POPULAR DANCE IN BLACK AMERICA

Dance Research Journal Congress on Research in Dance. Spring 1983. Published by the State University of New York, Purchase, New York, 1983. First edition, first printing. Sally Banes, Editor. Softcover, illustrated wrappers, side staple bound, 10.75" x 8.25", 60 pages, illustrated with b&w throughout. VERY GOOD CONDITION: covers have light toning to the margins and a touch of light wear, overall tight, bright, clean and unmarked. Uncommon.

A literary journal on the history and critical theory of dance. This issue features articles and photographs on popular dance in the Black community. Authors include African American Dance Specialist Katrina Hazzard-Gordon. Articles include "Swinging at the Savoy," "Between Two Eras Norton and Margot in the Afro American Entertainment World," "Afro American Core Culture Social Dance: An Examination of Four Aspects of Meaning," and "Disco: Afro American Vernacular Performance."

African American dance styles dominated American dance by the end of the 20th century. Over the first 200 years recognizable American dance styles progressed slowly through a blending of African and European movement and musical forms. By the end of the 1890s a distinct pattern emerged where dances created in Black communities spread out to the American mainstream such as the Charleston in the 1920s and hiphop freestyle in the 1970s and 1980s.

THE BLACK PANTHER Black Community News Service Vol. V, No. 20, Saturday, November 14, 1970 Published by The Black Panther Party Ministry of Information, San Francisco, California. First edition, first printing. Huey P. Newton, Bobby Seale.

Newspaper format, 17.5" x 11.5" folded as issued, 20 pages, printed on newsprint in pink and black ink, illustrated throughout with historic b&w photographs, portraits and Black Power graphics, the rear cover has an intense image by revolutionary Black Panther artist Emory Douglas (b. 1943). VERY GOOD CONDITION: the front cover has a neatly penned phone number in the fore-edge margin, light wear to the horizontal fold, and a small tear at the bottom spine fold, the pages have some light age toning, and light edgewear, otherwise solid, bright, clean, unmarked and the iconic Emory graphic on the rear cover remains very bright. An important and hard to find cultural artifact.

Emblematic of the Black Power Movement, The Black Panther is a visually iconic provocative weekly newspaper that politically engaged readers with BPP ideology, current events, and issues facing Black Americans that were central to the party's Ten Point Platform and Program, spotlighting abuse and killing by police, incarceration, the right to self-defense, inequalities of the justice system, and solidarity with social justice organizations and international human rights movements.

10 ISSUES of THE BLACK SCHOLAR : Journal of Black Studies and Research, 1973-1974. Vol.5 No.1, Vol. 5 No. 3 - No. 10, Vol. 6 No. 1.

Published by The Black World Foundation, Sausalito, California, 1973-1974. First Editions.

Softcover journals, side-stapled, 7x10.25 inches, 64 pages per issue.

Subjects include Black Media, The Movement, Black Economics, Black Science, Black Health, The Black Family, Black Education, and more.

Contributors include: Shirley Chisolm, James Baldwin, Frederick Douglass (an out-of-print essay), Dempsey Travis, S. E. Anderson, Lenneal J. Henderson, Frances Cress Welsing, Benjamin E. Mays, and many others.

CONDITION: All ten issues are in GOOD condition, each has a mailing label on the front or rear cover, the covers are lightly toned and rubbed, internally the pages have light signs of use, otherwise complete, tight, bright, clean, clear and unmarked.

A nice set of early, hard-to-find, BLACK SCHOLAR issues, with many important African-American contributors of the day.

About THE BLACK SCHOLAR Journal (from Wikipedia):

******The Black Scholar is a journal founded in California, in 1969, by Robert Chrisman, Nathan Hare, and Allan Ross. It is the third oldest Black studies journal in the US, after the NAACP's The Crisis (founded in 1910) and the Journal of African American History (formerly The Journal of Negro History, founded in 1916).

Robert Chrisman (1937-2013) and Nathan Hare (b. 1933) were active in the 1968-69 Black studies struggle at San Francisco State University. The experience motivated Chrisman and Hare to create a venue outside of the academy for Black knowledge production. In November 1969, Hare (publisher), Chrisman (editor) and Allan Ross, a white Bay Area printer (business manager) founded The Black Scholar: A Journal of Black Studies and Research, to cover issues of social, cultural, economic and political thought.******

THE MOVEMENT - DOCUMENTARY OF A STRUGGLE FOR EQUALITY. Text by LORRAINE HANSBERRY. Filled with PHOTOS of SIXTIES CIVIL RIGHTS BATTLES with POLICE and Others.

Published by Simon & Schuster, New York, 1964. FIRST PRINTING, so stated on the copyright page.

COPY of the Friends of SNCC, with its ink stamp on the half-title page: "Long Beach Area / Friends of S.N.C.C." The Student Non-Violent Coordinating Committee worked to assist Black activists in their struggle for equality in the sixties

AND

COPY of LELAND COLE, with his signature and date "1965" on the inside front cover. Leland Cole was a LEAD INVESTIGATOR for the ANTI-CIVIL RIGHTS MISSISSIPPI SOVEREIGNTY COMMISSION. He was reportedly responsible for stirring up lots of white anger.

Softcovers, 8.5" x 11", 127 pages. ILLUSTRATED throughout with historic b&w photographs.

GOOD CONDITION, the covers have shelf-rubs, superficial scrapes, edge, spine-end and corner-tip wear, and general signs of handling, but remain sturdy and bright; internally the pages are tight, bright, clean and unmarked. A solid, presentable copy of this important work.

SCARCE with the ASSOCIATION to the SNCC and to MISSISSIPPI'S SEGREGATIONIST SOVEREIGNTY COMMISSION.

About the SNCC (from Wikipedia):

******The Student Nonviolent Coordinating Committee "SNCC" was the principal channel of student commitment in the United States to the civil rights movement during the 1960s. Emerging in 1960 from the student-led sit-ins at segregated lunch counters in Greensboro, North Carolina, and Nashville, Tennessee, the Committee sought to coordinate and assist direct-action challenges to the civic segregation and political exclusion of African Americans. From 1962, with the support of the Voter Education Project, SNCC committed to the registration and mobilization of black voters in the Deep South.******

About the MISSISSIPPI SOVEREIGNTY COMMISSION (from Wikipedia):

******The Mississippi State Sovereignty Commission was a state agency in Mississippi tasked with fighting integration and controlling civil rights activism...The Sovereignty Commission spied on and conspired against civil rights activists and organized pressure and economic retaliation against those who supported the civil rights movement in Mississippi. Principal investigators for the Sovereignty Commission were Virgil Downing, LELAND COLE, Fulton Tutor, Edgar C. Fortenberry, and James Mohead. They frequently relied upon informants, who were often compensated as much as $500 a month.******

About LELAND COLE (from "The Black Freedom Struggle in Claiborne County, Mississippi", by Emilye Crosby, University of North Carolina Press, 2006 - pages 204 and 227.):

******Despite Charles Evers's early January offer to discuss a settlement [to an African-American led boycott], whites opened the New Year with repression, not negotiation. SOVEREIGNTY COMMISSION INVESTIGATOR LELAD COLE, who George Walker observed "was constantly stirring up the people in the community," initiated a high-pressure campaign to undermine the Evers' led boycott.

The presence of civil rights lawyers let white officials know that others were monitoring their actions. For example, in January 1967, when Sovereignty Commission investigator LELAND COLE was using widespread arrests to try to break the Port Gibson boycott, he was concerned enough about the Lawyers' Committee to report that the "arrests are valid and we see that each case is built by enough witnesses to withstand the defense put up by civil rights lawyers from Jackson."******

'BOUT CULLUD FOLKSES, POEMS by LUCY MAE TURNER, Black Female Harlem Renaissance Vernacular Poet.

NEW YORK: Henry Harrison, [1938]. First edition of her first and only book.

Hardcovers, yellow cloth covered boards titled in black on the front cover and spine, 5.5x8.5 inches, 64 pages. In its original dustjacket.

Condition: GOOD book, the covers are lightly soiled otherwise solid and sharp-cornered; internally the pages are lightly toned, else tight, bright, clean and unmarked; in a FAIR dustjacket that is chipped at the margins and spine ends (including missing a 2 inch piece from the bottom of the spine), toned at the spine, and has other signs of general wear; nonetheless this delicate dustjacket is still holding together and retains its $1.50 price at the top of the front flap. A presentable copy with its rare dustjacket.

About LUCY MAE TURNER (from Shadowed Dreams: Women's Poetry of the Harlem Renaissance, edited by Maureen Honey, Rutgers University 2006):

******Lucy Mae Turner, b.1865 d.1963, was the granddaughter of Nat Turner, who led the most famous slave revolt in American history in 1831, She was a highly educated and talented poet whose single volume of verse, 'Bout Cullud Folkses (1938), deserves greater attention. Like Zora Neale Hurston, Turner excelled at literary rendering of the working class black vernacular. Going against the tide of literary history, both Hurston's Their Eyes Were Watching God (1937) and Turner's 1938 collection are among the last examples of black dialect to be produced by African American writers. Richard Wright, Ann Petry, James Baldwin, Margaret Walker, Ralph Ellison, and other black writers who came to the fore in the 1940s and 1950s created northern urban characters and eschewed dialect as an inappropriate throwback to plantation stereotypes. Poet Gwendolyn Brooks would continue to work in the vernacular, but it was a northern urban slang very different from that used by Hurston and Turner. Lucy Mae Turner's wit, good ear, and political acumen shine through in her vernacular poems.******

THE COOK'S HANDY ANDY By H. A. TURNER

A curious, pocket size Southern Cookbook containing recipes that presume a high level of culinary knowledge and are written with ingredients and instructions intermingled. It appears to be written in the Pullman tradition of African American Chefs. Pullman Porters were the Black men who staffed the luxury first class Pullman cars on the railroads for over a century. After emancipation, African American men and women were hired to work in the kitchens of hotels, on Pullman railroad cars, and in restaurants.

"I have made an earnest effort in this book to offer to the cooks working in the commercial or plain houses, suggestions and ways of preparing the ingredients called for, in simple, quick, wholesome styles. Yours truly, H. A. Turner"

Published by H. A. Turner Book Shop, Little Rock, Arkansas, 1939. Revised edition, originally published 1932. Softcover, textured black cloth over flexible card, 6.25" x 3.5", 240 pages. VERY GOOD CONDITION: lightly used and light fore-edge shorelining, otherwise tight, bright, clean and unmarked. Scarce. The OCLC shows only one copy in collections worldwide. A pocket compendium with well over 1500 recipes. From Potted Heart and Battered Brains to Pecan Pies and Croquettes of Beef, Frog Legs, Lobsters and Geese, to Fried Fish Shanghai Style, Ravioli Italian Style, Veal Hash O'Brien, Tacos, Creole Sandwiches, and pages of Sauces. These recipes are written for the accomplished chef who has definitely mastered their craft.

"BATTERED HEART - Cut slices of boiled heart, dip them in batter, fry in hot grease. Serve with onion tomato sauce, pickle sauce, horseradish sauce, vinaigrette vegetable sauce, cheese brown sauce, cheese brown sauce, cheese tomato sauce, mustard sauce, hot slaw, fried sauerkraut kraut, etc"

This is for TWO COPIES (buyer gets both copies) of:

NEGRO CIVIL RIGHTS IN CALIFORNIA: 1850, by David L. Snyder.

Keepsake printed by Roger Levenson at the TAMALPAIS PRESS for the members of the Sacramento Book Collectors Club 1969. Small-press fine-printing,"Special Publication No. 10", limited to only 300 copies.

Fine-printing pamphlet, white rag paper covers, red title lettering, side-stapled, 7x10 inches, 12 pages.

A brief history and vivid example of the limited legal rights of Negroes in California to testify against white men. This situation lasted until the testimony law was repealed in 1863. Included in this keepsake is a holograph reproduction of the 1850 sworn testimony of Sarah Carroll who claimed that William H. Potter stole jewelry and money from her. The keepsake also has a transcript of her testimony, as well as the results of her testimony (William Potter was arrested). Sarah Carroll was a brave woman.

Both keepsakes are in VERY GOOD or better condition, one has some light creasing to its top edge, else tight, bright, clean and unmarked.

About this keepsake (from WorldCat):

*******Sarah Carroll, a "free woman of color" brought a complaint against W.H. Potter on the charge of grand larceny for the theft of $700 and other articles of value. The documents of the case appear in this publication in both type and facsimile.******

The Herman A. English Golf Classic, Inc. Presents A National Salute To LEE ELDER. Scarce Event Program

Published by Herman A. English Enterprises, Los Angeles, California, 1977. First edition. Illustrated softcover, side staple bound, 11" x 8.5", 20 pages, illustrated throughout with b&w photographs of the award recipient, celebrity guests and Black Los Angeles business people. Also contains an interesting compendium of Black owned Los Angeles businesses circa 1977. VERY GOOD CONDITION: a touch of light wear, overall tight, bright, clean and unmarked. Scarce. None in OCLC collections worldwide.

Held at the Bonaventure Hotel in Los Angeles to honor Professional African American Golfer Lee Elder with the first annual Herman A. English Humanitarian Award for his service to Black youth through Lee Elder's Scholarship Foundation. It was much harder for Black golfers to go Pro mostly because they couldn't play the great courses that prepare white golfers for competition. College is an important opportunity, and this well attended scholarship event raised a lot of money for young Black college bound golfers.

PLANTATION BIRD LEGENDS, by MARTHA YOUNG, with illustrations by J.M. Condé.

NEW YORK: R. H. Russell, 1902. First edition, first printing, with the statement "First Impression, October, 1902" on the copyright page with no indication of additional printings.

The book is dedicated 'To all the Dear Namesakes of E.Y. and A.E.Y.' (Elisha Young and Anne Eliza Young, Martha Young and her siblings' parents.)

SIGNED and INSCRIBED by the AUTHOR, MARTHA YOUNG, to her SISTER, ANN ELIZA MUCKLE, on the front free endpaper:

"To Ann Eliza Muckle / One of the Namesakes / With the love of her sister / Martha Young".

LAID-IN is a HANDWRITTEN LETTER by Martha Young to her sister "Mrs. Alfred Muckle". It is written on 1 1/2 pages of a 4 page single fold sheet of paper. Much of the handwriting is indecipherable to me, but here is how it begins: "Dearest Fredie: / This may be a help to you. If Fettie comes through and I see her I will ask if she has the book of..." The letter is signed/initialed M.Y. and dated (?) 20, 1934. On the folded backside it is addressed to Mrs. Alfred Muckle / Courtesy of Agnes Tutwiler". (AGNES TUTWILER was a relative of Martha Young; FREDIE likely was Martha Young's nickname for her married sister.)

Hardcover Book, illustrated covers, 249 pages. ILLUSTRATED with a frontispiece photograph "Witch Menées Child" and 27 b&w drawings. Though the drawings and their captions are meant to illustrate the folktales and dialects of Southern Blacks (mostly former slaves), and were widely admired by writers of the day, many would be considered racist today.

FAIR condition. The covers are soiled with a scattering of scrapes, the rear cover has some water staining to its bottom edge, the spine is substantially scraped and rubbed; nonetheless the covers are still solid and doing their job. Internally, the front inner hinge is cracked but holding well, there is foxing primarily to the first and last few pages, light finger smudges here and there, and one page has a thumbprint size chip to its front margin (not affecting text) and another with a 2 inch closed tear, else the inner pages remain tight, clean, clear and unmarked. All 27 b&w plates are present, a few have a bit of foxing. The laid-in letter has folds, creases, smudging and some stains, but the text remains clear (though the handwriting is difficult).

About MARTHA YOUNG (from Wikipedia and the Alabama Women's Hall Of Fame websites):

******Martha Strudwick Young, b.1862 d.1941, was an American regionalist writer known for her recounting of Southern folk tales, fables, and songs of Black life in the plantation era. She was admired by other writers for her skill with dialect. Young was inducted into the Alabama Women's Hall of Fame in 1986.

Martha Strudwick Young was the daughter of Confederate surgeon Elisha Young and Anne Eliza Ashe (Tutwiler) Young. The women's education and prison reform advocate Julia Strudwick Tutwiler was her aunt. Her family moved to Greensboro after the Civil War, and it was there that she learned the Southern folk tales and stories of African-American culture that would form the basis of her writings.

In 1901 Young published her first book, Plantation Songs for My Lady's Banjo and Other Negro Lyrics & Monologues. She followed up in 1902 with Plantation Bird Legends, which established her reputation as a leading writer of dialect tales. Young was one of a group of regional writers who helped to popularize the use of dialect as an adjunct to realism, including George Washington Cable, Kate Chopin, Mary Noailles Murfree, and Joel Chandler Harris. She has been called "Alabama's foremost folklorist."

From her 1986 induction into the Alabama Women's Hall of Fame: "During a life which bridged two centuries, she recorded a rapidly disappearing culture, preserving it as a heritage for future generations."******

Hand SIGNED by African American Composer and Blues Musician W. C. HANDY in ink on the ffep.

UNSUNG AMERICANS SUNG Edited by W. C. HANDY. Published by Handy Brothers Music Co., Inc. New York City [rubber stamped], 1944. First edition, First printing. Hardbound in original dark blue textured cloth with gilt printing on the front cover, 11" x 7.5", 236 pages, illustrated with a photographic frontispiece portrait of Handy, two full page photographic illustrations, and eight full page illustrations of African Americans from sketches by Beauford De Laney, and musical scores. VERY GOOD CONDITION: a few droplet stains and light wear to the covers, internally, toning to the pastedown and a penned gift inscription from the former owner Kitty Dalton, a chorus girl for Billy Rose on the ffep, otherwise tight, bright, clean and unmarked.

Handy's important musical and cultural collection of song tributes to outstanding African Americans, explores the different dimensions of musical development that exist within Black culture, while also highlighting the struggle and triumph that exist for people of color. Includes poetry, illustrations, children's songs, choral works, scenes from major works, and art songs. Handy, the "Father of the Blues" composed the music for Phillis Wheatley poetry, and collaborated with Langston Hughes on a number of his poems as did Margaret Bonds, there are over 30 contributors including jazz luminaries Eubie Blake, James P. Johnson, Andy Razaf, Luckey Roberts and Ismay Andrews.

William Christopher Handy (1873-1958) born to former slaves, W. C. Handy was one of the first to compose, play and publish a steady stream of blues, spiritual arrangements, marches, hymns, and miscellaneous songs. His collections include Blues: An Anthology (1941), and A Book of Negro Spirituals (1938). His books include: Negro Authors and Composers of the United States (1936), Father of the Blues (1941), and Unsung American Sung (1944).

Beauford De Laney (1901-1979) Noted African American Artist.

Scarce 1949 Vintage Photograph HAND SIGNED By OSCAR PETTIFORD in black ink directly on the image " 1944 / Oscar Pettiford / 1955 "

This striking photograph of renowned Bebop Jazz Bass Player Oscar Pettiford is from the iconic 1949 record album THE JAZZ SCENE (Mercury Records, Limited to 5000 copies) and shot by noted Photographer and Filmmaker Gjon Mili (Jammin' The Blues). Printed black & white photo off-set lithograph, 12" x 13.25", upper white margin with binding holes as issued (the Jazz Scene album was made in a notebook style binding allowing the owner to move or rearrange the records, artwork, photos and text.) ALSO INCLUDED are FOUR ADDITIONAL RARE PHOTOGRAPHS (unsigned) from the Jazz Scene Album and shot by Gjon Mili: LESTER YOUNG, RED CALLENDER'S hand on his double bass, and two photographs of CHARLIE PARKER. The Five Photographs are all in VERY GOOD CONDITION: some light wear, a touch of age toning, otherwise solid and bright, and Oscar Pettiford's original signature is bold and bright.

OSCAR PETTIFORD (1922-1960) legendary American Jazz Bassist, Cellist and Composer was only 37 years old when he died. Pettiford remains a unique and eminent figure whose musical influence resonates even more today. Born on a reservation in Oklahoma to a Choctaw mother and African American Cherokee father, he came of age during the bebop era becoming a leading innovator of the newly emergent avant-garde jazz scene.

Gjon Mili (1904-1984) Important Jazz Photographer and Filmmaker whose work changed the history of jazz on film.

RIGHT ON! A Documentary on Student Protest by Maryl Levine, John Naisbitt, Graphic Design by David L. Burke

Published by Bantam Books, New York, London, Toronto, 1970. First edition. Softcover, illustrated wrappers, 7" x 4", 249 + (7) pages, graphically illustrated throughout with b&w photographs, illustrations and stylized text. GOOD Condition: light shelfwear and some creases to the covers, the spine has a few creases but the binding remains sturdy, 2 penned remainder lines on bottom page edges (edge of the closed book), internally the upper corner has some light shorelining, otherwise tight, bright, clean and unmarked. A solid, respectable copy.

Illustrated in a graphic style similar to the influential Marshall McLuhan book "The Medium Is the Massage." A book design classic "Right On!" is a powerful visual collage of black & white photographs, graphics and text that captures the radical student protests of 1969 from fights for civil rights, Black Power, student power, Black studies programs and racial diversity to anti Vietnam War rallies and altercations with police. "Black studies are inevitable. Period."

This vintage counterculture monograph is based on a 1969 study of over 200 US college campuses conducted by the Urban Research Corporation of Chicago, a private commercial organization that monitored contemporary trends and prepared reports for a range of groups and institution. These protests occurred on campuses of all sizes and in every region of the country, but most occurred in large universities with more than 1,000 students.

Congressional Black Caucus, 103rd Congress, 1993-1994 : Members, Committee Assignments, Staff Contacts

The Congressional Black Caucus was formed in 1970 when the 13 Black Members of the U.S. House of Representatives joined together to strengthen their efforts to address the legislative concerns of Black and minority citizens. African American Representatives had increased in number from six in 1966 to nine, following the 1969 elections. Those Members believed that a Black Caucus in Congress, speaking with a single voice, would provide political influence and visibility far beyond their numbers.

Published by the Congressional Black Caucus, A Legislative Service Organization, Washington D.C., 1993. First edition, printed in an unnumbered limited edition for Caucus members and their staff. Illustrated softcovers, side staple bound, 8.5" x 6.75", 88 unnumbered pages including covers, each Caucus member has a two page spread that includes their biography and a black & white photographic portrait. VERY GOOD Condition: light shelfwear and a touch of age, otherwise tight, bright, clean and unmarked. Scarce, just 2 copies in OCLC collections worldwide.

The African American Legislators in this 1993-94 Congressional Black Caucus compendium are the Honorable: Kweisi Mfume, Cardiss Collins, Alcee L. Hastings, William Jefferson, Barbara-Rose Collins, Eddie Bernice Johnson, Carol Moseley-Braun, John Conyers, William Clay, Louis Stokes, Ronald V. Dellums, Charles B. Rangel, Harold E. Ford, Julian C. Dixon, Major R. Owens, Edolphus Towns, Alan Wheat, Floyd Flake, John Lewis, Donald M. Payne, Craig A. Washington, Gary A. Franks, Eleanor Holmes-Norton, Maxine Waters, Lucien E. Blackwell, Eva Clayton, Sanford D. Bishop, Jr., Corrine Brown, James E. Clyburn, Cleo Fields, Earl F. Hilliard, Cynthia A. McKinney, Carrie Meek, Mel Reynolds, Bobby Rush, Robert C. "Bobby" Scott, Walter R. Tucker III, Melvin L. Watt, Albert Russell Wynn, and Bennie Thompson.

NEGRO PRESS Rare 1938 AFRICAN AMERICAN Thesis BLACK NEWSPAPERS Racism POLITICS

Written by a Black Scholar earning his Master thesis in 1938, this one of the earliest and most thorough studies of the African American Press and Black Newspapers that were published between 1876 and 1936. It identifies the racism and politics that affected Black newspapers, explores the lack of coverage for Black social issues, and examines troubles with white newspapers. The Black press was critical in expanding the sphere of influence for Black leaders and increasing awareness of the Black experience.

THE NEGRO PRESS OF KANSAS by Rashey B. Moten, Jr. Includes "Chronological List of Negro Newspapers In Kansas from 1876 to 1938." Unpublished Master's Thesis, University of Kansas, written in 1936, approved 1938. Softcover, 8.5" x 11", velo bound document, 130 photocopied pages printed on one side only. NEAR FINE Condition: the vintage photocopied pages have the usual copy machine marks, smudges, and variations in brightness, as well as light signs of age and use, overall tight, bright, clean, and unmarked. Scarce.

Rashey Burial Moten, Jr. (1913-2000) the first African American to lead a Catholic Charities organization, Executive Director at Catholic Charities Kansas City Saint Joseph from 1970 to 1981. President Carter appointed Moten to the Advisory Committee for the White House Conference on Families. Moten was instrumental in launching Head Start in 1965 under President Lyndon B. Johnson.

HOUSE OF REPRESENTATIVES MASSACHUSETTS 1873.

Rare Photo Book filled with small photographic portraits of the 1873 Massachusetts House of Representatives. Most notable is it Includes the African-American LEWIS HAYDEN, an ex-slave who escaped with his wife Harriet from Kentucky to Canada, then moved to Boston where he was an abolitionist, and where he and his wife were an important part of the Underground Railroad. The Lewis and Harriet Hayden house is now a National Historic Site on Boston's Black Heritage Trail.

Original hardcovers, 3/4 leather (spine and corners), gilt page edges, marbled endpapers, 8x8.5 inches oblong, with 12 cardstock leaves (24 pages) with mounted photo plates. Hayden Lewis, representative from Boston, is the only African-American. It was his only term.

VERY GOOD condition, rubs and scrapes to the leather spine and corners, otherwise tight, bright, clean, clear and unmarked. A solid, lovely copy of this important historic record.

About LEWIS HAYDEN (extracted from Wikipedia):

******Lewis Hayden, b.1811 d.1889, was a slave who had a number of different owners. At one point his first wife and son were purchased by U.S. senator Henry Clay, who sold them to slavers in the deep South. Hayden never saw them again. He later remarried. In 1844 he and his family escaped Kentucky and fled to Canada with the aid of Kentucky abolitionists Delia Webster and Calvin Fairbank, both of whom upon their return were arrested and imprisoned. Hayden later moved to Detroit where he established a school and a church for African Americans, then went to Boston to aid in the abolition movement. In Boston he was an abolitionist lecturer and businessman. He and his wife, Harriet Hayden, were an important part of Boston's Underground Railroad, helping numerous fugitive slaves, often sheltering them at their house.

In 1873 Lewis Hayden was elected as a Republican representative from Boston to the Massachusetts state legislature. He helped found numerous Black lodges of Freemasons. Located on the north side of Beacon Hill, the Lewis and Harriet Hayden House has been designated a National Historic Site on the Black Heritage Trail in Boston.******

About the LEWIS AND HARRIET HAYDEN HOUSE (from the National Park Service website):

******The Lewis and Harriet Hayden House at 66 Phillips (formerly Southac) Street served as the preeminent Underground Railroad safe house in Boston during the 1850s. In the 1840s, the Haydens escaped slavery in Kentucky and eventually settled in Boston. They lived in this house by 1850, operated it as a boarding house, and turned it into one of the most documented safe houses in the area.******

PLEASE READ THE FULL LEWIS HAYDEN WIKIPEDIA PAGE and take a look at the many other articles about him and his wife HARRIET HAYDEN to be found on the Internet.

This is a landmark civil rights trial in which the plaintiff claims to have been unconstitutionally subjected to cruel and unusual punishment by the conditions at Soledad prison in 1965.

Robert Charles Jordan, Jr., Plaintiff v. C. J. Fitzharris et al, Defendants. Published by the United States District Court for the Northern District of California, September 6, 1966. Memorandum Opinion and Order by U.S. District Court Chief Judge George B. Harris. Legal document, stapled bound typewritten sheets, 8.5" x 11", 22 pages. VERY GOOD Condition: light age toning, a small paperclip stain, tiny edge tears to rear cover, otherwise tight, bright, clean and unmarked.

In 1966 a Black prisoner named Robert Charles Jordan, Jr. filed a lawsuit against the Superintendent of Soledad prison charging "cruel and unusual" punishment. What was surprising about this case was that the court found in Jordan's favor. Mr. Jordan was locked in solitary confinement in a "strip cell" at Soledad Prison. The complaint goes on to detail many more inhumane conditions and treatment. After the court ruled that Jordan had in fact been subjected to cruel and unusual punishment, the Superintendent of Soledad, Cletus Fitzharris, remained at the head of the prison for 5 more years. He was then promoted to deputy director of the California Department of Corrections. Robert Charles Jordan Jr. was born in 1939 and was 27 years old when he filed this case. He had been convicted at age 19 of assault and has remained, as of 2020, incarcerated in a California prison. The Eighth Amendment prohibits the infliction of cruel and unusual punishment. The Civil Rights Movement of the 1960s pushed (at national, and local levels and in legislatures and courts) to recognize that the government disproportionately policed, incarcerated, and oppressed people of color and the economically disadvantaged. Court litigation records like this detail the horrific treatment incarcerated people continue to endure in prison.

The Prophet And Other Paintings by Alvin Hollingsworth

ALVIN HOLLINGSWORTH first attracted widespread critical acclaim with this exhibition, The Prophet Series, that went from the Harbor Gallery, Long Island to the Studio Museum in Harlem in 1970. Romare Bearden positively reviewed the exhibition in the October 17, 1970 issue of the New York Amsterdam News. In a 1971 Ebony magazine interview, Hollingsworth said, "I have always felt that Christ was a Black man," and said the subject represented a "philosophical symbol of any of the modern prophets who have been trying to show us the right way. To me, Malcolm X and Martin Luther King are such prophets."

Rare Catalogue for the Prophet Series Exhibition, published by the Harbor Gallery, Cold Spring Harbor, New York, 1970. First Edition. Softcover, dark yellow textured card covers with black printing and tipped on color plate, 9" x 6", side staple bound, 12 unnumbered pages including covers, illustrated with 7 b&w photographs of Hollingsworth's paintings and a b&w photographic portrait of the artist. NEAR FINE Condition: tight, bright, clean and unmarked. Scarce, only 11 copies in OCLC collections worldwide.

ALVIN C. HOLLINGSWORTH (1928-2000) Leading African American fine artist, trail blazing Black comic artist, painter, illustrator, abstract expressionist, best known for his paintings relating to civil rights issues, the experience of Blacks within the urban landscape, Black women's rights, jazz, spirituality, and dance. Founding member with Romare Bearden of the Spiral Group of African American artists who linked their creative expression to social justice, other prominent members included Charles Alston, Emma Amos, Earl Miller, Norman Lewis, Hale Woodruff, Richard Mayhew, and Reginald Gammon. As early as 1945 he was illustrating comic books for various publishers including Cat Man Comics, which were issued under his name and pseudonyms, by the early 1950's he successfully created his own nationally syndicated comic.

THE JOURNAL OF NEGRO HISTORY Volume I and Volume II. By CARTER G. WOODSON.

Each copy is SIGNED, INSCRIBED and DATED by the author, CARTER G. WOODSON, as follows:

"To Miss M. E. Cromwell / with the best wishes of / C. G. Woodson / Jan 19, 1918".

Mary E. Cromwell was a founder of the The National Association of University Women, an activist for equality for African-American girls, and a mathematician. Her father was John Wesley Cromwell. John Wesley Cromwell is listed in the Index of Volume I.

Two hardcover books, gilt titling to the spines, 5.5x8.5 inches. Pagination: Volume I, iv, 462 pages. Volume II, iv, 464 pages.

Published by The Association for the Study of Negro Life and History, Lancaster, PA, and Washington DC, 1916 and 1917. First editions.

GOOD MINUS condition: There is chipping to the spine ends, the cover corner tips are worn through, there is a 1 inch split at the bottom edge of the front cover of Volume I, and the covers have some signs of handling. Internally, there is white cloth tape reinforcement / repair to the front and rear inner hinges and to the hinges of some of the prelim and latter pages of each volume; the inner hinge is cracked at a few places but holding; all the pages are lightly age toned, otherwise the inner pages are tight, bright, clean, clear and unmarked.

HISTORIC and IMPORTANT African-Americana. SIGNED and INSCRIBED by CARTER G. WOODSON to his 1918 colleague at M Street / Dunbar High School MARY E. CROMWELL, the noted Black activist and mathematician, these two volumes are not only rare but unique..

About CARTER G. WOODSON (from Wikipedia):

******Carter Godwin Woodson, b.1875 d.1950, was an American historian, author, journalist, and the founder of the Association for the Study of African American Life and History. He was one of the first scholars to study the history of the African diaspora, including African-American history. A founder of The Journal of Negro History in 1916, Woodson has been called the FATHER OF BLACK HISTORY. In February 1926 he launched the celebration of Negro History Week, now known as the Black History Month.

In 1911 he began teaching at M Street (Dunbar) High School - An Elite Black

school. One of his colleagues was the mathematics teacher, Mary E. Cromwell. In 1912 Woodson was the second African American, after W. E. B. Du Bois, to obtain a PhD degree from Harvard University. But he continued for years teaching at M STREET HIGH SCHOOL until, in 1919, he joined the Howard University faculty.

Woodson worked to preserve the history of African Americans. He noted that African-American contributions were overlooked, ignored, and even suppressed by the writers of history.******

Read much more about Carter G. Woodson on his Wikipedia Page, in the article: THE BURGEONING 'CAUSE,' 1920-1930 AN ESSAY ON CARTER G. WOODSON (found when searched under that title), and elsewhere on the Internet.

About MARY E. CROMWELL, to whom the books are inscribed:

******Mary E. Cromwell earned her A.B. degree from the University of Michigan and her M.A. degree from the University of Pennsylvania and did additional graduate work at Columbia University. She taught mathematics at M STREET HIGH SCHOOL / DUNBAR HIGH SCHOOL, an elite public High School for African-Americans in Washington, D.C. Miss Cromwell was keenly interested in social problems, especially as they concerned African American women. She was a founder of the National Association of University Women, and served as its first Secretary.

The noted African-American JOHN WESLEY CROMWELL b.1846 d.1927,

was her father.

MARY E. CROMWELL and CARTER G. WOODSON both taught at M Street / Dunbar High School in 1918, the year in which these books were inscribed by Woodson to Miss. M. E. Cromwell.******

INTERNATIONAL BUYERS PLEASE NOTE: These two books will require substantial additional shipping charges. Please contact us for costs to your country.

AFRICAN-AMERICAN PENTECOSTALS asked for FORGIVENESS by WHITES

Two rare pieces of ephemera related to the MEMPHIS MIRACLE, a conference where the WHITE PENTECOSTAL CHURCH asked AFRICAN-AMERICANS for Forgiveness, and set a path towards interacial reconciliation.

(1) PENTECOSTAL PARTNERS - A Reconciliation Strategy for 21st Century Ministry. Memphis, Tennessee, October 17-19, 1994.

A two-fold, six-panel (three on front, three on rear), 8.5x11 inch, announcement for the conference.

From the announcement: "October 17-19, 1994, will be 'red letter' days in the history of the Pentecostal Movement in America...The primary focus will be reconciliation of the African-American and Euro-American branches of the Movement...There is powerful evidence that God is answering the prayer of His Son, Jesus Christ, that His people may be one. A reconciliation dialogue will be open to the 200 participating leaders and pastors from both branches of the Movement and 1000 invited observers."

The conference of the ALL WHITE Pentecostal and Charismatic Church leaders and the ALL BLACK Pentecostal and Charismatic Church leaders went well. Some of the feet of Black church leaders were washed by White church leaders. The ALL WHITE and ALL BLACK Pentecostal Churches unified and became interracial under one umbrella, the Pentecostal Charismatic Churches of North America.

This important meeting became known as THE MEMPHIS MIRACLE.

(2) MEMPHIS MIRACLE REVISITED - Pentecostal Charismatic Churches of North America, September 30 - October 2, 1996, Memphis, Tennessee.

A two-fold, six-panel (three on front, three on rear), 8.5x11 inch, announcement for the conference.

From the announcement: "Memphis was the site for the 1994 conference, as God shook the world with the MEMPHIS MIRACLE..."

CONDITION: Both items are in VERY GOOD condition, just some signs handling and use, still solid, bright, clean, clear and unmarked.

About the MEMPHIS MIRACLE (from Wikipedia):

******The Memphis Miracle was a 1994 meeting in Memphis, Tennessee, where representatives of Pentecostal and Charismatic denominations and churches came together to form the Pentecostal/Charismatic Churches of North America (PCCNA), an interdenominational and racially inclusive partnership. The PCCNA was created to replace the Pentecostal Fellowship of North America (PFNA) which was formed in 1948 by White Pentecostal Churches, but excluded Black Pentecostal groups. The PCCNA was created to remedy the situation, and it was at the Memphis meeting that the PFNA and its members apologized to the Black Pentecostal bodies.******

INFORMAL ADOPTION in BLACK FAMILIES in LOWNDES and WILCOX COUNTIES, ALABAMA. By Lewis W. Jones, Director, Tuskegee Institute Center for Rural Development.

Published by the Tuskegee Institute, Alabama, under a Grant from the Department of Health, Education and Welfare, 1975.

Printed paper covers, side stapled with black cloth tape covering the spine and staples, 8.5x11 inches, 51 pages, pages printed on one side only.

GOOD condition, a few small, light stains, a couple corner creases, overall tight, bright, clean, clear and unmarked.

From the Introduction: "In 1972, forty-eight black children were legally adopted in Alabama. This number by no means accounts for black children who were taken into substitute families. This rearing of children in a substitute family without observance of the prescribed legalities we designate "informal adoption"...It is, of course, difficult to know precisely how many children in what areas are being brought up, and by whom, under such conditions, but there can be no doubt that the number is considerable, in the tens of thousands...It is unlikely that many of the adults and children who have entered into such arrangements are aware of their legal responsibilities and rights...The problem this research considers is that of illuminating the legal, social and cultural contexts in which informal adoption of black children takes place in the rural South..."