GEORGE GERSHWIN. Edited and Designed by Merle Armitage, with contributions by Paul Whiteman, et al.

The SIGNATURE of GEORGE GERSHWIN in blue pen is clipped from an original bank check and glued on to the front free endpaper.

Published by Longmans Green & Co., London and New York, 1938. First edition. Hardcover book, 8" x 10.5" inches, 252 pages, no dustjacket. Illustrated with some b&w plates. GOOD PLUS condition, the covers have light wear to the spine ends and corner tips, some scrapes to the spine folds; internally, the front inner hinge has some clear tape reinforcement, the text block has a few hairline cracks but is holding well with the sewn binding, otherwise the pages are tight, bright, clean and unmarked and GEORGE GERSHWIN'S signature is bold and bright.

SCARCE and UNIQUE with the clipped SIGNATURE of GEORGE GERSHWIN, iconic American composer and pianist.

DRINK FACTORY. The first issue of infamous bartender Tom Conigliaro's exclusive limited edition large format magazine. A visually stunning, vampire inspired Gothic bartending guide which showcases bespoke drinks and cocktails served in unique spooky environments.

Published by Drink Factory, London, UK, March 2014. First edition. Edited by Tony Conigliaro. Illustrated softcover, 13.5" x 9.5", 136 un-numbered pages, richly illustrated throughout with evocative photographs inspired by the 16 cocktails, with recipes. Cocktails include: Black Rose, Ink, Nosferatini, Le Petit Mort, Death in the Afternoon, Silver Bullet, and Renfield's Kitten. VERY GOOD CONDITION: covers have a touch of edgewear, half dime size scrape at the bottom of the spine, and a few small scrapes to the rear cover, overall tight, bright, clean and unmarked. Uncommon signed.

Tony Conigliaro is one of the world's top mixologists. A London bartender who is the progenitor of "molecular mixology," a genius lunatic whose legendary creations are more like conceptual art than cocktails. His drink and flavor research collective, The Drink Factory is a collective of bartenders who push the boundaries of booze. His book The Cocktail Lab won the 2014 James Beard award for best beverage book.

A CHEF FOR ALL SEASONS, by GORDON RAMSAY.

Published by Ten Speed Press, Berkeley, 2000. First U.S. Printing, so stated on the copyright page. Hardcover Book in Dustjacket, 8.5x10.5 inches, 224 pages.

SIGNED & INSCRIBED by RAMSAY on the title page.

FAIR condition, there is water damage to the upper portion of the front of the dustjacket and the front cover, and waviness (but no staining) to the front dj flap and the first 50 or so pages, heaviest on the first pages and less with each subsequent page until it stops; despite the flaws the dj and covers are doing their job, and the inner pages are bright and clean. A perfectly usable cookbook. Of course what makes this a special copy is the inscription and signature by Gordon Ramsay.

CANTARES - VERSOS. Lyrical verses by ANTONIO BOTTO; Musical Scores by Nicolau d'Albuquerque Ferreira; Illustrations by Antonio Carneiro.

LISBON: Typographia do Annuario Commercial, 1919. First edition. Text in Portuguese.

SIGNED and INSCRIBED by ANTONIO BOTTO on the front free endpaper: "Ao exmo Amigo Correia / agradecendo as suas / belas atenção / oferece / Antonio Botto". [To my dear friend Correia, thanking him for his kind attention, Antonio Botto.]

Hardcovers, no dustjacket as issued, 4to. 9.5x11 inches (24x29 cm), 60 unnumbered pages. Illustrated with reproductions of paintings by Carneiro, each with a tissue guard protector, and with music by Ferreira.

GOOD condition: The covers have some light toning and soiling, the spine covering is peeling and worn, one leather tie is lacking, else the covers are solid and doing their job well. Internally, the pages are just lightly toned at the edges (except the front free endpaper which is more substantially toned), otherwise tight, bright, clean, clear and unmarked. A nice, solid, presentable copy.

SCARCE, especially so with the SIGNATURE & INSCRIPTION of ANTONIO BOTTO.

About ANTONIO BOTTO (from Wikipedia):

******António Botto, b.1897 d.1959, was a Portuguese aesthete and lyricist poet. Botto grew up in a neighbourhood of old shabby houses, the ambiance was one of poverty and promiscuousness. The dirty streets were crowded with workers, housewives shopping, vendors, beggars, tramps, kids playing, pimps, prostitutes and sailors. All of this deeply influenced Botto's work.

His first book of poems Trovas was published in 1917. It was followed by Cantigas de Saudade (1918), Cantares (1919) and Canções do Sul (1920). His book Canções (1921) caused a scandal and gave Botto a notoriety that has lasted until this day. In Canções Botto wrote about same-sex love in a very nonchalant and romantic way; and it featured a photograph of Botto in a languid, partially nude pose.

The journal Comtemporânea praised the author's courage and sincerity for shamelessly singing about homosexual love as a true aesthete. Conservatives branded the book "Sodom's literature" and had it banned. A year later the ban was lifted and Botto became somewhat of a mythical figure.

Botto's mythomania seems to have been a lifelong trait. He talked about unlikely friendships with people like James Joyce, Virginia Woolf, Vaslav Nijinsky, Federico García Lorca or André Gide. On the other hand, he never alluded to his modest background or ever talked about his parents or brothers.

He was a regular visitor of Lisbon's popular bohemian quarters and the docks, enjoying the company of sailors, a frequent image in his poems. In spite of a homosexual fame, he had a lifelong and fully devoted common law wife, Carminda da Conceição Silva Rodrigues, a widow, nine years his elder. "Marriage suits every handsome and decadent man", he once wrote.****** (Read more about Botto on his Wikipedia page and elsewhere on the Internet.)

THE JUST DESSERT THOUGHTFUL ALPHABET XI by EDWARD GOREY

Published by The Fantod Press, New York, 1997 limited first edition, limited to 750 numbered copies, this is copy 582, SIGNED and NUMBERED by the author EDWARD GOREY on the colophon page. Square format softcover booklet, illustrated grey wrappers, side staple bound, 5" x 5", 26 un-numbered pages, printed on one side only, existentially illustrated with thirteen b&w drawings that are rather dark, unfathomable and a touch surreal. Also includes the original Edward Gorey illustrated announcement card for this book which was sent out by Gotham Book Mart. Illustrated white card, 4.5" x 3.25", printed in b&w on both sides. Both in NEAR FINE CONDITION: tight, bright, clean and unmarked. A lovely copy.

Edward Gorey created The Fantod Press in 1962. Only 28 titles were issued by Fantod and each is highly prized by Gorey collectors.

LOVER OF ROBER GRAVES ATTEMPTED SUICIDE IN 1927 SAID SHE WOULD NEVER WRITE ANOTHER POEM

A POEM : HOW A POEM CAME TO BE. A Lovely BROADSIDE POEM by LAURA RIDING JACKSON.

SIGNED by LAURA RIDING JACKSON at the end of her poem, beneath her printed name.

Published by [Lord John Press, 1980]. Presentation Copy - Presentation Copies are normally printed prior to numbered copies, making them quite hard to find. Subsequently printed in a limited edition of only 150 numbered copies.

Broadside, printed on fine heavy stock paper, deckled top and bottom edges, 15x22 inches.

NEAR FINE condition, a bright and beautiful copy. Would look great mounted and/or framed.

From the Broadside: "Within a very few years of the publication of my Collected Poems (1938)... I renounced further trying the way of poetry... saying: I would write no more poems - and I wrote no more poems... (however) I wrote for (a close friend), in the 1978 Christmastime, a poem, marked as a poem for him only, giving it the title HOW A POEM CAME TO BE. I kept no copy of this privately written and given poem, and forgot the writing and the giving of it... I chanced, recently, to tell my friend of receiving a request for a poem to publish in broadside form from the Lord John Press, indicating my feeling some surprise that Mr. Yellin, the Press's director, should not have been aware that FOR FORTY YEARS there had been NO NEW POEMS of mine. But my friend reminded me that about a year ago there HAD been a new poem - the one I wrote for him; and he urged me to let him release it to me from its private status of being a poem for him only... I give here the poem, given him, to be out in the world..."

LAURA RIDING JACKSON, 1901-1991, was an iconoclastic American Poet. She left New England at the age of 25 to live with ROBERT GRAVES and his wife, Nancy Nicholson. The triangle did not suit her, and Laura Riding tried to commit suicide in 1927. Thereafter Robert Graves divorced his wife and lived together with Laura Riding in Majorca, France, England and Switzerland, and even went with her when she returned to the United States. They bitterly broke up in 1939. In 1941 Laura Riding Jackson renounced poetry, married Schuyler B. Jackson, and lived quietly with him in Wabasso, Florida, until her death in 1991. In the 60s, 70s and 80s she wrote a number of pieces explaining her reasons for renouncing poetry, but no poetry. This is apparently THE ONLY POEM written by Laura Riding Jackson since 1941.

You can read much more about LAURA RIDING on Wikipedia and elsewhere on the Internet.

This Large and Lovely BROADSIDE will be shipped carefully rolled in a sturdy mailing tube.

THE BATTLES OF CHANCELLORSVILLE AND GETTYSBURG, by CAPT. A. H. NELSON [Captain Alanson H. Nelson], 57th Pennsylvania Volunteers.

Self Published / Capt. A. H. Nelson, Minneapolis, Minnesota, 1899. First Edition.

SIGNED PRESENTATION COPY. Signed & Inscribed by Captain Nelson to Captain Jack Wendell on the page facing the title page: "Minneapolis Minn. / May 7th, 1920 / Compliments of the Author / Captain A. H. Nelson / To his comrade / Captain Jack Wendell." At the bottom of this page are two ink stamps of "A. C. Wendell" (perhaps a son of Captain Jack Wendell?). One of the ink stamps states "A. C. Wendell / P.O. Clerk / Minneapolis"; the other: "Comrade A. C. Wendell / Co. K, 39th & Co. D, 46th Wis. Infantry / Minneapolis, Minn."

Hardcovers, cloth covered boards, gilt titling to the front cover (the titling on the spine is almost completely rubbed away / gone), 5x7 inches, 183 pages. Errata slip pasted on the blank area of an early page.

Illustrated with six full page line-maps, plus an illustration of Nelson's broken sword captioned: "Capt. A.H. Nelson's Sword / Shot away by a fragment of shell - Sunday, May 3rd, 1863 - at the battle of Chancellorsville, Va."

EX-LIBRARY with a shelving number on the front cover, "Atascadero Elementary School" stamps on the endpapers and title page, and a card pocket and return date slip on the rear endpapers. Ex-lib aside, the covers are worn but solid, the front cover gilt titling is bright, the spine titling has been rubbed away and is barely visible; internally, the pages are toned as normal, the inner hinge is cracked at a number of places but holding with the sewn binding.

Just as Capt. A. H. Nelson survived the Civil War, this book survived an early burial. Laid-in at the rear is a slip of paper that reads: "George found this book in the Atascadero dump along with many others discarded by Atascadero School. It is Autographed by its Author, Captain A. H. Nelson". Thank goodness for book collecting dumpster divers!

Though the book can be found with an unsigned "Compliments of the Author" inscription, the actual SIGNATURE, INSCRIPTION and PRESENTATION by Civil War CAPTAIN ALANSON H. NELSON makes this book quite exceptional.

About CAPT. ALANSON H. NELSON (from the Find A Grave website):

******Alanson H. Nelson, b.1828 d.1921. His father, William Nelson, enlisted in the Regular Army and was killed in the Seminole war. On August 1, 1861, A.H. Nelson enlisted in the Fifty-Seventh Pennsylvania Volunteer Infantry, leaving his wife and seven small children. He and Capt. Chase organized Company K to the number of thirty men and he was made a First Lieutenant. When the Company arrived in Harrisburg, Penn., A.H. Nelson was ordered make up the remainder of the Company, which he did, enlisting fifty-five more men. The company was assigned to the Army of the Potomac. At the death of Capt. Chase on June 17, 1862, A.H. Nelson was promoted to Commander. He led his Company through seventeen hard fought and historic battles of the Virginia campaigns. In the absence of the field officers Capt. Nelson, being the senior Captain, took command of the regiment for a period of eighteen months. He received his discharge in November, 1864.******

About CAPT. A. H. NELSON (from an Internet Civil War site):

******Captain Alanson H. Nelson, Company E, 57th Pennsylvania Volunteers.

The 57th Pennsylvania was commanded at the Battle of Gettysburg by Colonel Peter Sides, who was wounded on July 2. Captain Alanson H. Nelson then took command. The 57th brought 207 men to the field, losing 11 men killed, 46 wounded and 58 missing.

The 57th Pennsylvania Infantry Regiment served in the Eastern Theater of the American Civil War from December of 1861 until June of 1865. It lost 12 officers and 149 enlisted men killed or mortally wounded and 217 enlisted men to disease during the Civil War. There is a monument to the 57th Pennsylvania on the Gettysburg battlefield.******

L'ART DANS LA DÉCORATION EXTÉRIEURE DES LIVRES - Les Couvertures Illustrées, Les Cartonnages d'Éditeurs, La Reliure d'Art. Par OCTAVE UZANNE.

[ART in the EXTERIOR DECORATION of BOOKS - Illustrated Covers, Publishers' Bindings, Art Bindings. By Octave Uzanne.]

SIGNED and INSCRIBED PRESENTATION COPY. Inscribed on the half-title page by OCTAVE UZANNE to the renowned book collector JAMES CARLETON YOUNG. The inscription reads:

"à James Carleton Young / Un ami des livres dédicacés pour qui bien volontiers J'offre en décoration extérieur de celui-ci la signature de son ami / Octave Uzanne".

(to James Carleton Young / A friend of dedicated books for whom I gladly offer as an exterior decoration of this one the signature of his friend / Octave Uzanne)

PARIS: Société Française d'Editions d'Art / L-Henry May, 1898. LIMITED EDITION of only 1060 copies. This copy is an unnumbered presentation copy.

FINE-BINDING. The original softcover book, including the front and rear wrappers, are bound in fine contemporary hardcovers, 3/4 leather and marbled paper covered boards, five raised spine bands, gilt spine titling, marbled endpapers, and gilt top page edges; 8x10.5 inches, VI, 272 pages.

ILLUSTRATED throughout with examples of decorative artistic covers, bindings and cases.

VERY GOOD condition: The hardcover binding has some scrapes to the leather at the spine ends, spine folds, and corners, but overall the fine-binding is solid and attractive. The bound-in original softcover book is very nice, the pages are lightly toned, as normal, otherwise tight, bright, clean and clear. The personal inscription by Octave Uzanne to James Carleton Young is bright and clear.

A lovely, presentation copy of this rare book that deserves to go from the home of one great collector, James Carleton Young, to another.

You can read all about the amazing French bibliophile, writer and publisher OCTAVE UZANNE on his wikipedia page and many other places on the Internet.

Here is some information about the lesser known Minnesota bibliophile JAMES CARLETON YOUNG (from the Hennepin County Library website):

******James Carleton Young, b.1856 d.1918, was an internationally known Midwest American

book collector. He graduated with an M.A. from Cornell College in 1876, and in 1909 Cornell presented him with its first-ever Doctor of Literature degree. He became wealthy buying and selling mid-west real estate, and used almost all of it to acquire first edition books.

Young collected first editions of both contemporary and non-contemporary authors, often sending the contemporary books to their authors with a request that they inscribe them. In Europe Young was given the title "Le Roi des Livres". Young was named honorary commissioner to the Paris exposition of 1878, elected as one of the three foreign members to the Société Des Amis Des Livres in Paris, awarded the Cross of the Legion of Honor in 1910, made a Fellow to the Royal Geographical Society of London, and received awards from many other important European and American book clubs and societies. The books in his library ultimately numbered in the tens of thousands and required the services of a full-time librarian, bookkeeper, several assistants, catalogers, translators, and agents.

Mounting obstacles to his dream of keeping the collection together and eventually donating it to the Smithsonian forced him to allow it to be auctioned off in installments by the Anderson galleries in New York in 1916. Young took consolation that his books would "pass into the possession of my fellow collectors and enrich hundreds of public and private libraries." He ended up being much better known abroad than in America, and relatively unknown in Minneapolis.******

INTERNATIONAL BUYERS PLEASE NOTE: This book will require additional shipping charges. After placing your order you will be notified of the charges and be able to accept or reject them before payment is taken. Thanks!

THE BRADY BOOK: Selections from ROY BRADY'S UNPUBLISHED WRITINGS ON WINE. Edited with an Introduction by Thomas Pinney.

Published by NOMIS PRESS, Santa Rosa, California, in association with the Wine Librarians Association, Healdsburg, California, 2004. FIRST EDITION, LIMITED to only 250 copies, this being copy number 205, as stated on the Colophon Page (the last page). This book was quickly sold out upon publication.

SIGNED PRESENTATION COPY. Signed and Inscribed on the title page by the Editor, and noted wine authority, THOMAS PINNEY, to the MASTER SOMMELIER GILLES DE CHAMBURE. "To Gilles de Chambure / from / Thomas Pinney / Stoney Hill Winery / 3.10.04".

Hardcovers, cloth covered boards, gilt design on front cover, gilt titling on spine, 7x10 inches. Pagination: lix, 199 pages. Laid in are 2 copies of the 4-page, single-fold prospectus.

Contains 24 illustrations, including 14 TIPPED-IN REPRODUCTIONS OF WINE LABELS and a tipped-in "Collection of ROY BRADY" bookplate on the page facing the Colophon page.

NEAR FINE condition: Light foxing and some tiny spots to the top page edges (page edges of the closed book), slight bump to the upper corner tip of the rear cover, otherwise fine, sharp, tight, bright, clean, clear and unmarked.

SCARCE, especially so with Thomas Pinney's inscription to Gilles de Chambure and the bookplate of Roy Brady.

From the Publisher: . ******In 2004, on behalf of and for the benefit of the Wine Librarians Association, Nomis Press produced and published a special, limited edition book in tribute to Roy Brady, a man of many wine talents: The Brady Book: Selections from Roy Brady's Unpublished Writings on Wine. With an Introduction by Thomas Pinney. 199pp, 250 copies, presented in a handsome two-color format, with 14 tipped-in color reproductions of wine labels from the Brady Collection.******

A KEEPSAKE FOR ALFRED A. KNOPF. "Written and Printed by Various Hands Celebrating His Fiftieth Year as a Book Publisher".

FIFTY FINELY-PRINTED, SMALL-PRESS LEAFLETS, including an introductory pamphlet by Charles Antin. The leaflets were printed by a wide variety of small private presses. All were printed in tribute to the publisher Alfred A. Knopf. There is also a leaflet that lists all the contributors and their presses (so, 51 leaflets total). The leaflets are all loose and held in a Publisher's slipcase.

SIGNED ASSOCIATION COPY. Two letters accompany the keepsake. One is from ALFRED A. KNOPF, and is SIGNED by KNOPF, likely secretarially. The letter is on Alfred A. Knopf stationery and comes with its Knopf mailing envelope. The letter is addressed to FRANK POWERS. It thanks Frank Powers for his contribution to the keepsake collection (Frank Powers / Powers Private Press provided one of the keepsakes). The other letter is from Charles Antin of the Serendipity Press. In his letter he thanks Frank [Powers] for his contribution and says he is enclosing a copy of the keepsake tribute collection. Charles Antin organized the Knopf tribute.

The keepsakes are 4.5x7 inch leaflets, most are 4 pages, some are two sides of a single leaf, some have more pages, and a few have inserts. THEY HAVE BEEN COLLATED with the included LIST OF CONTRIBUTORS (49) and are all present and in proper order. The keepsakes and the list of contributors are held in a purple paper covered slipcase which has a printed wraparound title band.

Contributors include Frank Altschul / Overbrook Press; Merle Armitage / Mohawk Press; Joseph Blumenthal / Spiral Press; Warren Chappell / Salisbury Press; Muir Dawson and Saul Marks / Plantin Press; Frank Powers / Powers Private Press; Ward Ritchie / Anderson, Ritchie & Simon; Patricia Waddel / Pratt Institute; Lili and Erich Wronker / Ron Press; and many others.

NEW YORK: Alfred A. Knopf, 1965. Limited Edition of only 150 copies.

VERY GOOD CONDITION: The slipcase has some rubs and light toning, the leaflets are all bright and clear, the letters are folded. A nice, solid set of keepsakes plus letters from Knopf and Antin.

About FRANK POWERS, one of the keepsake contributors and to whom letters of thanks from Knopf and Antin were addressed (from the Type Directors Club website):

******Frank Powers was one of the founders of the Type Directors Club "TDC", he even originated the term "Type Director" to give the role a more professional standing. In 1946 he became the TDC's first President, followed by two additional presidencies in 1961 and 1962. He also served as a tireless chairman of many TDC committees. Powers Often prepared club announcements on his home printing press, making printing plates from "a jar top, string, cork letters, a medal, linoleum, rubber tile, and cardboard." Frank worked as Director of Typography for J. Walter Thompson for 22 years.

In 1971 Frank Powers became the third member of the TDC to be honored with the TDC Medal "awarded for significant contributions to typography"******

Seven Nathan Oliveira art exhibition catalogs. Softcovers, various sizes and pagination. They are lovingly SIGNED and INSCRIBED by NATHAN OLIVEIRA to his close friends MARGOT & JAMES SCHEVILL. Six are inscribed on the title page or front endpaper, one has a laid-in inscribed postcard.

GOOD Condition: All the catalogs have some soiling to the covers, two have a sunned spine, one, Turomaquia, has a half-dollar size old grease stain to the front cover; internally all are tight, bright, clean and clear. A nice set.

Both James Schevill and Margot Schevill, to whom the catalogs were inscribed, led very interesting lives.

James Erwin Schevill, b.1920 d.2009, was an American poet, critic, playwright and professor at San Francisco State University and Brown University, and the recipient of Guggenheim and Ford Foundation fellowships. In a 1950 letter to Robert Sproul, the president of the University of California, he refused to sign a loyalty oath, at the time a prerequisite to becoming an instructor at UC Berkeley. - Wikipedia.

Margot Blum Schevill, b.1934 d.2024, was a talented musician and scholar. In 1972 she graduated from Brown University's first women's class. Margot was an opera singer in San Francisco during the 1950s and 60s, performing with orchestras. She founded the New Music Ensemble at Brown University. In the 1980s, she transitioned to anthropology, focusing on indigenous textiles and curating exhibitions. - S.F. Chronicle Obituary

You can read much more about the Schevills on the Internet.

STRANGE WATERS, by GEORGE STERLING.

SIGNED and INSCRIBED TWICE by GEORGE STERLING to GEORGE STEELE SEYMOUR the noted Chicago book collector who, with his wife Flora Warren Seymour, founded The Order of Bookfellows - a Chicago based literary society and small press publisher. In addition to being TWICE INSCRIBED by STERLING, the book has a number of the author's hand corrections.

The inscription on the title page reads: "Dear George: / Seriously, do you think there is any chance of getting this into our High Schools to supplant Evangeline? / Seriously, / George / San Francisco / Aug. 12, 1926." The second inscription is on the verso of the title page and reads: "For George Steele Seymour / from George Sterling."

No publisher or printed date, but the long inscription is dated August 12, 1926, which was just three and a half months before George Sterling committed Suicide. This was one of, if not the, last published work by George Sterling.

Booklet, paper wrappers (split at the spine fold and laid on loosely), 5.25x7.25 inches, ten numbered pages of text, plus title page and endpapers. The inner pages are string tied with a bow in the centerfold.

Condition: The front and rear wrappers are loose, they are toned especially at the margins; the inner pages are nice, lightly toned at the margins, otherwise tight, bright, clean and clear.

Though published near the end of his life, this is one of the more difficult Sterling items to find. Especially so with the humorous inscription; apparently he held on to his bohemian sense of humor until the end.

About George Sterling (from Wikipedia):

******George Sterling, b.1869 d.1926, was an American writer based in the San Francisco, California Bay Area and Carmel by the Sea. He was considered a prominent poet and playwright and proponent of Bohemianism during the first quarter of the twentieth century. His work was admired by writers as diverse as Jack London, Upton Sinclair, Theodore Dreiser, and Sinclair Lewis.

In 1905 Sterling moved to Carmel by the Sea, California, an undeveloped coastal area, and soon established a settlement for like-minded Bohemian writers. Carmel had been discovered by Charles Warren Stoddard and others, but Sterling made it world famous.

Sterling joined the Bohemian Club and acted in their theatrical productions each summer at the Bohemian Grove. For the Grove play of 1907 the Club presented Sterling's "The Triumph of Bohemia".

Sterling carried a vial of cyanide for many years. In November 1926, Sterling used it while at his residence at the San Francisco Bohemian Club. Kevin Starr wrote that "When George Sterling's corpse was discovered in his room at the Bohemian Club... the golden age of San Francisco's bohemia had definitely come to a miserable end."******

ABRISS DER LOGISTIK mit Besonderer Berücksichtigung der Relationstheorie und Ihrer Anwendungen, von Dr. Rudolf Carnap.

[OUTLINE OF LOGISTICS with Special Reference to the Theory of Relations and Its Applications, by Dr. Rudolf Carnap.]

WIEN (Vienna): Verlag Von Julius Springer, 1929. First edition.

Bound in hardcovers, original wrappers trimmed and pasted to endpapers, black cloth covered boards, hand painted gilt title on the front cover, 5.5x8.5 inches, vi, 114 pages.

ASSOCIATION COPY - Copy of EDMUND CALLIS BERKELEY, with his SIGNATURE on the front free-endpaper. Above his signature is a date stamp "Rec'd Jul 11 1940". It is interesting to note that the three other Berkeley signatures I have seen over the years all had a rubber date stamp as well, I guess that was something he did. There are some minor handwritten pencil notes, marks and corrections on pages 102-105, and a small notation "Errata p 44" written on the rear pastedown, all of which appear to be in his hand. Nine years after he "received" this book, Berkeley's book GIANT BRAINS OR MACHINES THAT THINK was published (John WIley, New York, 1949). Giant Brains or Machines that Think was an influential work that helped popularize computers. Perhaps this copy of Rudolf Carnap's ABRISS DER LOGISTIK was the work that influenced Edmund C. Berkeley.

VERY GOOD condition, The covers have wear to the spine and edges; internally, there is a rubberstamped date on the front free-endpaper and some minor notes and corrections within the text, as noted above. Overall a tight, bright, clean and clear copy.

RARE with the SIGNATURE of and ASSOCIATION to EDMUND CALLIS BERKELEY.

GREEN MANSIONS by H. Hudson. ILLUSTRATED by E. McKNIGHT KAUFFER, who SIGNED and INSCRIBED this copy on the front free endpaper: "Inscribed for / Leslie Roos / E. McKnight Kauffer".

ILLUSTRATED MODERN LIBRARY EDITION / Random House, 1944. First thus edition. Hardcover Book, green cloth covered spine and paper covered boards, gilt lettering to the spine, lovely Kauffer illustration on both the front and rear cover, top page edges stained green, 5x7 inches. Pagination: x, 254 pages. Illustrated by Kauffer with 10 color plates and in-text drawings. The book comes in a slipcase with a lovely McKnight Kauffer plate on the front.

Condition: VERY GOOD book, the covers have some scrapes to the spine label, a bit of rubbing to the edges and corner tips, and a 1/8 inch scrape to the top edge of the front panel, overall just lightly handled, tight, bright, clean and clear. In a GOOD MINUS slipcase that has some scratches and a few edge scrapes but is solid, still doing its job well, and the Kauffer plate is lovely.

RARE with the SIGNATURE and INSCRIPTION of E. McKNIGHT KAUFFER.

About E. McKnight Kauffer (extracts from Wikipedia):

******Edward McKnight Kauffer, b.1890 d.1954, was an American artist and graphic designer who lived for much of his life in the United Kingdom. He worked mainly in poster art, but was also active as a painter, book illustrator and theatre designer. Born in Great Falls, Montana, by 1910 he had moved to San Francisco working as a bookseller and studying art at the California School of Design. Professor Joseph McKnight of the University of Utah became aware of Kauffer's work, sponsored him and paid to send him to Paris for further study. In gratitude Kauffer took his sponsor's name as a middle name. Kauffer moved to London upon the start of the First World War, and remained there for most of his career.

Kauffer may be best known for the 140 posters he produced for London Underground, but he also created notable book illustrations and book covers.

He returned to New York City in 1940.

It was in 1952 that he designed what is perhaps his most famous work, the dust jacket art of Ralph Ellison's novel Invisible Man. He died two years later, in 1954.******

NAMU DAI BOSA: A TRANSMISSION OF ZEN BUDDHISM TO AMERICA, by Nyogen Senzaki, Soen Nakagawa, and Eido Shimano.

Zen Studies Society's Bhaiajaguru Series published by Theatre Arts Books, New York, 1976.

SPECIAL LIMITED, NUMBERED and SIGNED EDITION. This is copy number 512 of only 1000 copies and has a sweeping CALLIGRAPHY SIGNATURE-INSCRIPTION by EIDO SHIMANO on the rear endpapers.

From the Colophon page: "This book was designed by Stephen Harvard and printed at The Stinehour Press in Lunenburg, Vermont...An edition of 1000 signed and numbered copies has been printed..."

Hardcovers, cloth covered spine and paper covered boards, spine titled in gilt, 6x9 inches. Pagination: xxix, 262 pages. Comes in a paper covered, heavy cardboard slipcase.

Condition: VERY GOOD book, the rear cover has a few small black smudges, clearly a result of the bold black calligraphic inscription on the rear endpapers, perhaps the calligrapher's brush or inky fingers lightly touched the rear cover at a couple spots, anyway adds a few nice "touches" to the inscription; otherwise the book is sharp cornered, tight, bright, clean, clear and unmarked. In a FAIR slipcase that is solid and doing its job well, but has staining to the spine, a couple scrapes, ghost of a removed sticker, and some soiling.

About NYOGEN SENZAKI (from Wikipedia):

******Nyogen Senzaki, b.1876 d.1958, was a Rinzai Zen monk who was one of the 20th century's leading proponents of Zen Buddhism in the United States.******

About SOEN NAKAGAWA (from Wikipedia):

******Soen Nakagawa, b.1907 d.1984, was a Taiwanese born Japanese roshi and Zen Buddhist master in the Rinzai tradition. An enigmatic figure, Nakagawa had a major impact on Zen as it was practiced in the 20th century, both in Japan and abroad.******

About EIDO SHIMANO (from Wikipedia):

******Eido Tai Shimano (Shimano Eido), b.1932 d.2018, was a Rinzai Zen Buddhist priest. He was the founding abbot of the New York Zendo Shobo-Ji in Manhattan and Dai Bosatsu Zendo Kongo-Ji monastery in the Catskill mountains of New York; he was forced to resign from that position of 40 years after revelations of a series of sexual relationships with and alleged sexual harassment of female students.****** (Not very Zen!)

FOUNDATIONS OF ECONOMIC ANALYSIS, by PAUL A. SAMUELSON. Facsimile of the First Cambridge Edition, LIMITED to only 500 SIGNED and NUMBERED COPIES. This is copy number 23.

This limited facsimile edition is HAND SIGNED by PAUL A. SAMUELSON on a prelim page.

Published together with a Vademecum / Companion Book with commentary on Foundations of Economic Analysis by Jurg Niehans, Paul A. Samuelson, and Carl Christian von Weizsäcker. Some of the tributes to Samuelson are in English, otherwise the text is in German, including Samuelson;s essay titled: "How Foundations Came To Be" which has been translated into German for this edition. The Vademcum has Paul A. Samuelson's facsimile signature at the beginning of his contribution.

DÜSSELDORF: Verlag Wirtschaft und Finanz, 1997.

Both volumes are in FINE condition, they look and feel unused, tight, bright, clean, clear and unmarked.

About PAUL A. SAMUELSON (from Wikipedia):

******Paul Anthony Samuelson, b.1915 d.2009, was an American economist who was the first American to win the Nobel Prize in Economic Sciences. When awarding the prize in 1970, the Swedish Royal Academies stated that he "has done more than any other contemporary economist to raise the level of scientific analysis in economic theory". Economic historian Randall E. Parker has called him the "Father of Modern Economics", and The New York Times considers him to be the "foremost academic economist of the 20th century".******

INTERNATIONAL BUYERS PLEASE NOTE: This two volume set will require additional shipping charges. After placing your order you will be notified of the charges and be able to accept or reject them before payment is taken. Thanks!

SAPATQ'AYN: TWENTIETH CENTURY NEZ PERCE ARTISTS - Signed by 11 contributors - 10 Artists and the author of the Preface.

Hardcover Book in Dustjacket, 7.5x10 inches, 56 pages. Filled with artwork and bios of 20 modern Nez Perce artists.

Published by Northwest Interpretive Association and Confluence Press, Seattle and Lewiston, 1991. First edition. Limited to 500 hardcover copies, as stated on the colophon page (the last page).

Signed by Timothy Nitz, the Preface author, and by 10 artists: Rose Frank, John A. Grant, Gary Greene, Doug Hyde, Maynard White Owl Lavadour, Keven Peters, Hollyanna Pinkham, Audrey Redheart, Leroy Seth, and John Seven Wilson III. Each artist signed their name beside their contribution.

NEAR FINE book, tight, bright, clean and clear,

in a NEAR FINE dustjacket. A lovely copy.

SIGNED COPIES are uncommon.