THREE JAPANESE ARTIST BOOKS. Three Hardcover Books in Dustjackets, 9x11.5 inches, 71 pages each. TEXT entirely in JAPANESE. Each of the 3 books is part of a 24 volume series on Japanese artists. All were published by Kodansha, Tokyo, Japan, 1963 and 1964. Condition: VERY GOOD books, tight, bright, clean and unmarked, in only FAIR dustjackets that have tears chips, creases, some clear tape repairs on the backsides, etc. INTERNATIONAL BUYERS PLEASE NOTE: These three books will be heavy to ship and will require substantial additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact us ahead of time to find out the shipping charge to your country. Thanks.

THREE SIGNED POSTERS after Bob Seidemann's original series of aviation photographs the AIRPLANE AS ART.

P-38 Lightening

Fuselage, F-86D

Canadian Snowbirds

Photolithographs, each is 18" x 24". Published by Classic Images, Distributed by Pacific Images, Glendale, California, 1989. Each hand signed in black pen by Bob Seidemann. VERY GOOD CONDITION. Three scarce signed posters, I could not find any in commerce or auction records.

Photographer Bob Seidemann (1941-2017) is famous for his Hippie era rock posters. He was one of the most recognized rock 'n' roll photographers of the 1960s, he photographed Janis Joplin wearing only beads, he photographed album covers for the Grateful Dead, Jerry Garcia, Jackson Browne, Neil Young, and the infamous Blind Faith album cover. Raised near LaGuardia Airport he developed an early fascination with aircraft that inspired his acclaimed aviation project which began in the 1980s. In 2007 the original Airplanes As Art photography portfolio sold at auction for $216,000 at Sotheby's.

The three posters will be shipped together, safely rolled in a sturdy mailing tube.

SAPATQ'AYN: TWENTIETH CENTURY NEZ PERCE ARTISTS - Signed by 11 contributors - 10 Artists and the author of the Preface.

Hardcover Book in Dustjacket, 7.5x10 inches, 56 pages. Filled with artwork and bios of 20 modern Nez Perce artists.

Published by Northwest Interpretive Association and Confluence Press, Seattle and Lewiston, 1991. First edition. Limited to 500 hardcover copies, as stated on the colophon page (the last page).

Signed by Timothy Nitz, the Preface author, and by 10 artists: Rose Frank, John A. Grant, Gary Greene, Doug Hyde, Maynard White Owl Lavadour, Keven Peters, Hollyanna Pinkham, Audrey Redheart, Leroy Seth, and John Seven Wilson III. Each artist signed their name beside their contribution.

NEAR FINE book, tight, bright, clean and clear,

in a NEAR FINE dustjacket. A lovely copy.

SIGNED COPIES are uncommon.

TWO JAPANESE TEXTILE ART PUBLICATIONS featuring KIMONOS, TEXTILES, FABRICS, TEXTILE DESIGN and FABRIC DESIGN. Published in Japan, 1981. TEXT IN JAPANESE. FULLY ILLUSTRATED throughout with gorgeous examples of Kimonos, Textiles, and Fabrics, as well as some of the textile designers. Softcovers, 9x11.5 inches, 173 pages each. GOOD condition, one issue has sunning and creasing to the spine, the other issue has some wear to the top of the spine and some creasing to the upper corner of the inner pages, both are split at a couple places where the issues were over opened (i.e. they now lie flat at those places) but all pages remain bound, there is an old price sticker from Kasuri Dyeworks on the rear cover; otherwise the issues are complete bright, clean and unmarked. The illustrations are all gorgeous. A treat for the fabric designer in your life or soul. INTERNATIONAL BUYERS PLEASE NOTE: These heavy issues will require substantial additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact us ahead of time to find out the shipping charge to your country. Thanks.

UKIYOE PAINTINGS by HIROSHIGE and Other Masterpieces from the AOKI COLLECTION.

Produced by the Chiba City Museum of Art and the Kitakyushu City Museum of Art. Published by Asahi Shimbun, Japan, 1999. First Edition.

Softcover Book / Exhibition Catalog, French flaps, 9x12 inches, 195 pages. Beautifully ILLUSTRATED with 209 color reproductions of items from the exhibition.

TEXT in JAPANESE, but for an Introductory Message about the Exhibition in English at the beginning, and a brief ENGLISH description (e.g. artist and title) of each of the 209 plates at the rear.

FINE condition, tight, bright, clean and unmarked; looks and feels unused.

From the English language introductory Message:

******The present exhibition places on display a selection of outstanding ukiyoe paintings and woodblock prints, including Hiroshige paintings never before shown publicly, from the collection of Aoki Tosaku (1870-1946), a businessman from Tochigi prefecture.

For many years (the collection) remained inaccessible to the general public, but in 1997 it attracted nationwide attention overnight when it was donated to the town of Bato in Tochigi prefecture by Aoki Tosaku's son. The town is at present proceeding with construction of an art museum to house the collection, but we have been given special permission to exhibit a part of the collection before the official opening.

The forty-odd paintings by Hiroshige that are the collection's major attraction constitute the largest such group in the world. The exhibition brings together some two hundred carefully selected items from the Aoki Collection, including, in addition to these Hiroshige paintings, woodblock prints by Kunisada, Kuniyochi, Kobayashi Kiyochika, Innoue Yasuji; and oils by Kawamura Kiyoo.******

VILLE DI DELIZIA O SIANO PALAGI CAMPARECCI NELLO STATO DI MILANO.

(VILLAS OF DELIGHT or PALATIAL COUNTRY HOMES of the PROVINCE OF MILAN.)

A LARGE, LAVISHLY PRODUCED, FINE-PRINTING with 44 DOUBLE-PAGE ENGRAVINGS of the work originally engraved and published by MARC'ANTONIO DAL RE in 1726 and 1743.

Published by Edizioni il Polifilo, Milan, Italy, 1963. Designed and printed by Luigi Maestri; plates by Anniìbale Belli; paper specially manufactured by Cartiera Ventura.

Large hardcover book in slipcase, folio size 13x19 inches (33.5x48 cm). Pagination: 74, [3] pages, plus 44 engraved plates, and an engraved map. TEXT IN ITALIAN

ILLUSTRATED with 44 engraved plates (33 double-page, 7 fold-open, and 4 single page); a two page engraved map of the State of Milan (now Lombardy) showing the location of the Villas; plus 17 in-text drawings in a section at the rear that contains notes about the various Villas.

NEAR FINE book, there is a bump to the lower right corner of the front cover and to the bottom of the spine, and there is a 1 inch thin indent on Plate IV, otherwise beautiful; in a GOOD slipcase that has a few bumps and some general wear but is solid and doing its job well.

Marc'Antonio Dal Re, b.1697 d.1766, was an Italian engraver and publisher. He is known for his engravings of villas and vedute of the State of Milan.

A gorgeous, fine-printing production.

INTERNATIONAL BIDDERS PLEASE NOTE: This book is very large and heavy and will require substantial additional shipping charges. After placing your order you will be notified of the charges and be able to accept or reject them before payment is taken. Thanks!

OLD TRADEMARKS / LAO SHANG BIO. Compiled by Zuo Xuchu. A book filled with reproductions of early Chinese trademark labels, each a work of art.

Published by Shanghai Pictorial Publishing House, Shanghai, China, 1999. First edition, first printing. ISBN: 7805304580. This copy was originally purchased at the Shanghai Museum and has the museum's small bar code label on the back cover.

Softcovers, French flaps, 8x11 inches, 176 pages. Illustrated with 100s of reproductions of colorful Chinese Trademark Labels. TEXT in CHINESE.

VERY GOOD condition, the spine's plasticized overcoat has bubbling, otherwise the book is tight, bright, clean, clear and unmarked. A solid, presentable copy.

From the Publisher (roughly translated by Google): "Old Trademarks was published by Shanghai Pictorial Publishing House in January 1999. The author-compiler is Zuo Xuchu. The book displays the colorful illustrations of old Chinese trademarks. It also talks about the history of China's trademarks from ancient times to the present."

FIVE WILLIAM T. WILEY ART EXHIBITION CATALOGS, plus a Memorial Tribute pamphlet.

TWO of the ART EXHIBITION CATALOGS are SIGNED & INSCRIBED by WILEY to his good friends MICHAEL and SANDRA GOOD.

(The items come from the estate of MICHAEL and SANDRA GOOD. Sandra Good, a noted bookbinder, was a past President of the Hand Bookbinders of California. Michael Good was an antiquarian bookseller and a one time President of the ABAA.)

The catalogs are in GOOD to VERY GOOD condition, the Robert Hudson / William Wiley catalog is scraped and worn at the spine, otherwise the items just show light signs of handling and age.

The exhibition catalogs are:

STRUCK! SURE? SOUND / UNSOUND. Wm. T. Wiley. The Corcoran Gallery of Art, Washington D.C., 1991. Softcovers, 7x11 inches, 44 pages. Illustrated. SIGNED & INSCRIBED by WILEY on the half-title page: "For Mike and Sandy / Love / Wiley / 91".

ROBERT HUDSON: SCULPTURE / WILLIAM T. WILEY: PAINTING. Rose Art Museum, Brandeis University, Waltham, Massachusetts, 1991. Softcovers, 10x11 inches, 50 pages. Illustrated. SIGNED & INSCRIBED by WILEY on the front endpaper: "For the GOODS / With Love / Wiley / 91".

WILLIAM T. WILEY - AFTERBURNER. Rena Branstein Gallery, San Francisco, 1994. Softcovers, 8.5x11 inches. Illustrated. 32 pages.

STEAL THE WITNESS FOR THE TIME BEING. William T. Wiley. Fuller Goldeen Gallery, San Francisco, 1984. 8.5x11 inches. Illustrated. 31 pages.

WILLIAM T. WILEY - SELECTIONS FROM TWO EXHIBITIONS. John Berggruen Gallery, San Francisco; Charles Cowles Gallery, New York. 2007. 10x10 inches. Illustrated. 72 pages.

PLUS:

A Celebration of the Life of William T. Wiley - San Geronimo Valley Community Center, July 17, 2021. Small, single fold pamphlet (4 pages), 5.5x8.5 inches.

WOVEN WIRES: the ART of MODERN ZULU WIRE WEAVING, by Laura Ponter, illustrated by Camille Stabler.

SIGNED and INSCRIBED by the AUTHOR on the first page: "To Florence Graham / The weave of freedom begins with simple thoughts and basic materials and a spirit of humanness / Laura Ponter".

Published by Spirits in Stone Press, Glen Ellen, California, 2008. First Edition, so stated. ISBN: 9780615214177.

Softcovers, 9x10 inches, 64 pages. Illustrated throughout.

VERY GOOD condition, just lightly used, tight, bright, clean, clear and unmarked. A solid, very nice copy.

From the rear cover: "Woven Wires is an introduction to the history, technique and beauty of the modern art of weaving with wires. It is one person's journey into the growing craft art of the Zulu people of South Africa."

YOSHIO TANIGUCHI - NINE MUSEUMS, by Terence Riley and Yoshio Taniguchi. Published by the Museum of Modern Art, New York, 2004. First edition. Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, November 20, 2004 - January 31, 2005...The exhibition is supported by AGNES GUND and DANIEL SHAPIRO.

SIGNED & INSCRIBED ASSOCIATION COPY. SIGNED and WARMLY INSCRIBED by both the Author, TERENCE RILEY, and the Architect, YOSHIO TANIGUCHI, to DANIEL (Daniel Shapiro) & AGGIE (Agnes Gund) on the half-title page:

"For Daniel & Aggie / With gratitude for all you have done and for your friendship. / Terence Riley / Nov. 17, 2004" along with Yoshio Taniguchi's small inscription in Japanese and his signature in English. Terence Riley inscribed, signed and dated the book in black felt tip pen; Yoshio Taniguchi signed and inscribed in blue ink.

AGNES GUND, b.1938, is a renowned ARTS PATRON, MUSEUM OF MODERN ART PRESIDENT EMERITA, and PROGRESSIVE PHILANTHROPIST. Her second husband was Daniel Shapiro. Agnes Gund was a member of the selection committee that chose YOSHIO TANIGUCHI to be the architect to redesign the Museum of Modern Art, New York.

Hardcover Book in Dustjacket, 10x10 inches (25x25 cm), 212 pages with 239 illustrations, 140 in color. The book covers the eight Japanese museums Taniguchi designed, and his redesign of New York's Museum of Modern Art..

Condition: VERY GOOD book, just lightly used, tight, bright, clean and clear; in a VERY GOOD dustjacket that has some shelf rubbing. A solid, lovely copy.

RARE and UNIQUE SIGNED & INSCRIBED copy with an ASSOCIATION to AGNES GUND and THE MUSEUM OF MODERN ART.

About TERENCE RILEY (from his NYT 2021 obituary):

******Terence Riley, Architectural Force in the Museum World, Dies at 66. He was instrumental in bringing to fruition two of the most important works of 21st century museum architecture.

As the chief curator of architecture and design at the Museum of Modern Art, Mr. Riley helped select and guide the Tokyo based architect Yoshio Taniguchi in the Museum's $858 million expansion, which was completed in 2004.******

About AGNES GUND (from Wikipedia):

******Gund joined MoMA's International Council in 1967; she then joined the Board of Trustees in 1976 and served as its President from 1991 until 2002. She serves on the boards of the Cleveland Museum of Art, the Foundation for Art and Preservation in Embassies, and the Morgan Library and Museum.

A civic leader and staunch supporter of education, women's issues and environmental concerns, among other causes, Gund is the former Chair of the Mayor's Cultural Affairs Advisory Commission of New York City, a former member of the New York State Council on the Arts, and has served on the boards of such wide ranging organizations as the Aaron Diamond AIDS Research Center, the Andy Warhol Foundation, the Barnes Foundation, Chess in the Schools, the Frick Collection, the Foundation for Contemporary Art, the Fund for Public Schools, the J. Paul Getty Trust, and the Robert Rauschenberg Foundation.

In 1997, Gund received the National Medal of Arts from President Bill Clinton, the highest award given to artists and arts patrons by the U.S. government. In 1998, Gund received the Golden Plate Award of the American Academy of Achievement. In 2011, Gund was nominated by President Barack Obama as a member of the Board of Trustees of the National Council on the Arts. In 2016, she was elected Honorary Fellow of the Royal Academy of Arts.******

In 2018 the New York Times wrote a long, glowing article about Agnes Gund titled: "Is Agnes Gund the Last Good Rich Person?" The article can be found online, well worth reading.

INTERNATIONAL BIDDERS PLEASE NOTE: This book will require additional shipping charges. After placing your order you will be notified of the charges and be able to accept or reject them before payment is taken. Thanks!

CAREER MATERIALS OF PROF. YUYU YANG: LIFESCAPE SCULPTURE 1952-1988. YUYU YANG (aka YANG YING-FENG) was one of the leading contemporary sculptors in Taiwan. He was also a noted

landscape architect, art theorist, writer, and educator. This book is a compilation of newspaper and magazine articles published between 1952 and 1988 about the sculptor and his works. Each article is reproduced as it originally appeared and in its original language, either Chinese or English. Softcovers, gilt titling on the front cover and spine, 10x14.5 inches oblong.

Illustrated throughout with b&w illustrations reproduced from the original newspaper and magazine articles. VERY GOOD condition, just lightly used and still tight, bright, clean and unmarked. An interesting chronological / biographical look at the life and works of Yuyu Yang as seen through the eyes of others who wrote articles about him and his works. About YUYU YANG: YUYU YANG (aka YANG YING-FENG), b. 1926 d. 1997, was a renowned TAIWANESE SCULPTOR, ENVIRONMENTAL DESIGNER and ARCHITECT. Yang produced more than a thousand works during his lifetime, ranging from prints, sculpture, and laser art, to landscaping and architectural designs, many of which were award winning and exhibited throughout the world. He also wrote more than 20 books on art. INTERNATIONAL BUYERS PLEASE NOTE: This is a large, heavy book, that will require additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Thanks.

ZERO GUTAI KUSAMA. Catalogue for the Exhibition that took place at Bonhams, London, from October 11 through October 20, 2015.

Softcovers, 8x10 inches (19.5x26 cm), 119 pages. (Bonhams, London 11 - 20 October 2015).

Illustrated throughout in color and b&w.

FINE condition, tight, bright, clean and unmarked.

From the Bonhams announcement of the show:

****** 20 masterpieces by the Gutai and ZERO groups from a private collection on exhibition at Bonhams from October 11 through October 20.

Works by Yayoi Kusama, including Macaroni Shirt, Red Dots and Phallic Bottle Tray, will also be on show.

Bonhams is to display lost masterpieces from a private collection by Gutai and ZERO groups for the first time since the 1960s. It offers an opportunity to reassess these ground breaking art movements, both of which have recently been in the spotlight in exhibitions such as Zero: Countdown to Tomorrow at The Guggenheim, New York. Writing about the groups for Bonhams Magazine, Serpentine Co-Director, Hans Ulrich Obrist described the emergence of these artists as one of the great moments of the avant garde in the post war era.

Bonhams Head of Contemporary Art, Ralph Taylor, says, "To have the opportunity to host this museum quality collection at Bonhams is a rare and wonderful privilege. It is exactly where Bonhams excels; demonstrating connoisseurship and using the profile of an auction house to rediscover forgotten masterpieces and to champion the very best in Post War & Contemporary art."

Among the works to be on view in Bonhams headquarters on New Bond Street are: Three works from Yayoi Kusama's first solo European show in 1965: Macaroni Shirt, Red Dots and Phallic Bottle Tray; Kazuo Shiraga's Red Fan; A suite of four early and delicate works by Jan Schoonhoven; A large piece by Günther Uecker from 1967.

The first time ZERO and Gutai art were shown together was at the 1965 Stedelijk Museum's Nul exhibition. In 2006, this Nul 1965 show was reconstructed in the ZERO exhibition at Museum Kunst Palast in Düsseldorf. This was the beginning of the revival in both ZERO and Gutai we have witnessed today.******