harnesses, and codpieces, all that rigging, kink wear, BDSM restraints and body jewelry were made and sold in the fantasy leather and sex toy shops found in SoMa bars like Taylor of San Francisco at the Brig. South of Market was one of the most extensive and densely occupied Leather neighborhoods in the world.

Joe Taylor ran his leather goods shop at the back of Brig Bar in 1978 and moved to the Ramrod Bar circa 1982. He also ran a custom leather workshop and private dungeon (featured in the "Dungeons of San Francisco" issue of Drummer magazine, #17) on Clementina in SoMa from the late 70s into the mid 80s. In the style of the times, Taylor billed his business as "Taylor of San Francisco" following the gay icon "Tom of Finland." Taylor was a SoMa icon in his own right and his workshop is listed in the SoMa registry of historic places.

EXTREMISTS RIGHT AND LEFT

Concern: A Discussion Series. Published by Silver Burdett Company, Morristown, NJ, 1970. Softcover, illustrated wraps, side staple bound, 10" x 6", 56 pages, illustrated throughout with evocative b&w photographs and bold red and blue graphics. VERY GOOD CONDITION: former owners name stamp on the inside of front and rear covers, light bookplate remnants on inside front cover, light edgewear, some age toning and light signs of use and wear, overall tight, bright, clean and unmarked.

Scarce 1970 work addressing the radical counterculture, race and extreme political polemics. The "Concern" series was a set of discussion booklets aimed at engaging students in critical thinking and discussion around various social issues. They were used in school settings to promote dialogue and understanding of complex topics like violence, poverty, and civil rights.

The Shattering Screen : A Journal for Subversive Cinema. Issue No. 1

A scarce radical vintage film zine that presents a compelling exploration of Hollywood's powerful intentional politically reactionary messaging in the popular films of the time. Films include The Right Stuff, The Big Chill, Yentl, Chariots of Fire and many more. Also discusses the directors Stanley Kubrick and Rainer Werner Fassbinder. A revolutionary take on mainstream cinema.

Self produced by Shattering Screen, Chicago, Illinois, 1984. Edited by John Stevenson and Jeremy Turner. First and only edition. Softcover zine, tabloid on newsprint, 17.5" x 11.5", 12 pages, illustrated in b&w with dramatic collages and drawings throughout. VERY GOOD CONDITION: light horizontal fold, a touch of age toning, and a light dime size droplet shoreline on the rear cover. Scarce, only two copies located in OCLC collections worldwide.

ST. JOHN'S BREAD WEDNESDAY MESSENGER: Volume I, Number I. November 19, 1969. &

ST. JOHN'S BREAD WEDNESDAY MESSENGER AND PARANOID FLASH ILLUMINATOR Quarterly Journal: X-tree serious No. FOR [ca. 1970].

TWO ISSUES, published by St. John's Bread Church, Topanga / Venice, California, 1969, [1970], first and only printings. Edited by Paul Encimer. Zine, mimeograph, various paper colors, side staple bound, 8.5" x 11", 22 and 38 un-numbered pages. VERY GOOD CONDITION: with a fitting association to City Lights - both issues were originally mailed to City Lights bookstore in San Francisco with stamps, postmarks, address and penned printed matter on the rear covers, otherwise just some light edgewear, age toning, and the rear cover of one is pulling from the staples, overall tight, bright, clean and unmarked. Scarce.

This zine was without a doubt the most out there and influential counterculture voice of the late 1960s. A scarce primary source illuminating Discordia's hippie origins. An exploration of real and imagined spirituality, cabals, psychedelic drug fueled enlightenment, surrealistic esoteric confusion, poetry, fiction, comic paradoxical conspiracies, revealing secret knowledge of Discordianism for your perverse entertainment. Issued on multi hued paper printed on mimeograph machines, its ethos inspired the dawning of the zine age and spawned the Church of the SubGenius and the New Religious Movement.

St. John's Bread publisher Paul Encimer (1938-2021) Discordian name, Dr. Confusion was an early ordained minister of the Universal Life Church. His friend and contributor Kerry Wendell Thornley, Discordian name, Omar Khayyam Ravenhurst was the co-founder of Discordianism and author of Principia Discordia. The first 10 pages of Thornley's poem Illuminati Lady, which Robert Anton Wilson described in Illuminatus! as "an endless epic poem which you really ought to read," is printed herein.

HAIL ERIS! ALL HAIL DISCORDIA!

Peoples Forum, Vol. I, No. 17, March 1, 1977. Published by Peoples Temple of the Disciples of Christ, San Francisco, CA. First edition, broadsheet format, one folded sheet, four pages printed on newsprint. GOOD CONDITION: tender at the folds with tiny chips/wear, some edge tears/wear, and light age toning, otherwise bright and clean. Scarce.

In April 1976, Jim Jones' Peoples Temple launched Peoples Forum. Distributed on the street by Temple volunteers and dropped on doorsteps throughout San Francisco, it served as the Temple's monthly newspaper and main source of promotion and communication. The header shows three faces of different races, civil rights related imagery Jones used to advertise his interracial religious movement.

Jones' increasing radicalism and connection to the civil rights movement became apparent with the Peoples Forum. While early issues contain articles on "subjects as diverse as killer bees, Muhammed Ali, freedom of the press, and Jones hosting a TV show," later editions are more radical, illustrating Jones' support for Huey Newton and the Black Panther Party. In late 1976 Peoples Forum covered a story about the FBI's role in the death of Black Panther Party leader Fred Hampton. The cover photo from this March 1, 1977 edition shows Jones and Newton shaking hands. Peoples Forum exemplifies the increasing involvement Peoples Temple had in California with Black rights leaders, racial issues, and activism. Additionally, Peoples Forum denounced and exposed the rising dangers of neo Nazism in San Francisco.

Jim Jones' Peoples Temple is notorious for the way it ended in on November 18, 1978 with more than 900 people dying in a mass murder suicide at the Peoples Temple Settlement in Jonestown, Guyana. The majority of the Jonestown massacre victims were black women.

METABIOTICA / METABIOTICS. Monograph on the Brazilian Graphic Street Artist ALEXANDRE ORION.

SIGNED and DATED by ORION on the back cover.

Printed in Sao Paolo, Brazil, by EGM Grafica, 2006. Polyglot edition, text in Portuguese, English, French and Spanish. ISBN 10: 8598614033 ISBN 13: 978-8598614038.

Softcover book in printed slipcase, 12x12 inches (30x30 cm), 80 pages. Fully illustrated throughout.

Condition: NEAR FINE book, tight, bright, clean and unmarked; in a VERY GOOD slipcase that has a touch of wear at its folds. A lovely copy.

RARE, especially so SIGNED.

About ALEXANDRE ORION (from Wikipedia):

******Alexandre Orion, b.1978 in Sao Paulo, is a Brazilian street artist, multimedia artist and muralist.

He started as a graffiti artist in 1992, soon expanding into murals, photography and multimedia. Orion has held a number of solo exhibitions internationally and his work has been exhibited or acquired by such venues as the Centro Cultural Banco do Brasil, Centro Cultural da Caixa, Pinacoteca do Estado de São Paulo, Fondation Cartier Pour l'Art Contemporain in Paris, Centrum Beeldende Kunst of Rotterdam, Milwaukee Museum, Nelson-Atkins Museum of Art, Spencer Museum of Art, and the Museum of Arts and Design in New York.******

SUPERMARKET Words and Music By LEW WELCH and CHRIS ROBERTS

BROADSIDE, self published 1965, 13" x 9.75", reproduced holograph manuscript music score and chord chart for spoken word, voice and orchestra, printed on thin brown paper.

NEAR FINE CONDITION. This copy is from the personal collection of Donald Allen. Scarce, only one copy held in institutional hands located in the Lew Welch Papers at Special Collections & Archives UC San Diego, which was originally acquired from Donald Allen.

LEW WELCH (1926-1971) prominent Beat and cult figure, one of a handful of poets including Allen Ginsberg, Gary Snyder and Michael McClure, who emerged from the San Francisco Renaissance of the 1950s. Welch was a misfit even among the Beats. He wrote for the hipsters, Beats and beatniks who gathered nightly in San Francisco to listen to jazz, drink cappuccinos and sip red wine. In 1971 he wrote a suicide note that read, "I never could make anything work out right and now I'm betraying my friends." Then, with gun in hand he wandered into the forest surrounding Gary Snyder's home in the Sierra Nevadas, his body has never been found.

DONALD ALLEN (1912-2004) Lew Welch's literary executor, Grove Press editor, publisher, and author of The New American Poetry 1945-1960, the landmark literary anthology that has come to define the canon of early Beat poetry.

GRATEFUL DEAD - TWENTY FIVE YEARS - EUROPE 1990.

SIGNED & INSCRIBED in SILVER on the FRONT COVER by KEN KESEY, Friend, Mentor and LSD Guru to the Grateful Dead:

"Hmmm... / that's either Bill Graham's ghost or a live version of / Ken Kesey".

SIGNED & INSCRIBED in GOLD on the first two page panel by KEN BABBS, an LSD laden Merry Prankster and friend of the Grateful Dead and Ken Kesey:

"I didn't Go! - DURN! - Ken Babbs".

Softcovers, side stapled, 11.75x11.75 inches (the shape of a vinyl album cover), 26 pages. illustrated with photographs of the band and its Dead members.

NEAR FINE condition, just lightly handled, tight, bright, clean and clear. A lovely copy.

RARE SIGNED & INSCRIBED ASSOCIATION COPY that combines the GHOST of BILL GRAHAM, with the MERRY PRANKSTER MISCHIEVOUS WIT of KEN KESEY, and the LSD mindset of Prankster and Dead Friend KEN BABBS.

A Unique Item from the Pranksters and the Dead.

About KEN KESEY (excerpts from Wikipedia):

******Ken Kesey, b.1935 d.2001, One Flew Over The Cuckoo's Nest, Sometimes a Great Notion, Merry Pranksters, Acid Tests, Grateful Dead... After One Flew Over the Cuckoo's Nest was published, Kesey began hosting happenings with former colleagues, miscellaneous bohemian and literary figures, and other friends (Ken Babbs et al), collectively known as the MERRY PRANKSTERS; these parties, known as ACID TESTS, integrated the consumption of LSD with multimedia performances. KESEY MENTORED THE GRATEFUL DEAD (THE ACID TESTS' HOUSE BAND) throughout their early years and continued to exert a profound influence upon the group throughout their career.******

About KEN BABBS (from Wikipedia):

******Ken Babbs, b.1936, is a famous Merry Prankster who became one of the psychedelic leaders of the 1960s. He, along with best friend and Prankster leader Ken Kesey, wrote the book Last Go Round. Babbs is best known for his participation in the Acid Tests and on the bus Further. He and Ken Kesey said The Acid Tests were conceived when the Pranksters met the Grateful Dead.******

About BILL GRAHAM (from Wikipedia):

******Bill Graham, b.1931 d,1991, was a German-American rock concert promoter from the 1960s until his death in 1991 in a helicopter crash. On July 4, 1939, he was sent from Germany to France due to political uncertainty in his home country. At age 10, he settled into a foster home in the Bronx, New York. In the early 1960s, Graham moved to San Francisco, and in 1965, began to manage the San Francisco Mime Troupe which eventually led to his becoming one of the world's greatest Rock Concert Promoters. His promoted concerts at the Fillmore and Winterland Ballrooms made such bands as the Grateful Dead, Jefferson Airplane, and Big Brother and the Holding Company with Janis Joplin, world famous. The San Francisco Civic Auditorium was renamed The Bill Graham Civic Auditorium in his honor.******

MACUNAIMA (1969). A Brazilian Cinema Novo masterpiece, considered one of the most important films in Brazilian history. Directed by Joaquim Pedro de Andrade, in Portuguese with English subtitles. A box office hit in Brazil, it was released in a dubbed version for American audiences in 1972 by New Line Cinema.

Illustrated by underground New York psychedelic comic artist Frank Mell. His incredible work is similar to legendary R. Crumb Comics, but much less known. His work is in the collection of the Oakland Museum, he illustrated psychedelic album covers, posters, and his work can be found in counter culture periodicals.

Original MOVIE POSTER, Offset lithograph on paper, 37" x 24.5". GOOD Condition: stored rolled for decades, so the colors remain very bright, the bottom margin has some waviness and shorelining/staining, the top edge has some light creasing, there are a few light smudges here and there and a few signs of wear, but overall the poster is solid, bright and clear.

An epic psychedelic adventure fantasy on Brazilian themes and myths, based on a Modernist novel written in 1928 by Mario de Andrade (no relation to the film's director), the metaphorical, savagely satirical film has drawn comparisons to the work of Fellini, John Waters and Lina Wertmuller. A revealing allegory of Brazil's complex racial and cultural history with subtle references to its repressive military rule. Like the musical style Tropicalia gave the world a uniquely Brazilian beat, Macunaima exhibits a strong Brazilian identity.

When the film was first released in the United States, its most sensational elements were played up. In a comprehensive 1976 essay about it in the media review journal Jump Cut, author J.R. Molotnik wrote that the movie had been dubbed "Jungle Freaks" for its U.S. release and was advertised in the Village Voice as "95 Minutes of Brazil Nuts." "New Line Cinema, the film's U.S. distributor, was clearly seeking to attract the Voice's avowedly offbeat readers with promises of an exotic spoof," Molotnik wrote. "The movie buff likely to attend such an 'underground' film was thus readied for a far-out lighthearted film, one bearing little resemblance to the 'heavy' classics of Latin American revolutionary cinema."

Will be shipped carefully rolled in a sturdy mailing tube.

MODERN UTOPIAN: COMMUNES, JAPAN. By Richard Fairfield, with Photographs by Consuelo Sandoval, Sankichi Nomoto & Mamo Kato.

"Material on Japanese communes was compiled from personal experience and interviews in the communes themselves with added material and insights from other writers and visitors, including Meyer Steinbach, M.D.; Noboyoshi Tezuka, Michael Howden, and staff of the Japan Kibbutz Association."

Japanese Communes in this book include: Itto-en Community; New Village; Ohoyamato Ajisai; Shinkyo Commune; Yamagishi-kai Association; Hokkaido Yamagishi-ism; The Tribe; and more. (I wonder if Haruki Murakami based the commune in his book 1Q84 on one of these?)

Published by Alternative Foundation, San Francisco, 1972. First Edition. ISBN: 0912976020

GOOD condition, the covers have some light toning and corner creases; internally just lightly used, tight, bright, clean, clear and unmarked. A solid, presentable copy.

RARE and interesting look at the Japanese Utopian Communes of the early 1970s.