EXHIBITION POSTER featuring a RISQUE ROARING 20s PHOTOGRAPH by ALBERT ARTHUR ALLEN. The photograph shows a line of NUDE WOMEN in a stylized pose. The photograph was likely taken in the midst of the Roaring Twenties when Albert Arthur Allen was most active (and at his most scandalous).

Poster, 20x24 inches, mounted onto stiff card backing. Will be mailed flat. Ready to be framed.

Published in 1978. The bottom right corner of the poster states "Copyright 1978 Collection of Mr. and Mrs. Jack Titelman". It is presumed this was a poster announcing an upcoming exhibition of Allen's photographs that took place in 1979.

VERY GOOD condition, there is a very light 1x2 inch water stain at the bottom margin, otherwise bright, clean and clear.

This poster is much more uncommon than the "Chorus Line" poster that appears for sale from time to time.

About ALBERT ARTHUR ALLEN (from Wikipedia):

******Albert Arthur Allen, b.1886 d.1962, was an American figure photographer and film director known for nude portraiture.

Allen was born to a wealthy New England family in 1886, and was educated in Boston. At the age of twenty-one, he moved to California and spent years traveling and studying art. In 1916, he opened the Allen Art Studios in Oakland, California. The studio later became known as the Allen Institute of Fine and Applied Art, before it was destroyed by a fire in 1925. The following year, Allen rebuilt the studio and called it the Classic Motion Picture Corporation, a venture that lasted two years before declaring bankruptcy.

A motorcycle accident in 1923 left Allen permanently disabled, but he continued to work. His nude photographs were considered scandalous by American standards during the Roaring Twenties. He was indicted for sending obscene materials through interstate mail, and spent years in litigation.

Little is known about Allen's later life. His first commercial exhibition did not take place until 1979, seventeen years after his death. Allen died in Hayward, California, at the age of 75.******

Album Filled with Candid Snapshots of Movie Stars and Directors On Set. Ann Baxter, Brad Dexter, Henry Fonda, Victor Mature, Gene Tierney, Robert Stack, Tyrone Power, Bob Adler, Bob Arthur, Robert Mitchum, Clark Gable, Dana Andrews, Caesar Romero, Dean Stockwell, Anne Revere, Richard Widmark, Jean Peters, Etc. 1940's - 1950's.

88 PHOTOGRAPHS, many with some information handwritten on the bottom edge or sometimes on the photo itself, most measure 3x4 to 3.5x 5 inches, a few smaller. The photos are glued onto the black photo album pages.There are also two loose 8x10 photos.

Condition: The photographs in the album are bright and clear, except for a couple that are age toned. Both of the loose 8x10 photos have creases, one has a stiff crease where it was folded in half and has a coffee stain to its top edge. All the photos have been glued onto the black album pages.

Rare and Unique collection of candid snapshots of Hollywood Stars of the 40s and 50s on set.

ART FARE. PHOTOGRAPHS by ANDY FREEBERG. SIGNED by ANDY FREEBERG and also by the W.M. Hunt, who wrote the book's essay. Both signatures are below their printed names on the page facing the title page. Published by Sojourn Books, 2014. First Edition. LIMITED EDITION. From the Copyright Page: "Art Fare is printed in a first edition of 1,000 copies". ISBN: 9780615938332. Hardcover Book, no dustjacket as issued, 14x11 inches oblong. Filled with 42 color photographic plates, each on its own page, most with blank versos. There is an essay by W.M. Hunt at the end of the book. NEAR FINE condition, the covers have some shelf rubs, overall tight, bright, clean, clear and unmarked. A lovely copy. Hard to Find, especially so SIGNED by the PHOTOGRAPHER and ESSAYIST. NTERNATIONAL BUYERS PLEASE NOTE: This book will require additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact us ahead of time to find out the shipping charge to your country. Thanks.

ANDY GOLDSWORTHY Two Autumns

Exhibition Catalogue SIGNED by ANDY GOLDSWORTHY in black ink on the title page.

Published by Tochigi Prefectural Museum of Fine Arts / Setagaya Museum, Japan, 1993. First edition. Softcover, illustrated wrappers with raised printing, 10" x 9", 121 pages, text in English and Japanese, beautifully illustrated throughout with color photographs of Goldsworthy's amazing installations. VERY GOOD CONDITION: a touch of light wear to the covers, internally tight, bright, clean, unmarked and Andy Goldworthy's signature is bold and bright. An excellent copy. Uncommon, just 11 copies in OCLC collections worldwide.

Andy Goldsworthy (b. 1956) British sculptor, photographer and environmentalist who continues to create some of the worlds most renowned site-specific art installations, both ephemeral and permanent works in natural and urban settings using natural materials, such as branches, leaves, sand, ice, and stone that originate from the local site.

ANGELO DE SOUSA. Catalog for the exhibition of his silver sculptures that took place from December 1, 2007 through February 3, 2008, at the Galeria Nova Ogiva, Obidos, Portugal.

Catalog, paper wrappers, 8x8 inches (20x20 cm), 40 unnumbered pages. Illustrated with 12 photographic plates of his silver sculptures from 2007.

VERY GOOD condition, there is a thumbprint size light crease to the top margin of the pages, otherwise tight, bright, clean, clear and unmarked.

About ANGELO DE SOUSA (from Wikipedia):

******Angelo Cesar Cardoso de Sousa, b.1938 d.2011, was a Portuguese painter, sculptor, draftsman and professor, known for continuously experimenting with new techniques in his works. He was seen as a scholar of light and color who explored minimalism in radical new ways.

Angelo de Sousa, along with Armando Alves, Jorge Pinheiro and José Rodrigues, became part of a group known as "Os Quatro Vintes" (The Four Twenties).

Angelo de Sousa had his first solo exhibition in 1959 and since then his works have been shown worldwide. In 1975 he received the International Prize of the 13th Sao Paulo Art Biennial and in 2007 the Calouste Gulbenkian Foundation presented him with the Gulbenkian Prize.******

HOFFMANN VON FALLERSLEBEN AUF HELGOLAND. An ARTISTS' BOOK by ANSELM KIEFER.

Published by Groningen Museum, Groningen, The Netherlands, 1980. Limited to only 500 copies, as stated at the bottom of the back cover.

This was Kiefer's third artists' book. It was published on the occasion of his exhibition in the Groningen Museum in an edition of 500 copies, instead of an exhibition catalog. The book shows the installation "Hoffmann von Fallersleben auf Helgoland" in 82 full-bleed b&w photographic illustrations.

Hardcover book, stiff card boards and cloth covered spine, black lettering embossed on the front cover, spine and back cover, 8.5x12 inches (21.5x30 cm), no dustjacket as issued.

An artists' book containing 82 full page photographic illustrations, no text.

VERY GOOD condition, the covers have a bit of corner tip wear and some rubbing to the spine ends, there is a small label of "Laura L. Carpenter" (aka Laura Carpenter Fine Art) on the upper corner of the front free endpaper, and an associated small label at the bottom spine corner of the rear cover, otherwise tight, bright, clean, clear and unmarked. A solid, very presentable copy.

ANSELM KIEFER, b.1945, is an important German-Austrian artist. His works are in the collection of many major museums in the U.S. and throughout the world. The Metropolitan Museum of Art in New York owns 20 of his watercolors. You can read about Anselm Kiefer and his works on his Wikipedia page.

An interesting side-note about Laura L. Carpenter/Laura Carpenter Fine Art, the previous owner of this book. Laura Carpenter was a fine arts gallery owner in Santa Fe who became very close friends with a wealthy woman. The wealthy woman poured over $1.5 into Laura's gallery. Things didn't go so well with the Gallery or the friendship. Bankruptcy and lawsuits followed. The curious can search Laura Carpenter Fine Art to read the ugly details.

POEMS OF W.B. YEATS. Published by ARION PRESS, San Francisco, 1990. ILLUSTRATED with SIX ETCHINGS by RICHARD DIEBENKORN.

SIGNED by DIEBENKORN on the limitation page.

This is Copy "L" of 26 LETTERED COPIES for distribution to the "participants in this publication", out of a total limitation of 426 copies.

Red goatskin leather backed spine and cloth covered boards, 8x10.5 inches (20x26.5 cm), xxv, 171 pages plus the unnumbered Diebenkorn etching plates, in cloth and paper covered slipcase. Includes its original prospectus.

FINE BOOK and SLIPCASE. Simply lovely. The prospectus has a light crease to the upper spine corner area, otherwise bright and clear.

One of the nicest copies of the ARION PRESS YEATS / DIEBENKORN fine printing that I have seen.

SCARCE, especially so in the LETTERED EDITION.

ARREDI FUTURISTI :EPISODI DELLE CASE D'ARTE FUTURISTE ITALIANE, di Anna Maria Ruta. Introduzione di Enrico Crispolti. (FUTURIST FURNITURE & DÉCOR : ERA of ITALIAN FUTURIST HOMES, by Anna Maria Ruta. Introduction by Enrico Crispolti.) Published by Edizioni Novecento, Palermo, Italy, 1985. LIMITED, NUMBERED, FIRST EDITION, this being copy numb 334 of only 1500 copies printed. Hardcovers, green cloth covered boards, beautiful gilt designs and pasted on color print on the front cover, gilt titling to the front cover and spine, 9.5x12 inches (24x30 cm), 241 pages. Illustrated throughout with b&w art reproductions, photographs, facsimiles and drawings; plus 74 PAGES of GORGEOUS COLOR PLATES. VERY GOOD condition, light bumps to the upper cover corners, light rubbing to the boards, and some superficial scratches to the cover illustration, overall tight, bright, clean, clear and unmarked. A Solid and Lovely copy. This book makes me want to go back to the futur(ist).

ART OF CHOCOLATE / KUNST MIT SCHOKOLADE. Hardcover, illustrated catalog / book of the exhibition that took place at the Museum Ritter, Waldenbuch, Germany, in 2012. Published by the Museum, 2012. First Edition.

Hardcovers, chocolate paper covered boards, gold embossed titling on the front and rear cover and spine, 9.5x9.5 inches (24x24 cm), 144 pages. Illustrated with color reproductions of artwork from the exhibition.

VERY GOOD condition, just lightly used, tight, bright, clean and unmarked.

From the Museum Ritter:

******With this exhibition Museum Ritter is making a small departure from its normal exhibition programme and showing art relating to the subject of chocolate. The reason for this digression is the 100th anniversary of the Ritter company in 2012.

Apart from numerous works made of chocolate, the exhibition also contains a large number of works from a variety of disciplines which revolve around chocolate in the broadest sense. Thus the show with its almost 60 objects, paintings, prints, installations, photographs and videos by almost 40 artists from the 20th and 21st centuries gives insight into art made of chocolate and art done with chocolate as its motif. Historical approaches by artists such as Kurt Schwitters, Marcel Duchamp, Joseph Beuys and Dieter Roth are every bit as present as "material pictures" or collages from the 1960s and 1970s, along with outstanding examples of cutting edge art done in chocolate. In short, this art has at least as many facets as there are varieties of chocolate

Artists in the Exhibition: Sonja Alhäuser, Peter Anton, Günter Beier, Joseph Beuys, Corrado Bonomi, Stephen Craig, Paul McCarthy, Marcel Duchamp, Maria Dundakova, Ulrike Flaig, Yang Ah Ham, Richard Hamilton, Al Hansen, Thomas Heger, Dagmar Hugk, Klaus Illi & Bettina Bürkle, Ruth Knecht, Karin Kneffel, Lernert & Sander, Anja Luithle, Guido Münch, David Neat, Mel Ramos, Thomas Rentmeister, Hans Peter Reuter, Dieter Roth, Judith Samen, Karin Sander, Roswitha Schaab, Rolf Schneider, Roswitha Schober, Kurt Schwitters, Timm Ulrichs, Cornelius Völker, Wolf Vostell.******

I grew up on Ritter Kinder Schokolade. Yum.

THE CRETAN GOATHERDER. Poem by MICHAEL ANDREWS with FOUR ORIGINAL SILKSCREENS - TWO by PINDAROS MICHAELEDES and TWO by BERTRAIND BRACAVAL.

ARTIST'S BOOK. SIGNED and NUMBERED by the Poet, Michael Andrews, on the limitation page (the last page), and EACH SILKSCREEN is SIGNED and NUMBERED by its ARTIST, Pindaros Michaeledes or Bertrand Bracaval. This is Copy #7 of only 15 SIGNED copies, out of a total run of 60 copies.

Loose leaves in brown paper wrappers titled and speckled in silver, 7.5x11 inches (19x28cm) oblong, in the Publisher's handmade slipcase.

Published by Pré Nian Editions, Retaud, France, 2014.

Condition: FINE copy, lovely.

From the Colophon / Limitation page: "THE CRETAN GOATHERDER / poem by Michael Andrews...silkscreens by Pindaros Michaeledes and Bertrand Bracaval / hand-set in Vendome and printed by letterpress by Pré Nian Editions in the Atelier de Retaud / hand-made slipcase by Jeanne Frere / 60 copies, plus 15 author copies numbered and signed in August 2014".

BALOGH LASZLO - ART MONOGRAPH / EXHIBITION CATALOG. Published by the Szentendre Gallery, Szentendre Hungary, on the occasion of the László Balogh retrospective exhibition, 1990. The catalog was edited and the exhibition curated by Ferenc Hann.

An art monograph on the Hungarian painter Laszlo Balogh. Introductory text in Hungarian, English and German. Illustrated with 37 b&w and color reproductions of Laszlo's paintings.

SIGNED, INSCRIBED and DATED by BALOGH LASZLO, in German, on the title page.

Softcovers, small format 5.5x7.25 inches (14x18 cm), 38 unnumbered pages of introductory text followed by 37 illustrations each on its own page.

GOOD condition: the covers have shelf rubs, scratches and some soiling; internally nice, "NFS" is written at the top corner of the title page, otherwise the pages are tight, bright, clean and clear, and the Laszlo Balogh inscription is sharp and bright.

About LASZLO BALOGH (from Wikipedia):

******László Balogh, b.1930 d.2023, was a Hungarian painter from Szentendre. Since 1956, his works have been shown both in Hungary and abroad, and his paintings can be found in private and public collections in Hungary, Germany, the United States, Switzerland, France, Austria, Sweden, Finland and Spain.******

This is a JAPANESE ART MONOGRAPH on a POTTER / CERAMACIST. The monograph consists mainly of his GORGEOUS TEA CUPS, though there are some paintings and calligraphy as well. I do not read Japanese and can not figure out who the potter is, but perhaps you can do both. He seems to me to be a somewhat recent ceramicist making teacups in a traditional style. Softcover book, 8.5x10.5 inches. There are 80 COLOR PLATES of CERAMIC WORKS, either 1 or 2 to a page, plus 24 PLATES of CALLIGRAPHY and PAINTINGS, mostly 1 to a page. There are also some pages of text at both the front and rear of the book, text entirely in Japanese. VERY GOOD condition, a bit of shelf rubbing and signs of light handling, overall tight, bright, clean and unmarked. A very nice copy. I tried to provide enough photos to give you a good idea of the book.

BIBLIOTECA CENTRAL : LIBROS, MUROS Y MURALES, 50o ANIVERSARIO, editado por Celia Martín Marín.

(CENTRAL LIBRARY: BOOKS, WALLS AND MURALS, 50TH ANNIVERSARY, edited by Celia Martín Marín.)

Published by Universidad Nacional Autónoma de México, Dirección General de Bibliotecas, Mexico City, Mexico, 2006. First Edition. ISBN 10: 9703234011, ISBN 13: 9789703234011. TEXT in SPANISH.

LIMITED EDITION of only 1000 copies, as stated on the Colophon page (the last page).

Hardcover Book in Dustjacket, 8.5x11 inches (21.5x28 cm), 254 pages. ILLUSTRATED throughout with color and b&w photographs and architectural drawings.

There is a large section on JUAN O'GORMAN, the architect and artist who was responsible for the buildings incredible 4,000 square meter mosaic murals.

Condition: NEAR FINE book, tight, bright, clean, clear and unmarked; in a VERY GOOD dustwrapper that has just a bit of shelf rubbing. A beautiful copy.

SCARCE, this limited edition of only 1000 copies quickly went out-of-print. It has become very hard-to-find.

About JUAN O'GORMAN and his CENTRAL LIBRARY MOSAIC (from Wikipedia):

******Juan O'Gorman's most celebrated work due to its creativity, construction technique, and dimensions, are the four thousand square meters murals covering the four faces of the building of the Central Library at Ciudad Universitaria at UNAM. These murals are mosaics made from millions of colored stones that he gathered all around Mexico in order to be able to obtain the different colors he needed. The north side pictures Mexico's pre-Hispanic past and the south facade its colonial one, while the east wall depicts the contemporary world, and the west shows the university and contemporary Mexico.

"From the beginning, I had the idea of making mosaics of colored stones in the walls of the collections, with a technique in which I was already well experienced. With these mosaics the library would be different from the other buildings of Ciudad Universitaria, and it would be given a particular Mexican character."******

About the CENTRAL LIBRARY (from Wikipedia):

******The Central Library of the National Autonomous University of Mexico (UNAM) holds one of the largest collections in Mexico. The building is covered with the mural Historical Representation of Culture, created by the Mexican artist Juan O'Gorman. His unique masterpiece has made the Central Library one of the most iconic buildings in modern Mexico. In July 2007, UNESCO proclaimed the Central Library, along with the Central Campus of the University City, as a World Heritage site.

The four thousand square foot mural is made out of thousands of colored stones, something that never had been done at that scale. According to the artist, in each of the four walls that make up the surface of the mosaic, he represented three fundamental historical facets of Mexican culture: the pre-Hispanic era, the Spanish colonial era, and the modern age.******

INTERNATIONAL BUYERS PLEASE NOTE: This book is heavy and will require additional shipping charges. After placing your order you will be notified of the charges and be able to accept or reject them before payment is taken. Thanks!

BOGEY BEASTS. By Sidney H. Sime. Music by Josef Holbrooke.

A collection of Sime's imaginary and fantastic creatures, each accompanied by a short song written by the well known but controversial composer Josef Holbrooke. Holbrooke wrote numerous symphonies and orchestral works based on the macabre writings of Edgar Allan Poe. A perfect accompaniment for this book filled with eccentric beasts.

Published by Purple Mouth Press in a LIMITED EDITION of only 500 copies. A facsimile of the 1923 edition published in London by Goodwin & Tabb.

Illustrated wrappers, 8.5x11 inches, 62 pages. Illustrated throughout with Sime's beasts and odd creatures.

FINE condition, looks and feels unused.

SIDNEY HERBERT SIME (S.H. Sime), b.1865 d.1941, was an English artist in the late Victorian and succeeding periods, mostly remembered for his fantastic and satirical artwork, especially his story illustrations for Irish author Lord Dunsany. - Wikipedia

JOSEPH CHARLES HOLBROOKE, b.1878 d.1958, was an English composer, conductor, and pianist...Holbrooke was fascinated by the writings of Edgar Allan Poe which deal with the supernatural and the macabre, eventually producing over thirty compositions which he referred to as his Poeana. These included orchestral works (The Raven, Ulalume, The Sleeper, Amontillado, and The Pit and the Pendulum), a double concerto for clarinet and bassoon (Tamerlane), choral works (a choral symphony Homage to E.A. Poe, and a poem for chorus and orchestra The Bells), a ballet (The Masque of the Red Death), a multitude of chamber works (such as the Clarinet Quintet Ligeia, the Trio Fairyland, and the Nonet Irene) and several piano pieces. - Wikipedia

HANDWRITTEN TWO PAGE LETTER by BOOTH TARKINGTON to SILBERMAN (Elkan or Abris of E. & A. Silberman Galleries). The brothers Elkan and Abris Silberman ran a major New York Gallery and were greatly responsible for building and caring for Booth Tarkington's art collection. Tarkington's letter references a number of artworks that are in need of repair. The letter is written in a friendly and jocular tone, reminiscent of much of Tarkington's writing.

The letter is long, written on both sides of a 9x15.5 inch piece of heavy stock paper. The letter has several folds where it was likely folded to fit into an envelope (no envelope is present). It is dated May 12, 1939. The letter comes with a two page typed transcript on onion skin paper. I don't know who made this early transcript, perhaps Silberman or another previous owner of the book and letter.

The letter is laid-into a special SIGNED, LIMITED, FIRST EDITION of "SOME OLD PORTRAITS", by BOOTH TARKINGTON. The limitation/signature page states this is copy #34 of 247 copies. Published by Doubleday, Doran & Co., New York, 1939. Hardcovers, 7.5x10 inches, xx +249 pages, Illustrated with portraiture plates.

Interesting that Tarkington's letter to his art dealer friend was written in the same year as his non-fiction book about art was published.

Condition: NEAR FINE book, sharp, tight, bright, clean and unmarked, one of the nicest copies I have seen. The letter is in GOOD solid condition, folds and signs of handling but still solid with handwriting that is bright and clear. The typed transcript of the letter has tears, creases and areas of the blank margin are torn away, but it is still textually complete and fully legible.

Booth Tarkington was a collector of art and was quite knowledgeable about the subject. He served for many years as a trustee of the John Herron Art Museum. The New York art dealers Elkan and Abris Silberman (E. & A. Silberman Galleries) helped build his collection and became his friend. Tarkington and the Silbermans corresponded for many years. He even used the brothers as the basis for nis 1934 romantic novel "Rumbin Galleries". In 2016 the Indianapolis Museum of Art at Newfields held an Exhibition of works from Tarkington's collection, titled: "A Gentleman Collector from Indiana: Portraits from the Collection of Booth Tarkington".

About E. & A. SILBERMAN GALLERIES (from Wikipedia):

******E. & A. Galleries was founded in 1938 by brothers Elkan Silberman, d.1952, and Abris Silberman, d.1968, from Austria. In the 1920s, the Silberman brothers owned the E. & A. Silberman art dealership in Vienna. After the 1938 Anschluss their company was expropriated. Fearing persecution the Silbermans left for the United States where they founded a new art dealership in New York under the name E. & A. Silberman Galleries, Inc. They built a reputation as the art dealership "that had helped form museum collections", as well as the collections of G. H. A. Clowes, Dan Fellows Platt, Booth Tarkington, and L. M. Rabinowitz.******

BOUQUETS TO ART at the DE YOUNG MUSEUM San Francisco, by Pamela J. Self Published (Pamela J Photography), San Carlos, California, 2012. Printed and bound at Tien Wah Press, Singapore. Hardcover book in dustjacket, 9.5x11 inches 187 pages. Filled with color photographs. First Edition, so stated on the copyright page. (There was a predecessor book by Pamela J titled: Bouquets to Art at the Fine Arts Museums of San Francisco, self published, 2006). Laid in is a ticket to the 2012 Bouquets To Art exhibit at the de Young museum, and a receipt for this book from the de Young Museum bookstore (total price was $58.50 that included a $6.50 de Young Museum membership discount). Condition: NEAR FINE book in a NEAR FINE dustjacket. Just lightly handled, a lovely copy. About BOUQUETS TO ART at the de Young Museum of San Francisco (compiled from Wikipedia and the book's Introduction): ******Bouquets to Art is an annual floral exhibition hosted by the Fine Arts Museums of San Francisco. Florists, designers and garden clubs are invited to present floral interpretations of works in the museums permanent collections, and the floral displays are presented in juxtaposition with the works that inspired them. Originally begun at the de Young Museum in 1984, Bouquets to Art later moved to the Legion of Honor where it flourished from 1996 to 2005. Bouquets to Art returned to the newly reconstructed de Young in 2006 commencing a marvelous new legacy. Bouquets to Art at the de Young showcases work by approximately 150 of the Bay Area's most talented and renowned floral designers. This select group of artists displays original creations ranging in style from the classical to the avant garde. Their floral designs draw inspiration from art pieces in the de Young's permanent collections, and are presented along with art at the Bouquets to Art event. In addition to pairing floral designs with the museum's artworks, the annual exhibition features an extensive program of floral design demonstrations and activities. Since its inception the event has become a cherished San Francisco tradition for both art and flower devotees and draws an avid following from throughout the San Francisco Bay Area.******

METABIOTICA / METABIOTICS. Monograph on the Brazilian Graphic Street Artist ALEXANDRE ORION.

SIGNED and DATED by ORION on the back cover.

Printed in Sao Paolo, Brazil, by EGM Grafica, 2006. Polyglot edition, text in Portuguese, English, French and Spanish. ISBN 10: 8598614033 ISBN 13: 978-8598614038.

Softcover book in printed slipcase, 12x12 inches (30x30 cm), 80 pages. Fully illustrated throughout.

Condition: NEAR FINE book, tight, bright, clean and unmarked; in a VERY GOOD slipcase that has a touch of wear at its folds. A lovely copy.

RARE, especially so SIGNED.

About ALEXANDRE ORION (from Wikipedia):

******Alexandre Orion, b.1978 in Sao Paulo, is a Brazilian street artist, multimedia artist and muralist.

He started as a graffiti artist in 1992, soon expanding into murals, photography and multimedia. Orion has held a number of solo exhibitions internationally and his work has been exhibited or acquired by such venues as the Centro Cultural Banco do Brasil, Centro Cultural da Caixa, Pinacoteca do Estado de São Paulo, Fondation Cartier Pour l'Art Contemporain in Paris, Centrum Beeldende Kunst of Rotterdam, Milwaukee Museum, Nelson-Atkins Museum of Art, Spencer Museum of Art, and the Museum of Arts and Design in New York.******

Black Rock City, NV - The New Ephemeral Architecture of Burning Man 2011-2012-2013-2015. By Philippe Glade.

This is the amazing sequel to the 2011 paperback Black Rock City, NV - The Ephemeral Architecture of Burning Man. THIS 2016 sequel covers the years 2011 through 2015, it is wonderfully printed in hardcovers with a photograph set into the front cover. It is a gorgeous publication. (The 2011 book was published in softcovers only)

Published by Real Paper Books, San Francisco, 2016. First Edition of The NEW Ephemeral Architecture of Burning Man 2011-2012-2013-2014-2015. ISBN: 9780983742814.

Hardcovers, cloth covered boards, 9.5x11 inches, 144 pages.

Illustrated throughout with photographs of the amazing art structures of Burning Man in the years 2011-2015.

FINE condition, sharp, tight, bright, clean, clear and unmarked. A lovely copy.

From the Publisher:

******5 years in the making, Black Rock City, NV - The New Ephemeral Architecture of Burning Man is the sequel of a sold out and sought after volume 1 that was dedicated to the ephemeral architecture of Burning Man published by Real Paper Books in 2011.

Instead of reprinting it, we decided to move on and present an entirely new survey made of 200 new images from 2011 to 2015 where vernacular and perennial solutions coexist along experimental and rule breaking designs, with foreword by Zahid Sardar and essays by Burning Man co founder Harley K. Dubois, Fred Bernstein architecture critic and AIASF architect Glenn Lym.******

INTERNATIONAL BUYERS PLEASE NOTE: This book is will require additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact us ahead of time to find out the shipping charge to your country. Thanks.