SANCTI IOANNIS CHRYSOSTOMI DE VIRGINITATE LIBER, A IVLIO POGIANO CONVERSVS. JOHANNES CHRYSOSTOMUS.

ROMAE: Apub Paulum Manutium, Aldi F., M. D. LXII [1562]. First Edition.

Modern hard covers, 7x7.5 inches (17x19 cm). Pagination: [ai] title page, aii-biii, [lacking blank leaf following biii], Ai - Qiiii - 64 numbered leaves. Aldine anchor and dolphin printer's device on title page. Collated page by page with a copy held at the National Central Library of Rome.

GOOD condition: Professionally rebound in hardcovers (leather spine and corners with decorative paper covered boards), with new blank endpapers (archival watermarked laid paper). The title page is lacking its bottom 1.5 inches and its last line of text, it has been professionally restored with archival laid paper at its corners and bottom (a copy of the title page from the copy at the National Library of Rome is laid in for comparison purposes, note that it has library stamps, paper repairs, and some hand marks and X's, the X marks notably at the ring at the top of the anchor). The corners of the first few pages have also been professionally restored, not affecting text. Else, the title page is toned; there is waterstaining to the upper gutter area and front margin of the pages, most noticeably on the first 10 pages, then becoming very light; there is some foxing here and there. Overall the pages of this 1562 book are amazingly complete, bright and clear.

RARE 1562 edition printed in Rome by Paulus Manutius at the Aldine Press.

About PAULUS MANUTIUS (from Wikipedia):

******Paulus Manutius (aka Paolo Manuzio), b.1512 d.1574, was a Venetian printer with a humanist education, the third son of the famous printer Aldus Manutius.

The printer's mark of the Aldine Press, used by both Aldus Manutius, the father, and Paulum Manutium, his son, is known as "the anchor and the dolphin".******

Published by a Wilmington publisher -

Printed by a Wilmington printer -

Bound and Sold by a Wilmington bookbinder / bookseller -

Owned by a Noted Wilmington resident -

GOLDSMITH'S ROMAN HISTORY, ABRIDGED BY HIMSELF, For The Use Of Schools. Fourth American Edition.

WILMINGTON: Published by the Rev. William Pryce; Printed by Joseph Jones, Printer: 1806.

BOUND and SOLD by J. WILSON of WILMINGTON, with his: "SOLD BY J. WILSON, Bookbinder, Bookseller, and Stationer, Wilmington, Del." woodcut binder's ticket on the front pastedown. The ticket measures 1.25 x 2 inches.

OWNED by WILMINGTON resident, EDWARD TATNALL, with his SIGNATURE and place, BRANDYWINE, on the title page. From Wikipedia: "Edward Tatnall, b.1782 d.1856, was an American miller and railroad executive based in Wilmington, Delaware. He was a son of Joseph Tatnall, a prominent miller and banker in Wilmington. He was a director of the Delaware and Maryland Railroad and of the Wilmington and Susquehanna Railroad, two of the four railroads that helped build the first rail link from Philadelphia to Baltimore. In 1838, they merged into the Philadelphia, Wilmington, and Baltimore Railroad. His service is noted on the 1839 Newkirk Viaduct Monument."

HARDCOVER BOOK, leather covered boards, leather spine label, 4x6.5 inches. Pagination: vii, 417 pages, plus 3 pages of Publisher's ads at the rear. The covers have scrapes and rubs, the inner pages are toned with spots and a scattering of stains here and there throughout; a well-used but complete, solid and presentable copy.

American book publishing, printing, binding and selling was taking root in Wilmington in 1806.

FORMULAS FOR BOOKBINDERS, by Louis H. Kinder. Kinder was the head binder at the Roycroft printing and binding shop.

SIGNED and NUMBERED LIMITED EDITION, this being Copy No. 472 of 490 copies. SIGNED and NUMBERED by LOUIS H. KINDER on the Limitation page.

Hardcovers, cloth covered spine and paper covered boards, paper spine title label, 9x11.5 inches (22x29 cm), printed on Imperial Japan Vellum, title page printed in red & black, margin notes in red. Pagination: [12], vii, [3], 115, [1] pages. Illustrated with two plates, including the frontispiece, displaying bindings by the author.

GOOD Condition: The covers have soiling, a few marks, edgewear, and finger smudges; the paper spine title label is chipped at its top edge affecting several letters; internally there is occasional marginal finger soiling (one can imagine a bookbinder's not perfectly clean fingers handling this book), otherwise tight, bright, clean, clear and unmarked.

From the title page: "Being a Collection of Trade Formulas, the Results of Twenty-five Years Study and Practice in the Arts of Tooling in Gold, Edge Gilding, Marbling, Stamping, and various other Departments of Bookbinding."

Rare 1905 Signed, Limited, True First Edition of Formulas For Bookbinders.

SHAMROCK OVER IRELAND! from the "Shamrock Song" by Katharine Tynan.

"Made for ALBERT M. BENDER by ANSEL ADAMS / Saint Patrick's Day - March seventeenth nineteen thirty-nine".

Fold-open broadside, folded measures 9.5x12.5 inches oblong, folds open to show two inner panels, the entire sheet can fold open to show all 4 front facing panels, the backside is blank. Folded open the sheet measures 19 x 25 inches.

The broadside was made by ANSEL ADAMS for his friend and patron, ALBERT M. BENDER. Printed by Johnck & Seeger, Printers, San Francisco, as stated on the bottom corner of the rear panel of the folded broadside.

FAIR PLUS condition: there is creasing around the center fold, corners and edges; the rear panel (when folded) has a 1 inch closed tear to the bottom edge where the printer's information is printed; there is light soiling here and there; still a solid and bright copy. The folded broadside came in a plain heavy stock envelope, which remains in good condition.

Rare ANSEL ADAMS / ALBERT M. BENDER item. OCLC notes only six copies held worldwide, including ones at Trinity College Dublin, the National Library of Ireland, Stanford University, U.C. Berkeley, and the Huntington Library.

About ALBERT M. BENDER (from Wikipedia):

******Albert Maurice Bender (born Dublin 1866 died San Francisco 1941) was a German-Irish-American art collector who was one of the leading patrons of the arts in San Francisco in the 1920s and 1930s. HE PLAYED A KEY ROLE IN THE EARLY CAREER OF ANSEL ADAMS and was one of Diego Rivera's first American patrons. By providing financial assistance to artists, writers, and institutions, he had a significant impact on the cultural development of the San Francisco Bay Area and beyond.

A lover of literature from an early age, Bender began collecting rare books and helped create the Book Club of California in 1912. Inspired by his cousin Anne Bremer, a professional artist, Bender began collecting art,

Bender enjoyed giving things away even more than he liked acquiring them, and he became a prolific donor to Bay Area museums and libraries. Beginning in 1932 he donated 260 pieces of art to the National Museum of Ireland in memory of his mother. He gave important collections of rare books and fine printing to Mills College, Stanford University, the University of California, and the San Francisco Public Library. Stanford University has a Bender Room in its library.

Bender helped launch the career of many artists and photographers, including Ansel Adams. He financed the publication of Adams's first portfolio (Parmelian Prints of the High Sierras, 1927) and his first book (Taos Pueblo, with author Mary Hunter Austin, 1930).******

A POEM : HOW A POEM CAME TO BE. A Lovely BROADSIDE POEM by LAURA RIDING JACKSON.

"Presentation Copy" SIGNED and INSCRIBED by LAURA RIDING JACKSON to HERB YELLIN, late owner of LORD JOHN PRESS, who published this broadside and also a Fine Printing edition of one of Laura Riding Jackon's books.

HAND INSCRIBED: "For Herb Yellin, gratefully / L. J.". The inscription is below the printed statement "Presentation Copy".

Also SIGNED at the end of her poem, beneath her printed name.

Published by [Lord John Press, 1980]. Presentation Copy. (Presentation Copies are normally printed prior to numbered copies, making them quite hard to find.) Subsequently printed in a limited edition of only 150 numbered copies.

Broadside, printed on fine heavy stock paper, deckled top and bottom edges, 15x22 inches.

NEAR FINE condition, some light creases from handling, bright and beautiful.

From the Broadside: "Within a very few years of the publication of my Collected Poems (1938)... I renounced further trying the way of poetry... saying: I would write no more poems - and I wrote no more poems... (however) I wrote for (a close friend), in the 1978 Christmastime, a poem, marked as a poem for him only, giving it the title HOW A POEM CAME TO BE. I kept no copy of this privately written and given poem, and forgot the writing and the giving of it... I chanced, recently, to tell my friend of receiving a request for a poem to publish in broadside form from the Lord John Press, indicating my feeling some surprise that Mr. Yellin, the Press's director, should not have been aware that FOR FORTY YEARS there had been NO NEW POEMS of mine. But my friend reminded me that about a year ago there HAD been a new poem - the one I wrote for him; and he urged me to let him release it to me from its private status of being a poem for him only... I give here the poem, given him, to be out in the world..."

LAURA RIDING JACKSON, b.1901 d.1991, was an iconoclastic American Poet. She left New England at the age of 25 to live with ROBERT GRAVES and his wife, Nancy Nicholson. The triangle did not suit her, and Laura Riding tried to commit suicide in 1927. Thereafter Robert Graves divorced his wife and lived together with Laura Riding in Majorca, France, England and Switzerland, and even went with her when she returned to the United States. They bitterly broke up in 1939. In 1941 Laura Riding Jackson renounced poetry, married Schuyler B. Jackson, and lived quietly with him in Wabasso, Florida, until her death in 1991. In the 60s, 70s and 80s she wrote a number of pieces explaining her reasons for renouncing poetry, but no poetry. This is apparently THE ONLY POEM written by Laura Riding Jackson since 1941.

You can read much more about LAURA RIDING on Wikipedia and elsewhere on the Internet.

This Large and Lovely BROADSIDE will be shipped carefully rolled in a sturdy mailing tube.

TWO MARCEL PROUST Volumes in SEMET & PLUMELLE FINE-BINDINGS and SLIPCASES w/ EDUOARD HENRI FISCHER Bookplates

TWO VOLUMES FINELY BOUND by SEMET & PLUMELLE : "LES PLAISIRS ET LES JOURS", by Marcel Proust, 1924, and "HOMMAGE À MARCEL PROUST", by various contributors.

FINE BINDINGS: Full green levant morocco covered boards, four raised spine bands, red morocco spine labels titled in gilt, gilt decorations to the folded leather on the inner covers, silk endpapers, all edges gilt, 6.5x8.5 inches (16x21 cm), 273 and 319 pages; slipcases with marbled paper exteriors, felt-lined interiors. SEMET & PLUMELLE is "signed" on the bottom edge of the inside front cover of each volume.

From the collection of the renowned French book collector EDOUARD HENRI FISCHER. His bookplate, designed by Hans Erni, is on a prelim page of each volume.

Published by Nouvelle Revue Française, Paris, 1924 and 1927. Limited editions, marked number XIV and IX respectively.

VERY GOOD condition: The spines are lightly sunned and the covers have slight shelf rubs, overall lovely.

TWO Scarce FINE BINDINGS by SEMET & PLUMELLE.

A COLLECTION OF PRESSMARKS: Gathered From America's Private Presses and From Others Not So Private.

COMPLETE SET OF ALL THREE VOLUMES. Hardcover Books, bound in gold, burgundy and blue cloth covered boards, 5x8 inches, 94, 102 and 100 pages respectively. Volume Three also has an Index to the Pressmarks in all Three Volumes. Each volume is fully ILLUSTRATED with PRESSMARKS from many American Private Presses. There are also two pieces of related ephemera laid-in.

Compiled, Written and Published by James Lamar Weygand aka "The Private Press of the Indiana Kid", Nappanee, Indiana, 1956, 1959 & 1962. First Editions, Limited to 165, 250 and 250 copies. James Lamar Weygand was a noted Indiana private press printer and publisher.

All three volumes are in NEAR FINE condition, just lightly used, tight, bright, clean, clear and unmarked. Lovely copies.

For some reason Volume One (1956) shows up from time to time, but Volumes Two (1959) and Three (1962) rarely appear.

CUTAWAY - ARTIST'S BOOK - 1/45 - DESIGNED & PRINTED by SARAH BRYANT, ALABAMA BASED WOMAN FINE PRINTER / BOOK DESIGNER / ARTIST - AT HER BIG JUMP PRESS, 2007

[ALABAMA: Big Jump Press, 2007].

Hardcover Artist's Book, linen covered boards, embossed design on front cover, 5.25x8 inches (13.5x20.5 cm), unpaginated; in dark blue cloth covered slipcase.

Printed in an edition of 45 numbered copies, this being copy number 15. SIGNED by the ARTIST, Sarah Bryant, on the Colophon page (the last page).

Condition: Fine in a fine slipcase.

See the provided photos for a good idea of the book and its structure, quite amazing.

About CUTAWAY from the Publisher:

******Simple definitions, both visual and verbal, can describe a great many disparate things with the same language. This book features layered cross-section imagery printed on translucent material, removable cards printed with color, and reference language that is mixed and shifted throughout the book. Letterpress printed from polymer plates on mylar, Rives BFK, and Hahnemuhle Copperplate. Contained in a slipcase. Printed in an edition of 45 in 2007.******

About SARAH BRYANT and her BIG Jump Press:

******Big Jump Press is the imprint of Sarah Bryant. Under this name, I produce letterpress printed artist books, prints, broadsides, and hand-bound books. I started Big Jump in 2005 in Tuscaloosa, Alabama while an MFA student at the University of Alabama. After teaching for a few years at the Book Arts Center at Wells College and a few years teaching workshops and short courses all over the United Kingdom, I am back in Tuscaloosa as an Assistant Professor for The University of Alabama MFA Book Arts Program. I make books.******

(1) THE TYPE SPECIMEN OF THE VATICAN PRESS 1628. A Facsimile. AMSTERDAM: Menno Hertzberger & Co., 1967. Hardcovers, 5x7.5 inches. Pagination: 40 pages (title page, contents, introduction); 5 leaves (tables); 8-74 pages (the Facsimile). The title page of the facsimile is printed in red and black. GOOD MINUS condition: the covers are toned at the spine and edges, there is a light bump at the top of the spine and the front hinge is split at the top 1 inch; internally, the glue is old and cracking which means pages or signatures could come loose if opened wide (this is the case with every copy of this book I have seen - the binder used poor glue) but all the pages are currently holding, otherwise the pages are sharp, bright, clean, clear and unmarked.

(2) TYPE SPECIMEN OF DELACOLONGE / LES CARACTÈRES ET LES VIGNETTES DE LA FONDERIE DU SIEUR DELACOLONGE [Lyons 1773]. Facsimile with Introduction and Notes by Harry Carter. Amsterdam (Van Gendt & Co.), London and New York,1969. Hardcovers, 4.75x7.25 inches. Pagination: 82 plus the 120 Facsimile (facsimile pages printed on rectos only). GOOD MINUS condition: there is wear and a bit of splitting at the top and bottom spine folds, the inner pages are lightly toned and, like the above copy, poor glue was used in binding this book and the binding is crackling when when opened somewhat wide), otherwise the book is complete, tight, bright, clean and unmarked.

(3) THE TYPE SPECIMENS OF CLAUDE LAMESLE, a Facsimile of the First Edition printed at Paris in 1742. With an Introduction by A.F. Johnson. [AMSTERDAM]: Menno Hertzberger & Co., 1965. Hardcovers, 5.5x8.5 inches. Pagination: 11 pages + the Facsimile (approx 120 pages?) A facsimile of the original title page and a plate at the end are printed in red and black. GOOD condition: The covers are toned at the spine and edges, the spine ends are bumped, internally tight, bright, clean, clear and unmarked.

(4) XIXth CENTURY ORNAMENTED TYPES AND TITLE PAGES, by Nicolette Gray. LONDON: Faber and Faber, 1938. First edition. Hardcover Book in Dustjacket, 5.5x8.75, red top page edges, 213 pages. VERY GOOD book, some pushing at the top of the spine, light sunning to the edges, offsetting to the endpapers, otherwise tight, bright, clean, clear and unmarked; in a GOOD MINUS price-clipped dustjacket that is toned and has edge and spine-end wear.

(5) SCHRIFTPROBEN : ORIENTALISCHER TYPEN Wie Auch PHONETISCHE AKZENTE (WRITING SAMPLES : ORIENTAL TYPES as well as PHONETIC ACCENTS), Gluckstadt [Germany]: J.J. Augustin, 1933. Originally published in Hamburg in 1632. Text in German. Hardcovers, 5x8 inches, 104 pages. There is a pocket in the rear holding an 8 page booklet with additional fonts, it is printed in blue and black. GOOD condition, slight wear to the cover spine ends and corner tips, pages are age toned, otherwise tight, bright, clean and clear.

(6) SPECIMEN OF MODERN PRINTING TYPES, Edmund Fry. A facsimile. London: Printing Historical Society, 1986. Hardcovers, 6.5x10 inches. Pagination: 18 + the Facsimile (approx. 120 pages?) VERY GOOD condition.

(7) ANECDOTES TYPOGRAPHIQUES, by Nicolas Contat dit Le Brun; together with LA MISERE DE APPRENTIS IMPRIMEURS, by DUFRESNE. Reprints of works originally published in 1762 and 1710, this volume published by the Oxford Bibliographical Society, 1980. Hardcovers, 6x9.5 inches, 163 pages. The Introduction is in English, the reprints of the French works are in their original French. VERY GOOD condition.

(8) FREGI & MAJUSCOLE INCISE E FUSE DA GIAMBATTISTA. Small, paperbound facsimile of the book originally published in Parma in 1771. This facsimile published by the Harvard College Library from its Bentinck Smith Typographical Collection. Softcovers, small format, 4.5x7.75 inches. Pagination: XII, 58, plus 3 pages of notes at the rear. VERY GOOD condition.

This 8 volume lot will require additional shipping costs.

JOE D'AMBROSIO - NINETEEN YEARS AND COUNTING, A RETROSPECTIVE BIBLIOGRAPHY, 1969-1988.

ARTIST'S BOOK by JOE D'AMBROSIO, Book Designer, Book Binder, Fine-Printer, Artist.

Self-published and self-made artist's book. First edition and only edition, 1989. Limited to 75 numbered copies and 10 artist proofs. This is copy #41. SIGNED and NUMBERED by D'Ambrosio on the title-page.

FINE and UNIQUE binding, the covers are marbled paper covered boards with a hinged leather spine and a burnished copper plate overlaid on the front; the dustjacket is gray denim cloth with marbled-paper trim; the endpapers are handmade marbled paper. An extraordinary binding.

The book is 6x9 inches and has 129 pages plus the Colophon page.

There are 60 mounted color photographs illustrating D'Ambrosio's fine printing works, books and broadsides, which he produced from 1969-1988.

Condition: FINE book in NEAR FINE dustjacket that has light signs of edge and corner wear. A lovely copy.

Joe d'Ambrosio, b.1934 d.2009, was a fine-printer and book artist who first began designing unusual printed items in Chicago in 1969.

A KEEPSAKE FOR ALFRED A. KNOPF. "Written and Printed by Various Hands Celebrating His Fiftieth Year as a Book Publisher".

FIFTY FINELY-PRINTED, SMALL-PRESS LEAFLETS, including an introductory pamphlet by Charles Antin. The leaflets were printed by a wide variety of small private presses. All were printed in tribute to the publisher Alfred A. Knopf. There is also a leaflet that lists all the contributors and their presses (so, 51 leaflets total). The leaflets are all loose and held in a Publisher's slipcase.

SIGNED ASSOCIATION COPY. Two letters accompany the keepsake. One is from ALFRED A. KNOPF, and is SIGNED by KNOPF, likely secretarially. The letter is on Alfred A. Knopf stationery and comes with its Knopf mailing envelope. The letter is addressed to FRANK POWERS. It thanks Frank Powers for his contribution to the keepsake collection (Frank Powers / Powers Private Press provided one of the keepsakes). The other letter is from Charles Antin of the Serendipity Press. In his letter he thanks Frank [Powers] for his contribution and says he is enclosing a copy of the keepsake tribute collection. Charles Antin organized the Knopf tribute.

The keepsakes are 4.5x7 inch leaflets, most are 4 pages, some are two sides of a single leaf, some have more pages, and a few have inserts. THEY HAVE BEEN COLLATED with the included LIST OF CONTRIBUTORS (49) and are all present and in proper order. The keepsakes and the list of contributors are held in a purple paper covered slipcase which has a printed wraparound title band.

Contributors include Frank Altschul / Overbrook Press; Merle Armitage / Mohawk Press; Joseph Blumenthal / Spiral Press; Warren Chappell / Salisbury Press; Muir Dawson and Saul Marks / Plantin Press; Frank Powers / Powers Private Press; Ward Ritchie / Anderson, Ritchie & Simon; Patricia Waddel / Pratt Institute; Lili and Erich Wronker / Ron Press; and many others.

NEW YORK: Alfred A. Knopf, 1965. Limited Edition of only 150 copies.

VERY GOOD CONDITION: The slipcase has some rubs and light toning, the leaflets are all bright and clear, the letters are folded. A nice, solid set of keepsakes plus letters from Knopf and Antin.

About FRANK POWERS, one of the keepsake contributors and to whom letters of thanks from Knopf and Antin were addressed (from the Type Directors Club website):

******Frank Powers was one of the founders of the Type Directors Club "TDC", he even originated the term "Type Director" to give the role a more professional standing. In 1946 he became the TDC's first President, followed by two additional presidencies in 1961 and 1962. He also served as a tireless chairman of many TDC committees. Powers Often prepared club announcements on his home printing press, making printing plates from "a jar top, string, cork letters, a medal, linoleum, rubber tile, and cardboard." Frank worked as Director of Typography for J. Walter Thompson for 22 years.

In 1971 Frank Powers became the third member of the TDC to be honored with the TDC Medal "awarded for significant contributions to typography"******

TWO VOLUMES of "LA IMPRENTA EN MÉXICO 1553-1820". The 1947 First Edition, and the 1952 revised and greatly enlarged Second Edition.

(1) LA IMPRENTA EN MÉXICO (1553-1820) : 100 Adiciones a la Obra de José Toribio Medina, por Francisco González de Cossio.

[Printing in Mexico (1553-1820): 100 Additions to the Work of José Toribio Medina, by Francisco Gonzalez de Cossio.]

Hardcovers, red cloth covered boards, 9x13 inches, 205 pages. Illustrated throughout with facsimiles of early printed title pages and other printed items.

MÉXICO: Antigua Libreria Robredo, de Jose Porrua e Hijos. Esquina Guatemala and Argentina. (Old Robredo Bookstore, owned by Jose Porrua and Sons. Corner of Guatemala and Argentina streets.) 1947. FIRST EDITION, LIMITED TO ONLY 500 NUMBERED COPIES, this being copy number 130.

PLUS

(2) LA IMPRENTA EN MÉXICO (1553-1820) : 510 Adiciones a la Obra de José Toribio Medina en Homenaje al Primer Centenario de Su Nacimiento, por Francisco González de Cossio.

[Printing in Mexico (1553-1820): 510 Additions to the Work of José Toribio Medina in Homage to the First Centenary of His Birth.]

MÉXICO: Universidad Nacional de México, 1952. Second edition, revised and greatly expanded. LIMITED to only 1000 copies, as stated on the copyright page (the last page).

Hardcovers, red cloth covered boards, 9x13 inches, xvii, 354 pages. Illustrated throughout with facsimiles of early printed title pages and other items. TEXT in SPANISH.

BOTH VOLUMES are in GOOD condition, likely bound in library hardcovers as indicated by the scrapes at the bottom of both spines where shelving labels probably were at one time, and perhaps by the bit of erased writing at the upper corner of the title page of one volume, but there are no other library marks, labels, etc. In addition to the scapes to the spines the covers have a little wear to the spine ends and the 1952 edition has a small area of bubbling to the front cover, otherwise the covers are solid, bright, and doing their job well. Internally, the 1947 edition has some waviness to the first and last few pages, and the rear inner hinge is cracking; the 1952 edition has toned pages, and the upper corner of its title page has the ghost of some writing that has been erased but the indents are still there; otherwise the pages and all the facsimile printings are bright and clear.

An important resource for anyone interested in early Mexican printing.

MY BROTHER, RAYMOND CARVER: By James Carver.

Published by Sore Dove Press, San Francisco, 2015, in an ARCHIVAL BOXED EDITION LIMITED TO 12 COPIES, this being hand numbered copy #3 of 12.

Each box measures 8.5x12 inches and was handcrafted using archival materials. FINELY PRODUCED by a noted SMALL SAN FRANCISCO PRESS.

The text, by James Carver, brother and only sibling of Raymond Carver, is on 35 loose 5x7 inch cards, printed on one side only. The last card is the Signature / Limitation card which has James Carver's signature and the statement that this is copy 3 of only 12 produced. In the text, James Carver tells about growing up with his brother Raymond and reveals biographical information that has not appeared elsewhere, not even in the last major biography of Carver. There are also 10 5x7 inch b&w photographs taken from Carver's personal family photo album. Some of these photos are shown here for the first time.

FINE CONDITION, basically as new.

This is for TWO COPIES (buyer gets both copies) of:

NEGRO CIVIL RIGHTS IN CALIFORNIA: 1850, by David L. Snyder.

Keepsake printed by Roger Levenson at the TAMALPAIS PRESS for the members of the Sacramento Book Collectors Club 1969. Small-press fine-printing,"Special Publication No. 10", limited to only 300 copies.

Fine-printing pamphlet, white rag paper covers, red title lettering, side-stapled, 7x10 inches, 12 pages.

A brief history and vivid example of the limited legal rights of Negroes in California to testify against white men. This situation lasted until the testimony law was repealed in 1863. Included in this keepsake is a holograph reproduction of the 1850 sworn testimony of Sarah Carroll who claimed that William H. Potter stole jewelry and money from her. The keepsake also has a transcript of her testimony, as well as the results of her testimony (William Potter was arrested). Sarah Carroll was a brave woman.

Both keepsakes are in VERY GOOD or better condition, one has some light creasing to its top edge, else tight, bright, clean and unmarked.

About this keepsake (from WorldCat):

*******Sarah Carroll, a "free woman of color" brought a complaint against W.H. Potter on the charge of grand larceny for the theft of $700 and other articles of value. The documents of the case appear in this publication in both type and facsimile.******

THE TRAGEDIE OF OTHELLO, THE MOORE OF VENICE, by WILLIAM SHAKESPEARE. FINE PRINTING by GRABHORN PRESS. ILLUSTRATED by MARY GRABHORN.

SIGNED and INSCRIBED by JANE GRABHORN on the front free endpaper: "With love to Annie on her wedding day - from Jane Grabhorn / January 20, 1957'.

SAN FRANCISCO: Grabhorn Press, 1956. First edition. Limited to 185 copies.

From the Colophon page (the last page): "This edition, reprinted from the First Folio of 1623, is limited to one hundred and eighty-five copies printed at the Grabhorn Press in the Month of May, 1956. The type used, Franciscan, was designed for the Press by Frederic W. Goudy and the paper was made by hand in England. The drawings by Mary Grabhorn were reproduced from a combination of zinc, wood, and linoleum blocks."

Hardcovers, red leather covered spine and decorative paper covered boards, gilt titles to the spine, folio 15x10.5 inches, printed on handmade paper, CXV pages, plus title page and several blank leaves at the front and rear.

Condition: The covers' spine ends have some fraying, the inner pages have some small spots here and there and there is a darkish shadow line across two of the rear blank leaves, all likely a result of the production of the handmade paper or the hand printing; otherwise a beautiful copy, with pages that are clean and bright.

SCARCE FINE PRINTING by the GRABHORN PRESS, made wonderful with the loving inscription by Jane Grabhorn.

About JANE GRABHORN (from Wikipedia):

******Jane Bissell Grabhorn, b.1911 d.1973, was an American artist, typographer, bookbinder, and printer. Born in San Francisco, and educated in France, where she learned bookbinding. In 1932 she married Robert Grabhorn. She became a master printer, working at Grabhorn Press with her husband, and starting her own imprints: The Jumbo Press, and The Colt Press. Her thoughts about women in the man's world of printing were expressed in several of her works, including "A Typografic Discourse for the Distaff Side of Printing, a Book by Ladies".******

About MARY GRABHORN (from an Obituary):

******Printmaker Mary Grabhorn was born in San Francisco, CA, on July 25, 1932. She was the daughter of Edwin and Marjorie Grabhorn, Edwin being one of two brothers (along with Robert) who founded the noted Grabhorn Press in San Francisco. Despite little information found on her life and education, she was one of the press's most prolific illustrators, creating color woodcuts at a fairly young age for all nine of the Grabhorn Press Shakespeare folios and a French illuminated Book of Hours, among many other publications. For a time she lived in London. She died in San Francisco on September 10, 1981.******

POUR PSYCHÉ, by CHARLES MAURRAS. PARIS: A La Belle Édition / Imprimerie François Bernouard, 1919. Fine Printing from the Parisian Press of François Bernouard and his imprint A La Belle Edition. One of 500 numbered copies on Verge d'Arches paper, from a total edition of 550. This copy is numbered 417. Text in French. Illustrated paper wrappers in glassine jacket, 8x10 inches (21.5x26.5cm), 28 unnumbered pages. Condition: GOOD book, soiling to the front cover, toning to the page edges, otherwise bright, clean and clear; in a toned / browned but otherwise GOOD glassine wrapper. A solid, complete, presentable copy. About CHARLES MAURRAS (excerpts from Wikipedia): ****** Charles Marie Photius Maurras, b.1868 d.1952, was a French author, politician, poet, and critic. He was an organizer and principal philosopher of Action Française, a political movement that was monarchist, anti-Semitic, anti-parliamentarist, and counter revolutionary. Maurras' ideas greatly influenced Nationalisme Intégral. A major tenet of Integral Nationalism was stated by Maurras as: "a true nationalist places his country above everything else". A political theorist and a major intellectual influence in early 20th century Europe, his views influenced several far right ideologies; as well as some of the ideas of fascism. Maurras was arrested in September 1944 and indicted by High Court of Lyon for "complicity with the enemy". Maurras was sentenced to life imprisonment. He was automatically dismissed from the Académie Française. Imprisoned in Riom and then Clairvaux, Maurras was released in March 1952 to enter a hospital. Although weakened, Maurras collaborated with Aspects de la France, which had replaced the outlawed review Action Française in 1947. He was transferred to a clinic in Tours, where he soon died. Former Chief Trump White House strategist Steve Bannon has quoted Maurras approvingly. ("Stephen Bannon Is a Fan of a French Philosopher Charles Maurras Who Was an Anti Semite and a Nazi Supporter and was sentenced to life in prison for complicity with the Nazis" Mother Jones magazine March 16, 2017)****** About FRANÇOIS BERNOUARD (from Wikipedia) ******François Bernouard, b.1884 d.1949, was a French publisher of the early 20th century, also a poet and playwright. He founded his publishing house in 1909. He published under four names: FRANÇOIS BERNOUARD, À LA BELLE ÉDITION, TYPOGRAPHIE FRANÇOIS BERNOUARD, and À SCHÉHÉRAZADE. His finely printed books are distinguished by the presence on the cover of a rose drawn by Paul Iribe .The collection of À la Belle Édition was reprinted in September 1943 by JB Janin.******

ALPHONSE: Deleted Beginning and End of a Short Story, with an Original Drawing by the Author. By William Saroyan. Deleted Beginning and End of a Short Story Entitled "Alphonse, or the Death of a Small Boy." A Rare WILLIAM SAROYAN Illustrated Story. Published by The Lowell Adams House Printers in Harvard Yard, Cambridge, Massachusetts, November, 1965. One of William Saroyan's scarcest works. His Illustration "And Then He Fell Asleep" is unique to this work and has never been re-printed. Letterpress Booklet. Original printed wrappers, 6.25" x 7.5", side saddle stitched, 4 pages printed on the outside of double leaves uncut at the top. LIMITED TO SEVENTY-FIVE NUMBERED COPIES, this is NUMBER #62. The OCLC shows only 3 copies held in collections worldwide (Library of Congress, Harvard, and Yale). William Saroyan (1908-1981) Pulitzer Prize-winning Author, and acclaimed Modern Artist whose Abstract Paintings and Drawings are the subject of Major Exhibitions. His first published work in 1934 was the short story, "The Daring Young Man on the Flying Trapeze." Saroyan was born and died in Fresno, lived and worked in San Francisco, and drank and gambled away his fortune. On his deathbed, he called the Associated Press in Fresno, to make sure they would give him a proper obituary. "I know everyone has got to die," he told the reporter, "but I thought an exception would be made in my case." NEAR FINE CONDITION: A touch of creasing at the spine, otherwise tight, bright, clean and unmarked. An Excellent and Very Rare Copy.

1942-1944 / MEMORIES OF CHILDHOOD. ROGER SHIMOMURA, ARTIST'S BOOK.

TEN HAND PAINTED AND HAND PRINTED COLOR LITHOGRAPHS in a HANDMADE BOOK - EDITION OF 30.

SIGNED, NUMBERED and DATED by the ARTIST, ROGER SHIMOMURA, on the Colophon Page (the last page). This is Copy #4 of 30.

The ten color lithographs are printed on 10x12 inch Somerset, Soft White and Japanese Goyu paper, the images are 7x10 inches.

Published by the Steinbaum Krauss Gallery, New York City and The Lawrence Lithography Workshop, Sundland Park, New Mexico, 1999.

From the Colophon Page: "This book of lithographs by Roger Shimomura is a co-publication project of the Steinbaum Krauss Gallery, New York City and The Lawrence Lithography Workshop, Sundland Park, New Mexico. The images are derived from a series of paintings about the artist's experience as a child in Minidoka Concentration Camp in Hunt, Idaho, during World War II. The key line images were drawn by the artist on mylar and exposed to positive working plates. The color plates were hand painted under the artist's direction...The prints were hand printed by Michael Sims at The Lawrence Lithography Workshop on a direct pressure flatbed press...The binding and cover assembly were done by Priscilla Spitler at Hands on Bookbinding in Smithville, Texas. There are 30 books in the edition."

Artist's Statement: "Because I was so young at the time, the memories I have are very few, but those that I have maintained are still quite vivid. This series of works represents nearly all of those memories, that is, all of them except for one. As wonderful as it had seemed to live close to most of my friends and relatives, I remember never fully understanding exactly why we moved, and wondering if we were ever going to go back home."

When originally published in 1999 the book was priced at $8,000.

Condition: There is a bump to the bottom of the spine affecting the bottom blank spine corner of the inner pages, and a slight bump to the top of the spine only affecting that corner of a few preliminary pages. Otherwise bright, brilliant, and very scarce.