12:01 P.M. First Revision SCREENPLAY by JONATHAN HEAP and STEPHEN TOLKIN. Based on a Short Story by RICHARD LUPOFF. 12:01 P.M. is a short film based on the 1973 science fiction short story by Richard Lupoff. It was first shown in 1990 and was nominated for an Academy Award. Many believe that Groundhog Day stole the idea for its film from 12:01 P.M. A different film based on the story 12:01 P.M. was released in 1993. Copy machine printed on plain white paper (photocopied drafts were, and still are, used for production and working scripts because they can be easily made and quickly sent to a film's writers, producers, directors, etc.), 8.5x11 inches, 3 hole punched but bound with staples at the upper left corner, 25 pages plus title page, pages printed on one side only. GOOD MINUS condition, the pages are creased at all their corners, the title page is creased with some small tears along its left edge, there is wear around the two upper staples including some extra staple holes and staple impressions, the last page has pulled from the staples (i.e. is loose), otherwise a complete, clean, clear copy. SCARCE FIRST REVISED DRAFT of this groundbreaking science fiction short film. It is the only copy I have and the only copy I have ever seen. About the 1990 film 12:01 P.M. (from Wikipedia): ******12:01 PM is a 1990 short film starring Kurtwood Smith. Directed by Jonathan Heap, it originally aired on cable television in 1990 as part of the Showtime 30 Minute Movie anthology series. It was nominated for an Academy Award.

It is the first film adaptation of the short story "12:01 PM" by Richard A. Lupoff, which was published in the December 1973 edition of The Magazine of Fantasy and Science Fiction. The major plot device is a time loop or time bounce, and bears great similarity to that of the 1993 film Groundhog Day. Lupoff and Jonathan Heap, director of the 1990 film, were "outraged" by the apparent theft of their idea, but after six months of lawyers conferences and substantial expenses, they decided to drop the case against Columbia Pictures. In the 1990 film, Kurtwood Smith plays Myron Castleman, an everyman stuck in a loop that forces him to constantly relive the same hour of his life over and over, being the only person aware of this. During one loop, he discovers that a scientist named Nathan Rosenbluth has predicted an event that matches his experience. Castleman calls him and explains what is going on, however, Rosenbluth is highly skeptical of his claims. Over the next loops, Myron struggles to get into contact with Rosenbluth again, and in the process becomes frustrated to the point of screaming at his secretary and throwing his suitcase into traffic. Eventually, he does manage to talk to Rosenbluth, who initially dismisses Myron as crazy until Myron describes the transition as the scientist had predicted (including the phrase "Consciousness is an independent variable," which is central to Rosenbluth's theories). The professor sadly informs Castleman that there is nothing that can be done, causing Myron to become hysterical and shoot himself. There is a brief pause until Myron finds himself back at the beginning of the loop, realizing that he is trapped for eternity. This version has NEVER BEEN RELEASED ON DVD IN THE U.S. In the 1993 film the main character keeps reliving the same 24 hour period (which in this case restarts at one minute past midnight, rather than midday as in the other versions). This version differs from the 1990 film in that it features a much lighter and more comedic tone, and that the protagonist ultimately finds a way to correct the time loop over the course of the film. This version was released on DVD in the United States on November 28, 2006.******

THE SAINT'S TRAGEDY; or, The True Story of ELIZABETH OF HUNGARY, Landgravine of Thuringia, Saint of the Romish Calendar, by CHARLES KINGSLEY. Published by John W. Parker, London, 1848. FIRST EDITION. Small Format Hardcover Book, cloth covered boards, spine paper title label, 4.5x7". Pagination: [4], xxiii (i-xxiii), [4], 271 (pages numbered 28 to 271, consecutive numbering beginning with page "i"), [1], + 4 numbered pages of Publisher's ads. Preface by the Reverend F. D. Maurice and an Introduction by the Author. This is CHARLES KINGSLEY'S FIRST PUBLISHED BOOK, a drama, written while he was Rector of Eversley. THE YEAST, Kingsley's first novel, was being published in installments in Fraser's Magazine at the same time, but it was controversial and the novel serialization was never finished - it was completed and first published in book form in 1850. Condition: The Original Covers are rubbed and shelf worn, there is a light cup ring on the rear cover, the spine covering is split at the rear fold, but holding well, the paper spine label is chipped and worn, affecting the label title text (part of the title, "KINGSLEY",

and the "5s." price are still clear). Internally, there is a previous owner's signature at the top of the front pastedown,

"St. John's Book Club" is written at the top of the front free-endpaper, there is some light corner creasing, overall the inner pages remain tight, bright, clean and unmarked. A complete, solid, nice 1848 First Edition copy, in original covers, of THE FIRST PUBLISHED BOOK by CHARLES KINGSLEY.

A WINE OF WIZARDRY AND OTHER POEMS, by GEORGE STERLING. His scarce second book.

Published by A. M. Robertson, San Francisco, 1909. First edition, first printing, with the date 1908 on the copyright page and 1909 on the title page with no indication of additional printings (this book was copyrighted 1908 a few months before it was actually published in 1909).

SIGNED and INSCRIBED by GEORGE STERLING on the front free endpaper: "With the best wishes of / George Sterling". Above Sterling's inscription is the previous owner's signature "J. E. Rankin", likely to whom the book is inscribed. There is a James Rankin, a businessman from Martinez California, who was an early member of the Bohemian Club, but from the little I can find it seems he died in 1901, and if so, it's not him.

Also, HANDWRITTEN BY GEORGE STERLING on a blank prelim is the entire LAST STANZA of his POEM "The Night of the Gods", which is printed in its entirety on page 48. This manuscript poem is SIGNED by STERLING, and in a bottom corner of the page he wrote "Page 48".

Hardcover Book, burgundy cloth covered boards embossed in gilt, 5x8 inches, 137 pages. There is no embossed fountain on the front cover which, as I was once told by the late Peter Howard of Serendipity Books, Berkeley, indicates a first state cover, but I have not been able to verify this with certainty one way or the other.

In addition to numerous poems the book contains Sterling's play written in verse titled Triumph of Bohemia. It is basically Sterling's tribute to the Bohemian Club. The play was performed as the Bohemian Grove Play of 1907.

GOOD condition: The covers are lightly rubbed at the corner tips and spine ends, and darkened at the spine making the spine titling almost illegible (visible upon close examination), otherwise the covers are solid and clean, and the front cover gilt remains bright. Internally, the front and rear inner hinges are cracked but holding well, the front and rear flyleaf are browned, the front free flyleaf is has a vertical crease near its gutter edge making the joint somewhat tender, otherwise the inner pages are very nice, they have all been carefully cut open and are tight, bright, clean, clear and unmarked.

A WINE OF WIZARDRY is one of George Sterling's most hard to find books, especially so INSCRIBED, SIGNED (twice), and with a HANDWRITTEN POEM.

About George Sterling (from Wikipedia):

******George Sterling, b.1869 d.1926, was an American writer based in San Francisco and Carmel-by-the-Sea. He was a prominent poet, playwright, and Bohemian.

Sterling joined the Bohemian Club and acted in their theatrical productions each summer at the Bohemian Grove. For the Grove play of 1907 the Club presented Sterling's "The Triumph of Bohemia", a drama depicting the battle between the Spirit of Bohemia and Mammon for the souls of the Grove's Woodmen.

After Sterling's poem A WINE OF WIZARDRY was published in the September 1907 issue of Cosmopolitan, Ambrose Bierce wrote a review that stated: "Whatever length of days may be accorded to this magazine, it is not likely to do anything more notable in literature than it accomplished in this issue by the publication of Mr. George Sterling's poem, A Wine of Wizardry." Bierce also wrote to Sterling: "I hardly know how to speak of it. No poem in English of equal length has so bewildering a wealth of imagination. Not Spencer himself has flung such a profusion of jewels into so small a casket".

Despite such famous mentors as Ambrose Bierce and his long association with Jack London, Sterling himself never became well known outside California.

Sterling carried a vial of cyanide for many years. In November 1926, Sterling used it while at his residence at the San Francisco Bohemian Club. Kevin Starr wrote that "When George Sterling's corpse was discovered in his room at the Bohemian Club... the golden age of San Francisco's bohemia had definitely come to a miserable end."******

THE LARGER GROWTH (Mothers and Fathers), by CONSTANCE SMEDLEY ARMFIELD. Published by E.P. Dutton & Company, New York. First Edition, with the date 1911 on the copyright page and no indication of additional printings. Hardcover Book in Dustjacket, green cloth covered boards, blind embossed decoration on the front cover, white titling on the front cover and spine, 5x7.5 inches, 382 pages. Condition: NEAR FINE book, previous owner's three line presentation on the front free endpaper, a small old bookstore label on the rear pastedown, otherwise tight, bright, clean and unmarked. A solid, lovely copy. In a POOR dustjacket that is heavily chipped, scraped, faded at the spine, and generally weary; nonetheless this rare dj is present and the printing on the front and rear cover remains bright and clear. THE LARGER GROWTH tells the story of an isolated family whose children, especially the girls, want to develop in ways far beyond what their parents believe desirable or possible. About CONSTANCE SMEDLEY (from Wikipedia): ******Constance Smedley (b. 1881 d. 1941) was a feminist, suffragist, illustrator, stage designer, journalist, novelist, playwright, creator of pageants, and a lifelong campaigner for the poor. She lived with a disability, getting around on crutches in her youth and in a wheelchair from her mid thirties. Smedley was a founder of the Lyceum Club, created to promote cultural exchange between women of all nations. In 1909 Smedley married the artist and poet Maxwell Armfield, who was a pacifist, homosexual, and descendant of Winifred, Lady Nithsdale. Their unconventional marriage lasted until Smedley's death in 1941.******

THE MARRIAGE OF CAPTAIN KETTLE, by C. J. CUTCLIFFE HYNE. Published by the Bobbs-Merrill Company, Indianaplis, 1912.

SIGNED following a LONG INSCRIPTION by C.J. CUTCLIFFE HYNE on the front free endpaper.

"Modern Civilization has never been conquered (?) for long. We saw that in Egypt. It may be expensive to clear out the invasions of an inferior race, but it is always done sooner or later, generally by extermination. Presently Belgium will come to her own again, will (???) the surviving families of the Huns. / CJ Cutcliffe Hyne / Heaton Lodge / Bradford / 8 Dec 1914."

The handwriting is a bit difficult to decipher so the above is only a partial transcription. However, the inscription clearly shows Hynes belief that Belgium will eventually eliminate the invading and occupying Germans from its land. (Belgium was invaded and occupied by German troops beginning in August 1914, just a few months before this inscription was written. The occupation lasted until the end of WWI in 1918.)

Hardcover Book, green cloth covered boards, embossed design on front cover and spine, 5x7.5 inches, 373 pages plus some unnumbered prelim pages.

GOOD condition: Light wear and a few small spots to the covers, a previous owner's brief gift inscription on the front pastedown (dated in the same month and year as Cutliffe Hyne's inscription, so perhaps related in some way), offsetting to the front free endpaper, overall tight, bright, clean, clear and unmarked.

Scarce with Cutliffe Hyne's long and interesting inscription on the front free endpaper.

BACK HOME, by IRVIN S. COBB. A novel based in Kentucky, a collection of short stories about a fictional Kentucky judge, Judge Priest. SIGNED, INSCRIBED and DATED by IRVIN COBB on the front free endpaper to His Friend and Colleague S(amuel G.) Blythe: "Jan 14, 1913 / To Old S. Blythe / from Young I. Cobb". Samuel G. Blythe, 1868-1947, was a friend of Irvin S. Cobb, and it was Blythe who brought Cobb to the New York World newspaper where Cobb eventually became the highest paid staff reporter in the United States. At the time that Cobb was hired, Blythe was head of the paper's Washington Bureau. Both Irvin S. Cobb and Samuel G. Blythe are renowned early American humorists, columnists and reporters. One of Blythe's books, The Fun of Getting Thin, is still in print, and very funny. The humor in Cobb's inscription in this book is in the fact that Blythe is not much older than "young" Cobb, 1876-1944. Hardcover Book, green cloth covered boards, gilt title background on the front cover, gilt titling on the spine, 5x8 inches, 348 pages. Illustrated with 10 b&w plates. VERY GOOD condition, the cover's corner tips are slightly bumped, there is some wear to the spine ends, the spine gilt is somewhat faded, the inner pages are lightly toned at the margins, overall the book is very nice - tight, bright, clean and unmarked (except for the author's inscription, of course). An attractive and very presentable copy. The intimate inside joke inscription by Cobb to his friend Blythe makes this book special.

THE CAGED EAGLE AND OTHER POEMS, by GEORGE STERLING.

Published by A. M. Robertson, San Francisco, 1916. First edition, first printing, with the date 1916 on both the title page and copyright page, no indication of additional printings, and the printer's mark at the bottom of the copyright page.

Hardcover book, green cloth covered boards with gilt titles on front cover and spine, 5.5x7.5 inches, 168 pages.

HAND SIGNED by GEORGE STERLING on the title page..

GOOD condition: The front cover gilt has faded but is fully legible, the spine gilt has faded away, there is some wear to the spine ends, else these original covers are sturdy and doing their job well. Internally, there is a previous owner's bookplate on the front pastedown "W.R. Heyneman" (the bookplate has left a ghost image on the facing front free endpaper), there is browning / offsetting to the endpapers (as is the case with every copy of this book I have seen), otherwise the pages are tight, bright, clean and clear, with many pages still uncut at the front fold. A solid, nice copy.

About George Sterling (from Wikipedia):

******George Sterling, b.1869 d.1926, was an American writer based in the San Francisco, California Bay Area and Carmel-by-the-Sea. He was considered a prominent poet and playwright and proponent of Bohemianism during the first quarter of the twentieth century. His work was admired by writers as diverse as Jack London, Upton Sinclair, Theodore Dreiser, and Sinclair Lewis.

In 1905 Sterling moved to Carmel-by-the-Sea, California, an undeveloped coastal area, and soon established a settlement for like minded Bohemian writers. Carmel had been discovered by Charles Warren Stoddard and others, but Sterling made it world famous.

Sterling joined the Bohemian Club and acted in their theatrical productions each summer at the Bohemian Grove. For the Grove play of 1907 the Club presented Sterling's "The Triumph of Bohemia".

Sterling carried a vial of cyanide for many years. In November 1926, Sterling used it while at his residence at the San Francisco Bohemian Club. Kevin Starr wrote that "When George Sterling's corpse was discovered in his room at the Bohemian Club... the golden age of San Francisco's bohemia had definitely come to a miserable end."******

ROSAMUND: A DRAMATIC POEM, by GEORGE STERLING.

Published by A. M. Robertson, San Francisco, 1920. First edition, first printing, with the date 1920 on both the title page and copyright page with no indication of additional printings.

Limited Edition of only 500 copies, this being hand numbered copy 188, as shown on the limitation page (the last page).

Softcovers, 5.5x8.5 inches, 120 pages.

SIGNED, INSCRIBED and DATED by GEORGE STERLING to CLARE SHERIDAN on the front free endpaper: "For Clare Sheridan, This melodrama of another 'golden lily,' without apologies for her conduct. George Sterling. San Francisco, Oct. 11th, 1921."

Clare Consuelo Sheridan (née Frewen) b.1885 d.1970, was an English sculptor, journalist and writer known primarily for creating busts of the famous (including her cousin Winston Churchill) and writing diaries recounting her worldly travels. She enjoyed travelling around the world; and among her circle of friends were Princess Margaret of Sweden, Lord and Lady Mountbatten, Lady Diana Cooper, Vita Sackville-West and Vivien Leigh. She led an adventurous life. Please read all about her on her Wikipedia page.

GOOD MINUS condition: The covers are worn at the corners and edges, the spine covering is missing its top 1 inch, has some scrapes, and is splitting at the bottom rear fold for about 2 inches, the front cover has a stiff and tender crease where it was attached to the front free endpaper, nonetheless these original covers are still holding and doing their job; there is a crease to the upper front corner of the book leaving a crease at that corner of the covers and inner pages; internally the staples binding the text block are rusting, the pages are tight, bright, clean and clear. A used copy that remains solid and presentable.

A wonderful Signed and Inscribed copy with a great Association to an impressive English woman.

About George Sterling (from Wikipedia):

******George Sterling, b.1869 d.1926, was an American writer based in the San Francisco, California Bay Area and Carmel by the Sea. He was considered a prominent poet and playwright and proponent of Bohemianism during the first quarter of the twentieth century. His work was admired by writers as diverse as Jack London, Upton Sinclair, Theodore Dreiser, and Sinclair Lewis.

In 1905 Sterling moved to Carmel by the Sea, California, an undeveloped coastal area, and soon established a settlement for like minded Bohemian writers. Carmel had been discovered by Charles Warren Stoddard and others, but Sterling made it world famous.

Sterling joined the Bohemian Club and acted in their theatrical productions each summer at the Bohemian Grove. For the Grove play of 1907 the Club presented Sterling's "The Triumph of Bohemia".

Sterling carried a vial of cyanide for many years. In November 1926, Sterling used it while at his residence at the San Francisco Bohemian Club. Kevin Starr wrote that "When George Sterling's corpse was discovered in his room at the Bohemian Club... the golden age of San Francisco's bohemia had definitely come to a miserable end."******

PAINTED VEILS, by JAMES HUNEKER. SIGNED & INSCRIBED FIRST EDITION PRESENTATION COPY in SPECIALLY PRODUCED PRESENTATION SLIPCASE. Association Copy: Signed and Inscribed to THOMAS L. RAYMOND who was twice MAYOR of NEWARK, NEW JERSEY, and a friend of Huneker. The book is one of 1200 SIGNED and NUMBERED copies.

However, THIS COPY has "Presentation" handwritten by Huneker instead of a number, and the HANDWRITTEN INSCRIPTION:"For Thomas L. Raymond / My friend The Mayor / James Huneker" below the printed statement of limitation. In addition, Huneker has hand corrected a single work on the last page, crossing out the word "lamp" and changing it to "map". Published by Boni & Liveright, New York, 1920. First Edition. Hardcover Book in Dustjacket, vellum spine and blue paper covered boards, spine title label with gilt titling and gilt border, 6.5x10 inches, 294 pages plus 2 unnumbered final pages. With blue paper DUSTJACKET (same textured blue paper as used on the endpapers) that is printed in black on the spine with the title and the following statement: "Privately Printed For Subscribers Only". This special Presentation Copy comes with a Presentation Slipcase and Chemise (a folding encasement that protects the book when it slides in and out of the slipcase).

The slipcase is half leather with five raised spine bands and gilt lettering, including the words "PRESENTATION COPY" and the place/date "NEW YORK 1920". James Huneker died in 1921, the year after he signed and presented this copy. Condition: VERY GOOD BOOK, light sunning and a bit of corner tip wear to the covers, overall tight, bright, clean and clear, a solid, very nice book; in a complete but only FAIR DUSTJACKET, fair because the dj is completely split along the front spine fold and is starting to split on the rear spine fold and both splits have been repaired / reinforced with clear tape on the backside of the dj, the dj is also sunned / toned at the spine; in a VERY GOOD CHEMISE; in a GOOD PLUS SLIPCASE that has some rubs/scrapes to the spine and to the front corners but is still solid, lovely and doing its job well. RARE FIRST EDITION PRESENTATION COPY, SIGNED AND INSCRIBED ASSOCIATION COPY, in a SPECIAL PRESENTATION SLIPCASE and CHEMISE. About James Huneker (from Wikipedia): ******JAMES HUNEKER, b. 1857 d. 1921, was one of America's leading literary and music critics, and the author of several novels... Few American writers elicited the adulation that Huneker received from his colleagues in his lifetime and immediately after his death. "There was no one like him," art critic Henry McBride wrote of Huneker. "His strength lay in his knowledge of life and his ability to write." Art historian Jerome Mellquist agreed, noting that "Huneker could impart a grace and a quality of spiritual audacity unsurpassed by any critic of his generation."

Huneker's friend H. L. Mencken described his dinner table conversation as "a really amazing compound of scandalous anecdotes, shrewd judgments, and devastating witticisms." Numerous memoirs from the period recall him as an unforgettable personality... PAINTED VEILS, published in the last year of his life, was considered a racy novel.****** Thomas Lynch Raymond, Jr.

(to whom the book was inscribed and presented), b. 1875 d. 1928, served two nonconsecutive terms as Mayor of Newark, New Jersey from 1915 to 1917 and again from 1925 to 1928.

IN THE LAND OF COTTON, by DOROTHY SCARBOROUGH. SPECIAL & RARE copy that is SIGNED and WARMLY INSCRIBED by the author, DOROTHY SCARBOROUGH, to noted TEXAN, DR. J.W. TORBETT (John Walter Torbett): "For Dr. J. W. Torbett, whose ministrations are good for the soul and the mind as well as the body, with appreciation of his delightful hospitality. / from / Dorothy Scarborough / July 12, 1923". Dr. J.W. Torbett lived in Marlin, Texas. He was a highly regarded Physician, and an Author who wrote about his home town, and poetry. Published by Macmillan Company, New York, 1923. First Edition, First Printing, with the date 1923 on both the title page and copyright page, with the statement: "Set up and electrotyped. Published March, 1923" on the copyright page, and with no indication of additional printings. Hardcover Book, no dustjacket, 5.5 x 7.75 inches, 370 pages. FAIR condition because the covers spine, margins next to the spine, and edges, are heavily scraped, scratched, rubbed and worn; otherwise the book is in Good condition, the front cover design remains bright and attractive, the endpapers are toned, as normal, the rear inner hinge is cracked but holding very well, the inner pages are tight, bright, clean and unmarked, and the author's inscription is clear, bright and fully legible. Wonderful Inscribed Book with a Bad Spine. Story of childhood on a Texas cotton plantation. This was Scarborough's first novel. She is best known for her novel, The Wind, which depicts the loneliness of small town life in Texas. There is much about DOROTHY SCARBOROUGH on Wikipedia. Story of childhood on a Texas cotton plantation. This was Scarborough's

first novel. She is best known for her novel, The Wind, which depicts the loneliness of small town life in Texas.

COMPLETE CATALOGUE OF THE LIBRARY OF JOHN QUINN in TWO VOLUMES. Catalog for the Auction that took place in New York in 1924. PRICES REALIZED printed at the end of Volume Two. Published by The Anderson Galleries, 1924. First edition. Two Hardcover Books, 6x9.5 inches, 1205 total pages plus 62 unnumbered pages of Prices Realized at the end of Volume Two. Each volume has some b&w illustrations, but this is mainly a written, descriptive catalogue. 12,096 Items are listed and were offered at this auction. The John Quinn collection was an amazing gathering of modern (at the time) literature. Included was a HANDWRITTEN COPY OF ULYSSES by JAMES JOYCE that went for $1,975, purchased by the Rosenbach Foundation, and has been at the Rosenbach Museum, Philadelphia, ever since. GOOD condition. The covers of both volumes are sunned at the spines, have spine end, edge and corner tip wear; internally the pages have lightly toned, as normal, there are a few pencil prices realized in the margins here and there, otherwise tight, bright, clean and clear. A used but solid set of this important literary collection and auction. INTERNATIONAL BUYERS PLEASE NOTE: These two books will require additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact us ahead of time to find out the shipping charge to your country. Thanks.

LATER POEMS. By WILLIAM BUTLER YEATS.

Published by The Macmillan Company, New York. "New and Revised" edition of Yeats' later poetry, first thus with the statement "Published March, 1924".

SIGNED. LIMITED and NUMBERED EDITION. From the Signature / Limitation page: "Of this edition of LATER POEMS 250 copies have been printed, of which this is number 207". HAND SIGNED by W. B. YEATS below the limitation statement.

Hardcovers, cloth covered spine and paper covered boards, paper title label on the front cover and spine, 5.5x8 inches (13x20 cm), top page edges cut, other page edges deckled. Pagination xxiii, 363 pages.

VERY GOOD Condition: Light wear to the spine ends, the spine label is darkened and has small chips to two of its corners, the covers' upper front corner tips are slightly bumped; overall the covers are sturdy and quite lovely; internally the pages are lightly toned as normal, otherwise just lightly used, tight, bright, clean, clear and unmarked. A solid, attractive, very presentable copy.

Some of the GREATEST POEMS EVER WRITTEN by one of the GREATEST POET WHO EVER LIVED. From the Preface: "This book contains all poetry not in dramatic form that I have written between my seven-and-twentieth year and the year 1921..."

Yeats' Later Poems is one of his more difficult books to find signed. The poems are magic, and his SIGNATURE casts a spell..

About William Butler Yeats (from Wikipedia):

****** William Butler Yeats (13 June 1865 - 28 January 1939) was an Irish poet and one of the foremost figures of 20th century literature. A pillar of both the Irish and British literary establishments, in his later years he served as an Irish Senator for two terms. Yeats was a driving force behind the Irish Literary Revival and, along with Lady Gregory, Edward Martyn, and others, founded the Abbey Theatre, where he served as its chief during its early years. In 1923 he was awarded the Nobel Prize in Literature as the first Irishman so honored for what the Nobel Committee described as "inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation." Yeats is generally considered one of the few writers who completed their greatest works after being awarded the Nobel Prize.******

THE STRUCTURE OF THE NOVEL, by EDWIN MUIR.

Published by LEONARD & VIRGINIA WOOLF at the HOGARTH PRESS, London, 1928. First Edition, as indicated by the date 1928 on the title page, the statement "Printed in Great Britain by Neill & Co. Ltd., Edinburgh" on the copyright page, and no notice of additional printings.

Hardcover Book, no dustjacket, orange cloth covered boards, red printing and designs on the front cover, red titling on the spine, 5x7.5 inches, 151 pages.

SIGNED and INSCRIBED by EDWIN MUIR on the front free endpaper: "To Marc & Agnes / With a Happy New Year / Edwin".

FAIR condition. The front cover has a pea size indent as if from the stab of a closed pen, it is on one letter of the cover's title, and has also left a smaller indent on the first few pages; the covers are lightly soiled and shelf rubbed; the spine is substantially sunned and the spine titles have almost completely faded away; nonetheless the covers are sturdy and still doing their job. Internally, there is light offsetting to the front and rear endpapers, there is a small indent to the first few pages as noted above, otherwise the inner pages are tight, bright, clean, clear and unmarked. The signature and inscription of Edwin Muir is bright and clear.

DANGEROUS CORNER: A PLAY IN THREE ACTS, by J. B. PRIESTLEY. Dangerous Corner is a stage play written by J. B. Priestley, first performed in 1932. Dangerous Corner is also a 1934 black-and-white film, based on the play. Published by Samuel French, New York, 1932. First Edition. Hardcover Book, No Dustjacket, 5x7.5", 131 pages. Condition: EX-LIBRARY with "Department of Speech & Drama / San Jose State College / San Jose 14, California" stamped on the front and rear pastedowns, and some remnants and scrapes of something removed from the front free-endpaper (card pocket?); ex-lib aside in GOOD condition, there is a previous owner's bookplate on the front pastedown, some light sunning to the cover's spine, overall still tight, bright, clean and unmarked. Ex-Lib, but still a solid, nice example of this early and rare J.B. Priestley work.

FIREBRANDS : FIVE POEMS. A chapbook of ANARCHIST RADICAL POETRY by JUAN ORTEGA, WILDER BENTLEY, NORMAN MACLEOD, LAWRENCE A. HARPER, FRANK ANKENBRAND, JR. Published by The Burlington Chapbooks, Philadelphia, 1935. Printed by ALPRESS in a LIMITED EDITION of only 175 copies. This is the fifth publication in the Burlington Chapbooks series. Chapbook / Booklet, heavy stock paper covers, paper title label on the front cover, string bound, 5.5x8.5 inches, six numbered pages of poems, plus an unnumbered Title Page, Contents Page, and Colophon Page. The poems are: CHAUVINISM, by Juan Ortega; ANARCHIST PORTRAIT IN CALIFORNIA, by Norman Macleod; LAST PRELUDE, by Lawrence A. Harper; TO A POET OF THE PROLETARIAT, by Wilder Bentley; and FOR THE COUNTER-REVOLUTIONIST L. F., by Frank Ankenbrand, Jr. GOOD condition, a bit of wear to the corner tips, a small area of light shorelining to the top edge of the title page; overall remains tight, bright, clean and unmarked. One of the nicer copies this delicate chapbook that I have seen.

A MAD LADY'S GARLAND, by RUTH PITTER. Published by the Macmillan Company, New York, 1935. A book of poems. INSCRIBED, SIGNED and DATED by JOHN HOLMES, Poet and Tufts University Professor of Literature and Poetry, and PRESENTED to his then student JOHN CIARDI. "John Ciardi, HIS Book, / on and after Dec. 7, 1937 / from John Holmes". Clearly this was John Holmes' personal copy which he was gifting to John Ciardi. Ruth Pitter must have a favorite poet of both of these male poets. Several of the poems have brief handwritten pencil notes and marks beside and on them, likely by either John Holmes or John Ciardi. FAIR condition, the covers are soiled, the spine is sunned / darkened and its lettering is no longer visible; internally there is glue remnant to the front free endpaper likely from the removal of a bookplate, light toning to the pages, otherwise tight, bright, clean and clear. A solid copy. An interesting intersection of John Holmes, John Ciardi, and Ruth Pitter, all in one place. About RUTH PITTER (from Wikipedia): ******Emma Thomas "Ruth" Pitter, CBE, FRSL, b.1897 d.1992, was a 20th century British poet. She was the first woman to receive the Queen's Gold Medal for Poetry in 1955, and was appointed a CBE in 1979 to honour her many contributions to English literature. In 1974, she was named a "Companion of Literature", the highest honour given by the Royal Society of Literature. She was a good friend of C. S. Lewis, who admired her poetry. He often invited her critique of his poems. Pitter is considered by many Lewis scholars to have had an effect on his writing in the 1940s and 1950s. W. B. Yeats, Robin Skelton and Thom Gunn also appreciated Pitter's work and praised her poetry. Lord David Cecil once remarked that Pitter was one of the most original and moving poets then living. Despite some praise Pitter has been mostly overlooked. It is only in recent years that there has been a renewed interest in her work.****** About JOHN HOLMES (from Wikipedia): ******JOHN HOLMES, b.1904 d.1962, was a poet and critic. He was born in Somerville, Massachusetts, and both attended and taught at Tufts University where he was a professor of literature and modern poetry for 28 years. His students included Anne Sexton, Richard Wilbur, May Sarton, John Ciardi, Maxine Kumin, and many others. He wrote ten volumes of poetry, but it was his influence on a generation of poets that was his greatest contribution to poetry.****** About JOHN CIARDI (from Wikipedia): ******John Anthony Ciardi, b.1916 d.1986, was an American poet, translator, and etymologist. While primarily known as a poet, he also translated Dante's Divine Comedy, wrote several volumes of children's poetry, pursued etymology, contributed to the Saturday Review as a columnist and longtime poetry editor, and directed the Bread Loaf Writers' Conference in Vermont. In 1959, Ciardi published a book on how to read, write, and teach poetry, How Does a Poem Mean?, which has proven to be among the most used books of its kind.******

DAYS OF WRATH, by ANDRÉ MALRAUX. Translated by Haakon Chevalier.

**HAND SIGNED** by ANDRÉ MALRAUX on the half title page.

ASSOCIATION to, and from the library of, the noted historian ARNOLD KRAMMER, with his bookplate on the front pastedown.

Published by Random House, New York, 1936. First American Edition, First Printing, with the statement FIRST PRINTING on the copyright page and the date MCMXXXVI (1936) on the title page.

Hardcover Book, original cloth covered boards, top page edges stained dark brown, no dustjacket, 5.25x7.25 inches, 174 pages.

First published in France as Le Temps du Mépris in 1935, it is one of the first novels set in a Nazi concentration camp, and as such informed the world of the Nazi attrocities. This novel followed Malraux's award winning "Man's Fate".

VERY GOOD condition, covers have a bit of pushing at the spine end and are lightly sunned at the spine; internally, the pages are lightly toned, overall the book is tight, bright, clean and unmarked. The bookplate of Arnold Krammer has some scratches upper area but remains bright, clean and clear.

André Malraux (1901-1976) was a novelist and France's first Minister of Cultural Affairs during Charles de Gaulle's presidency. You can read all about the important French writer Andre Malraux on his Wikipedia page and elsewhere on the Internet.

About the historian ARNOLD KRAMMER (from Wikipedia):

******Arnold Paul Krammer, b.1941 d.2018, was an American historian who specialized in German and United States history and a professor at Texas A&M University.

Krammer was educated at the University of Wisconsin where he obtained a Master of Arts in German history and Russian studies in 1965, and a Ph.D. in German history in 1970. He was twice a Fulbright scholar.

Krammer is the sole author of seven books, the most recent of which is War Crimes, Genocide, and the Law: A Historical Perspective, published in 2009, and the co-author of five books.******

GONE WITH THE WIND, by MARGARET MITCHELL. Published by Ercilla, SANTIAGO DE CHILE, 1937. Published as "Supplemento De Excelsior Año II, No. 6, Octubre de 1937". FIRST SOUTH AMERICAN EDITION. Bound in Hardcovers, cloth covered spine and marbled paper covered boards, 7.5" x 10", 476 pages. Pagination: I-IV Introductory pages and "Gloria Tropical" by Horacio Quiroga; 1-471 GONE WITH THE WIND; 472-475 "ALDOUS HUXLEY En La Literatura Britanica" by Antonio Marichalar; [1] Poem by Pablo Neruda "Monzon de Junio". CHILEAN EDITION - TEXT ENTIRELY IN SPANISH. GOOD condition, covers are worn along the edges, spine ends and corners, rubbed at the folds, scraped along the spine and on the spine title label, toned at the upper portion; nonetheless the covers are sturdy and doing their job well; the front and rear inner hinges are cracked but holding very well; there is a previous owner's signature and a two line gift inscription on the blank verso of the front-free endpaper; the title page has some offsetting from the previous owner's signature on the facing page; all the pages have toned / browned as normal; page 363 has a closed tear across its face that has been repaired with clear tape ( the page is complete and fully legible with the tape repair); overall a complete, tight, bright and clean copy, with pages that are toned as normal and covers that show some wear. ESTE LIBRO ES MUY RARO

THE HARDER THEY FALL, by BUDD SCHULBERG. UNCORRECTED PROOF for ADVANCE readers. Published by Random House, New York, 1947. FIRST PRINTING, so stated. UNCORRECTED GALLEY PROOFS. Uncorrected Proof, blue paper wrappers (softcovers) with "Uncorrected Proof" title label on front cover, bound GALLEY SHEETS, 6" x 11", sheets printed on one side only, pages numbered by "Galley", approximately (300?) pages. FAIR condition, water staining to the top area of the front cover, lightly affecting the same area of the first few leaves; upper cover corner is torn away, the upper corner of the first 20 or so pages is creased and worn; the wrappers have some creases, soiling, toning, and some splitting at the spine folds, but are still holding together well; there is a light crease to the upper corner area of most pages; otherwise the inner pages remain tight, bright, and unmarked. UNCORRECTED PROOF / GALLEY SHEETS of this early Budd Schulberg book.