A unique, comprehensive and beautifully drawn anatomical study book by Louise Fairbanks Williams, a student at the California College of Arts and Crafts, in Oakland, California circa 1950. She received an A+.

An impressive handmade work filled with pencil drawings throughout. Bound in a blue cloth covered top loading three ring binder embossed with the logo of the California School of Arts and Crafts, Oakland on the front cover, 12" x 9", 200 leaves, typescript in red and black ink (mostly printed on one-side), superbly illustrated throughout, with approximately 150 full page original anatomical drawings rendered in pencil and color pencil, many with tissue guards laid-on, and smaller in-text illustrations. Bibliography at the rear. This does not appear to be a copybook but her own interpretation of an anatomical treatise. Original Art Book is in VERY GOOD CONDITION: the title page and blank front endpapers pulled from the binder and laid-on, otherwise tight, bright, clean and unmarked. A wonderful example.

LIFE IS FREE, Volume 0, Number 0, Winter 1988

A unique zine detailing the Philadelphia Squatter Scene. Published by [Karen Eliot] c/o The Wooden Shoe, Philadelphia 1988. Karen Eliot, Editor. Underground Anarcho-Squatters' Newsrag, softcover tabloid, printed on newsprint, 17" x 11.5", 8 pages, illustrated throughout with b&w drawings and collages, includes illustrated instructions for building a stove for your squat. VERY GOOD CONDITION: solid, bright, clean, and unmarked. Scarce, only four copies located in OCLC collections worldwide.

An underground zine made by and for anarchist squatters, filled with guidance on how to squat, where to squat, the steps needed to equip the squat, squatter support, and prescient revolutionary political commentary on gentrification. I found one source that stated Karen Eliot created this zine and paid for the 500 copies she had printed from the money she earned as a sex worker. Sounds completely plausible to me, there are no records of Karen Eliot and her cohort of fellow squatters except in the pages of this compelling zine.

NEW & SEALED

1. THE TAROT OF LEONORA CARRINGTON. Published by RM Verlag, Spain, 2022. New expanded edition, text by Susan Aberth, Tere Arcq and Gabriel Weisz Carrington. Text in English. Hardbound in gold with embossed black printing on the front cover and spine, the front cover has tipped-on images of the Magician and High Priestess cards, 12.5" x 9.75", 168 pages, richly illustrated throughout. The book details each of Leonora Carrington's Tarot Cards and its symbolism. Her other worldly images are a spellbinding interpretation of the Major Arcana, rich with color and sumptuous detail. Roughly dated to 1955 her extraordinary work fuses surrealism with the occult and mystical explorations of femininity. EXCELLENT CONDITION: As new, still sealed in original shrink wrap.

2. LEONORA CARRINGTON MAJOR ARCANA DECK. Published by Fulgar Press, United Kingdom, 2023. Second edition. Deck of 22 Major Arcana Tarot Cards, a 48 page booklet with introductory essay by Susan Aberth And Tere Arcq, and a custom box, 5.25" x 4.25". A collection of only the Major Arcana, a smaller portion of the entire canonical tarot that's focused solely on archetypal images and symbologies. Replete with symbolism and evocations of the occult. EXCELLENT CONDITION: As new, still sealed in original shrink wrap.

Artist Leonora Carrington (b. United Kingdom 1917-2011 d. Mexico) Surrealist Painter and Writer. A key figure in the Surrealist Movement she was highly regarded by her peers including Andre Breton and Max Ernst, but overlooked by the art establishment, she's only recently been recognized as an equal to her male counterparts. A captivating figure, she delves fearlessly into the esoteric worlds of alchemy, the occult and feminism.

WOMAN'S CONVENTION AUXILIARY NATIONAL BAPTIST CONVENTION 65th Anniversary Program Dallas, Texas 1901 - 1966 : Theme "Together We Stand"

Souvenir Program, Published by the Woman's Convention Auxiliary to the National Baptist Convention, Dallas, Texas 1966. First edition. Softcover, illustrated green wrappers, side staple bound, 12" x 9", 62 pages, historically illustrated throughout with b&w portraits, and photographs of the Black woman and men leaders of the NCB. GOOD CONDITION: covers have edge and corner creasing and some closed tears to the top edge, internally light creasing to the corner-tips, and light wear from age and use, overall tight, bright, clean and unmarked. A remarkable historic documentation of the Black Women in the leadership roles of a pivotal African American religious and activist organization at the height of the Civil Rights Movement. Scarce, none in OCLC collections worldwide.

The National Baptist Convention (NBC) was founded in 1895, A major organization of African American Baptists and the nation's largest Black religious organization. Unfortunately, the NCB was not supportive of women's leadership so in 1900 two Black Women Suffragists and Civil Rights Activists, Sarah Willie Layten (1864-1950) and Nannie Helen Burroughs (1879-1961) played pivotal leadership roles in founding the Woman's Convention Auxiliary to the NBC. Representing over one million Black Baptist women, the Auxiliary provided means through which women organized on state and local levels around religious, political, and social issues, making their place of worship an epicenter for Black liberation and social change.

Kappa Beta Omega Chapter of Alpha Kappa Alpha Sorority Presents "FASHIONETTA" 1986, 1988, and 1990 DEBUTANT BALL PROGRAMS

THREE SOUVENIR PROGRAMS, published by Kappa Beta Omega, Vallejo, California, 1986, 1988, 1990. First editions. Illustrated softcovers, 11" x 8.5", pink tinted paper, 208, 142, 151 pages respectively, featuring the b& w portraits of the Debutantes, their escorts, short biographies of each of the Debutantes that showcase their service to the community and educational activities, also Advertisements, many illustrated, from family, friends, community members, and local businesses in support of this group of young Black women. The Ball culminates in the crowning of "Miss Fashionetta." Also included are some invitations, programs and tickets. The 1986 and 1988 programs are in VERY GOOD CONDITION: just some light wear from age and use, overall tight, bright, clean and unmarked, as are the invitations, program and ticket. The 1990 Program is in GOOD CONDITION: with nail polish stains, corner creases and chips on the covers, internally some light wear from handling and some corner-tip creases, otherwise tight, bright, clean and unmarked. An uncommon group of vintage programs documenting the young Black Sorority Women of the San Francisco Bay Area's East Bay region.

Alpha Kappa Alpha was the first Greek sorority founded by African American women. Established on January 15, 1908 at Howard University by nine Black students wishing to create an organization for college educated women that would support their academic and personal goals. The Vallejo California's Kappa Beta Omega Chapter in the Bay Area's Solano County is known for their community service and sponsorship of Fashionetta, an annual event during which African American high school girls in their senior year compete for college scholarships by engaging in various academic and civic activities. The Ball is a fundraiser for the Kappa Beta Omega chapter of the Alpha Kappa Alpha Sorority, the Debutante program is open to a select group of young Black ladies who are high school seniors or local college freshmen.

PACIFIC MILLS ARE THE LARGEST MANUFACTURERS IN THE WORLD OF COTTON GOODS, PRINTED - DYED -BLEACHED & WORSTED DRESS GOODS, COTTON - WARP and ALL - WOOL. With Manufacturing Plants Located in Lawrence, Massachusetts, Dover, New Hampshire, Columbia and Lyman, South Carolina.

Published by Pacific Mills, Boston, Massachusetts, 1924. First Edition. Hardbound, original Publishers navy blue cloth with gilt embossed Pacific Mills logo and vertical line on the front and rear covers, 11" x 8.75", navy blue endpapers, 123 pages, handsomely illustrated with 41 full page black & white photographs, 2 double page, and 18 full page color photos. VERY GOOD CONDITION: covers have light wear to the extremities, a few tiny droplet spots, and light foxing to the page edges, internally a touch of age toning, and light wear, overall a handsome, tight, bright, clean and unmarked example of this uncommon advertising promotional portrait.

A curated and sophisticated glimpse at Pacific Mills, one of America's largest textile producers of the early 20th century. Showcasing aerial photographs of the enormous factories and what occurs within them to descriptions of the factory towns equipped with electric lights, running water and sanitary plumbing, also photographs of the huge machines and of the women and men who tend them, overviews of the textile products, and the manufacturing processes of the cotton and wool from gathering, picking and shearing to the finished packaged fabric. Lawrence Massachusetts was named for the founder of Pacific Mills, Abbott Lawrence. Interestingly the wealth accumulated by this northern industrialist is integrally tied to slave labor by depending on cotton harvested on southern plantations.

MARIA LANI. Text by JEAN COCTEAU, Max Rambo and Waldemar George.

ILLUSTRATED with 52 PLATES of DRAWINGS, PAINTINGS, SCULPTURES, and a Frontispiece Photograph, of MARIA LANI, the remarkable and unique ARTIST'S MUSE (and some would say Scam Artist) of the late 1920s. The artworks were by many important artists of the period.

PARIS: Editions des Quatre Chemins, 1929. First edition. French Text.

Limited Edition. This is number 78 of 525 copies, likely a "Hors Commerce" copy with "H C" handwritten beside the ink stamped number 78.

Tan wrappers, French folds, burgundy and black titling to the front cover, 9x11 inches (23x28 cm). Pagination: [2] Half-Title and Limitation Page, [6] Frontispiece Plate and Introductory Pages, 7-21 Text Essays, 51 numbered PLATES each printed on its own leaf, [2] List of Plates and Colophon Page.

The 51 artist plates are of artworks (paintings, drawings, sculptures) of Maria Lani by 51 noted artists of the period. The artists include Bonnard, Braque, Chagall, Chirico, Cocteau, Matisse, Léger, Man Ray, Marval, Orloff, Max Jacob, Dufy, Rouault, Soutine, among many others. A page at the rear lists all the 51 artists.

CONDITION: The covers are toned, have some edgewear including some small closed tears, a few creases from handling, and most notably a well-worn spine that is now taped (not an uncommon feature as the issue is known for its weak glue binding). Internally, the pages are lightly toned, there is an approximately 1/4 inch piece of binding tape along the gutter edge of the blank backside of each plate, and an offset mirror image along the gutter margin of the facing plates - this is how the plates were mounted and is normal to all copies; there is just a bit of foxing found on the blank backsides and on a couple plates, the binding is shaky and is split between each plate, the plates could easily come out with a tug but currently all plates but one are still holding on by the sewn binding (plate 32 is loose but laid-in its proper place). Despite the flaws this is one of the nicer copies I have seen because the plates, which are the heart of this book, are all present, bright, clean, and clear.

About MARIA LANI (from Vanity Fair website):

******Maria Lani Was the Muse of Modernist Masters - Then She Vanished Without a Trace

Ninety years ago, an enigmatic actress and model swept through Paris, transfixing Cocteau, Matisse, Chagall, and dozens more of the day's visual artists. When she disappeared from the public eye, a myth emerged in her wake. Was she really who she said she was?****** (Please see the full Vanity Fair article by typing into the search bar: "Maria Lani Was the Muse of Modernist Masters Then She Vanished Without a Trace".)

About MARIA LANI (from Wikipedia):

Maria Lani (nee Maria Jeleniewicz), b.1895 d.1954, was an aspiring film actress and artists' model. In the late 1920s she was portrayed in paintings and sculpture by over fifty artists, including Bonnard, Chagall, Cocteau, Derain, Matisse, Rouault, and Suzanne Valadon.

Maria Lani was born in Kolno, Poland. She went to Paris in the spring of 1928 and falsely proclaimed herself to be a silent film star who had worked in Berlin. She claimed to be working on a film which required multiple portraits as part of the plot. She befriended Jean Cocteau and other artists, many of whom made portraits of her.

A limited edition book about Lani and the portraits was published in 1929 by Éditions des Quatre Chemins. It included fifty-one plates of artworks modeled by Maria Lani.

The film never materialized, but the portraits were exhibited as a group in Europe and the United States, and Lani kept them in her possession. She died in 1954 and was buried in a pauper's grave.******

ARCHIVE of ADA CLARK MERRELL, b.1856 d.1934, of RIPON, WISCONSIN (Wife of EDWARD H. MERRELL, second President of Ripon College). COMPILED AND HANDWRITTEN by ADA CLARK MERRELL, circa 1920s - 1950s.

Large, personal, in-depth archive on the genealogy of the Merrill, Clark and Related Families.

Includes 100s of handwritten pages, stuffed scrapbooks, notebooks, letters, etc. An incredibly comprehensive work that must have taken many years to compile and write. The papers and items have been separated into folders, most with an identifying post-it note on the front, likely by a relative or close friend. One post-it note reads; "Genealogy Papers as Found Together in A.C. Merrell's Trunk".

Includes:

Notebook filled with 148 pages of handwritten genealogy on the Clark and related families;

a folder with 25 manuscript pages;

a folder with letters and 25 pages of genealogy information;

a folder with about 54 manuscript pages plus genealogy charts and a Daughters of the American Revolution application;

a folder with 14 letters, 23 manuscript genealogy pages, some programs, and George C. Merrill biographical information;

packet of 20 or so manuscript genealogy papers and documents "found loose in Ada Merrell's Trunk";

more loose papers "found in AC Merrell's trunk" related to the Clark family, and to a Merrell Family Reunion;

a hardcover binder with a post-it title on the front cover that reads: "Ada Clark Merrell's genealogy research - 45 pages mostly handwritten, photos and postcards, DAR documents";

a hardcover binder with a label that reads: "Ada Clark Merrell's genealogy research and some writings, 149 pages plus other items mostly handwritten, a few typed, some clippings".

CONDITION: Lots of flaking to the edges of the old manila folders and some of the more fragile papers, but, with few exceptions, the manuscript pages, letters, documents, etc. are fully legible and in fairly good condition, with expected folds, edgewear, some stains, etc.

PLUS a FIRST EDITION COPY of ADA CLARK MERRELL'S book "LIFE AND POEMS OF CLARISSA TUCKER TRACY". Chicago, R.R. Donnelley & Sons, 1908. Hardcovers, 150 pages. Illustrated. GOOD condition, the title page is pulling from its binding (though still holding well) and there is a small chip to the top edge, otherwise tight, bright, clean and unmarked.

A TREASURE TROVE OF GENEALOGY researched and written by ADA CLARK MERRILL of the NOTED RIPON, WISCONSIN, MERRELL FAMILY.

INTERNATIONAL BUYERS PLEASE NOTE: This archive will require additional shipping charges. After placing your order you will be notified of the charges and be able to accept or reject them before payment is taken. Thanks!

IVONNE BAKI - PAINTINGS of WOMEN of the MIDDLE-EAST..

Ivonne Baki is primarily known for being a diplomat, politician and the first female Ambassador from Ecuador. She was an ambassador to Qatar and later to the United States. BUT she is also an artist. This book catalogs some of her paintings of Middle-Eastern Women (she lived 19 years in Lebanon where she raised her family) as well as promotes her as an artist.

SIGNED & INSCRIBED by IVONNE BAKI on the inside front cover, below her photo: "Muy estimado Fred, Con todo cariño y amistad! Te deseos stempu felicidad! / Ivonne / Dec. 7th, 1991". Baki also wrote a sentence in Arabic below the Spanish inscription.

Softcovers, 8.5x11.5 inches, 46 pages. TEXT in FRENCH and ENGLISH.

ILLUSTRATED with 6 reproductions of Baki's paintings, a photograph of a young Baki at work, and a photograph of Baki on the inside front cover. The book also contains listings of her exhibitions, works in private collections, press articles, etc.

GOOD condition, the covers are pulling from the inner text block due to weak glue, but the sewn text block remains tightly bound; otherwise bright, clean and clear.

Publisher not stated, perhaps self-published; printed by NAHHAL, Beirut, Lebanon, c.1991 (the date of the inscription).

An unusual item from a formidable Ecuadorian woman.

About IVONNE BAKI (from Wikipedia):

******Ivonne Leila Juez Abuchacra de Baki (aka A-Baki), b.1951, is an Ecuadorian politician and diplomat. She is most known for her time as the Ecuadorian Minister of Industries and Productivity and as the President of the Andean Parliament. She is Ecuador's former Ambassador to Qatar and the United States. She is currently the Ecuadorian Ambassador to France. She was the first female ambassador in Ecuadorian history. She is fluent in Spanish, English, French, German and Arabic.

In 1998, she became the first woman in Ecuadorian history to represent her country in Washington as ambassador, and four years later, the first woman ever to run for president. A-Baki, as she is commonly known, spent 19 years in Lebanon, living through Lebanon's brutal 1975-90 civil war, and more recently has witnessed Ecuador's rapid slide into violence and gang warfare.

Yet "my first identity is as an artist," A-Baki told The Washington Diplomat some 25 years ago. "Art opens the right and left sides of your brain. It helps you see the whole picture. Music, poetry, painting and dancing make you more human. In order to be in politics, you have to be human. And that's what art does for me."******

DAISY WITH ALL THE PETALS YES / Two Heads Really Are Better Than One / Yes. Yes. Yes. / Art D'Eglise by SISTER MARY CORITA KENT

Published by Immaculate Heart College, Los Angeles, CA, 1966. First edition, softcover, illustrated wrappers, side staple bound, 11.25" x 8.5", 32 pages, off-set printed, profusely illustrated in black & white and color, edition size unknown. A promotional booklet by and about Sister Corita, her art, prints and serigraphs with contributions from various authors including poet Robert Lowell and artist Ben Shahn. GOOD Condition: covers have light foxing and some staining, corner-tip, spine edge wear but remain bright. Internally, the staples are oxidized but holding well, otherwise the inner pages are tight, bright, clean and unmarked. A respectable copy of this uncommon Sister Corita Artist Monograph.

Sister Mary Corita Kent (1918-1986) was the most controversial nun of the 1960s and is one of the most famous Graphic Artists in America. A Sister of the Immaculate Heart of Mary, she ran the Art Department at Immaculate Heart College in Los Angeles until 1968 when she left the Order to pursue her art.

CONVERSATIONAL OPENINGS & ENDINGS - Some Hints for PLAYING the GAME OF SMALL TALK and Other Society Pastimes. By Mrs. Hugh Bell (Dame Florence Eveleen Eleanore Bell).

LONDON: Edward Arnold, 1899. "Revised and Enlarged Edition".

In the book Lady Bell instructs how to play the game of Conversation as a Chess Game. Like chess, the conversationalists play either Black or White, making "moves" meant to win the game of conversation at evening gatherings. In the book, women play White and men play Black.

From the book: "I have adopted the phraseology of a Handbook to Chess as being most suitable for my purpose. By Player is meant the interlocutor, and for further convenience I shall designate the male interlocutor as Black, and the female as White...these being the prevalent hues of male and female costume at evening gatherings, where conversation runs the highest..."

Hardcovers, paper covered boards titled in black on the front cover and spine, and with black lining on the front and rear boards, 6x8.5 inches, 63 pages.

FAIR condition, the covers are soiled, worn at the corner tips, edges and spine ends, and the spine bottom is lacking 1 inch of its paper covering, nonetheless the covers are original and still doing their job; internally, the front inner hinge is cracked but holding well, there is a presentation inscription on the front free endpaper: "L. F. S. / from D. A. / July 1900" (maybe significant, no idea), and there is the signature of

"Willard Pope" on the front pastedown, the pages have yellowed with age as normal, otherwise the pages are tight, bright, clean and unmarked.

RARE 1899 book instructing young ladies on how to checkmate men through conversation.

About Florence Eveleen Eleanore Bell (from Wikipedia and elsewhere on the Internet):

******Dame Florence Eveleen Eleanore Bell, Lady Bell, DBE (Dame Commander of the Order of the British Empire), née Olliffe, b.1851 d.1930, was a British writer and playwright.

Lady Bell was born in Paris, France in 1851, the youngest of four children of Irish born Joseph Francis Olliffe (later Sir Joseph Olliffe) and Laura Cubitt. She was the second wife of Sir Hugh Bell, 2nd Baronet, of Rounton Grange, and therefore became Lady Bell.

Lady Bell was the stepmother to her husband's children from his first marriage: British explorer and key political figure in the Middle East, Gertrude Bell, b.1868 d.1926, and Maurice, 3rd Baronet, b.1871 d.1944.

In 1918 she was appointed as Dame Commander of the Order of the British Empire (DBE). She died on 16 May 1930 at her home, 95 Sloane Street, Chelsea.******

Your Move, Quick, Speak.

PLANTATION BIRD LEGENDS, by MARTHA YOUNG, with illustrations by J.M. Condé.

NEW YORK: R. H. Russell, 1902. First edition, first printing, with the statement "First Impression, October, 1902" on the copyright page with no indication of additional printings.

The book is dedicated 'To all the Dear Namesakes of E.Y. and A.E.Y.' (Elisha Young and Anne Eliza Young, Martha Young and her siblings' parents.)

SIGNED and INSCRIBED by the AUTHOR, MARTHA YOUNG, to her SISTER, ANN ELIZA MUCKLE, on the front free endpaper:

"To Ann Eliza Muckle / One of the Namesakes / With the love of her sister / Martha Young".

LAID-IN is a HANDWRITTEN LETTER by Martha Young to her sister "Mrs. Alfred Muckle". It is written on 1 1/2 pages of a 4 page single fold sheet of paper. Much of the handwriting is indecipherable to me, but here is how it begins: "Dearest Fredie: / This may be a help to you. If Fettie comes through and I see her I will ask if she has the book of..." The letter is signed/initialed M.Y. and dated (?) 20, 1934. On the folded backside it is addressed to Mrs. Alfred Muckle / Courtesy of Agnes Tutwiler". (AGNES TUTWILER was a relative of Martha Young; FREDIE likely was Martha Young's nickname for her married sister.)

Hardcover Book, illustrated covers, 249 pages. ILLUSTRATED with a frontispiece photograph "Witch Menées Child" and 27 b&w drawings. Though the drawings and their captions are meant to illustrate the folktales and dialects of Southern Blacks (mostly former slaves), and were widely admired by writers of the day, many would be considered racist today.

FAIR condition. The covers are soiled with a scattering of scrapes, the rear cover has some water staining to its bottom edge, the spine is substantially scraped and rubbed; nonetheless the covers are still solid and doing their job. Internally, the front inner hinge is cracked but holding well, there is foxing primarily to the first and last few pages, light finger smudges here and there, and one page has a thumbprint size chip to its front margin (not affecting text) and another with a 2 inch closed tear, else the inner pages remain tight, clean, clear and unmarked. All 27 b&w plates are present, a few have a bit of foxing. The laid-in letter has folds, creases, smudging and some stains, but the text remains clear (though the handwriting is difficult).

About MARTHA YOUNG (from Wikipedia and the Alabama Women's Hall Of Fame websites):

******Martha Strudwick Young, b.1862 d.1941, was an American regionalist writer known for her recounting of Southern folk tales, fables, and songs of Black life in the plantation era. She was admired by other writers for her skill with dialect. Young was inducted into the Alabama Women's Hall of Fame in 1986.

Martha Strudwick Young was the daughter of Confederate surgeon Elisha Young and Anne Eliza Ashe (Tutwiler) Young. The women's education and prison reform advocate Julia Strudwick Tutwiler was her aunt. Her family moved to Greensboro after the Civil War, and it was there that she learned the Southern folk tales and stories of African-American culture that would form the basis of her writings.

In 1901 Young published her first book, Plantation Songs for My Lady's Banjo and Other Negro Lyrics & Monologues. She followed up in 1902 with Plantation Bird Legends, which established her reputation as a leading writer of dialect tales. Young was one of a group of regional writers who helped to popularize the use of dialect as an adjunct to realism, including George Washington Cable, Kate Chopin, Mary Noailles Murfree, and Joel Chandler Harris. She has been called "Alabama's foremost folklorist."

From her 1986 induction into the Alabama Women's Hall of Fame: "During a life which bridged two centuries, she recorded a rapidly disappearing culture, preserving it as a heritage for future generations."******

RAW by Roxanne Klein & Charlie Trotter

SIGNED and INSCRIBED by ROXANNE KLEIN Groundbreaking Raw Food Author and Chef Owner of her eponymous Larkspur, Marin County restaurant ROXANNE'S in black ink on the title page " Doug, Enjoy your Raw experience! Roxanne Klein 3.04 "

Published by Ten Speed Press, Berkeley, 2003. First edition, first printing so stated, number-line starts at 1. Hardcover in dustjacket, black cloth with green printing on the spine, 11.25" x 9.25", avocado green endpapers, 215 pages, beautifully illustrated throughout with color photographs of the captivating dishes detailed in the book. NEAR FINE CONDITION BOOK & DUSTJACKET: tight, bright, clean and unmarked, the unpriced-clipped DJ has a touch of edge and corner-tip wear. A handsome and uncommon copy SIGNED by iconic vegetarian chef and restauranteur Roxanne Klein.

In the early 2000s Chef Owner Roxanne Klein was the hottest thing on the American food scene. People called her a revolutionary, comparisons to Alice Waters were made. Klein created quite the stir in the culinary world by introducing a new fine dining cuisine based on raw, organic vegetarian ingredients. Roxanne's was one of the most innovative new restaurants in the San Francisco Bay Area. The restaurant's "living food" cuisine earned rave reviews from both diners and food critics. Gourmet Magazine stated, "Roxanne's is simply the most innovative restaurant of our time." Famed Bay Area critic Michael Bauer said Roxanne's offers "truly four-star dining, with a world class wine list and elegant decor." A graduate of the California Culinary Academy, her creativity with vegetarian cuisine and her broad knowledge of organic ingredients earned her respect from a variety of culinary authorities.

THE SCAR: A TRAGEDY IN ONE ACT, by Rebecca NJAU (REBEKA NJAU).

KILIMANJARO, TANZANIA: Kibo Art Gallery, 1965. First Edition.

SIGNED, INSCRIBED and DATED in SWAHILI by REBEKA NJAU on the title page: "Asante sana kwa kututembelea Nairobi / Rebeka Njau (signed) / 7-7-72". (Thank you so much for visiting us in Nairobi / Rebeka Njau / 7-7-72.)

Booklet, black wrappers, white titles, side stapled, 5.75x7.75 (15x19.5 cm), 32 pages. Photo portrait of the author on the inside front cover.

VERY GOOD condition, lightly handled, tight, bright, clean and clear. A lovely copy.

RARE with the SIGNATURE and SWAHILI INSCRIPTION of Rebeka Njau.

About REBEKA NJAU (from Wikipedia):

******Rebeka Njau (née Nyanjega; born 15 December 1932) was Kenya's first female playwright and a pioneer in the representation of African women in literature. Her writing has addressed topics such as female genital mutilation and homosexuality. Her earliest works appeared under the name "Rebecca Njau".

THE SCAR, a one-act play, is considered the first play written by a Kenyan woman. It was published in book form in 1965 by Kibo Art Gallery in Marangu (after first appearing in a journal in 1963). THE SCAR premiered at the Uganda National Theatre in 1963 and went on to be performed in Kenya, Ghana, Tanzania and the USA. The play centres on the issue of female genital mutilation. The main character is Mariana, a former prostitute who tries to help girls escape female genital mutilation, which she regards as a "brutal custom". She advocates for alternative forms of initiation that can empower girls. Mariana is opposed by other women, who claim to be acting on behalf of the community's elders. The play ends with Mariana being shamed for having an illegitimate child and losing her status. In 1964, a second play by Njau, In the Round Chain, was performed before being banned by the Ugandan government.******

CHAPTER THIRTEEN of the FIRST EPISTLE to the CORINTHIANS WRITTEN by PAUL the APOSTLE.

FINE PRINTING, DESIGNED, ILLUMINATED and PUBLISHED by MARY MOULTON CHENEY, [Chemith Press], Minneapolis, MCMIII (1903).

HAND SIGNED by MARY MOULTON CHENEY on the limitation page. One of only 500 copies: "This Book is number 137 of 500 copies which have been made".

Hardcovers, cloth covered boards with a color illustration by Mary Moulton Cheney on both the front and rear cover, 5.25x9.5 inches, 14 pages (7 leaves) printed on heavy stock watermarked paper (Strathmore). Each page is beautifully HAND ILLUMINATED with GOLD, GREEN, RED and BLACK. The colors are brilliant and the gold glitters.

From the Colophon page (the last page): "This book was printed by Hahn and Harmon, bound by A. J. Dahl & Co., published by Mary Moulton Cheney at Minneapolis, Minnesota". The illuminations and designs are by Cheney, her printed initials "M. M. Cheney" are on the covers and the Colophon page.

VERY GOOD Condition: The covers are toned, lightly soiled, have a few spots, and have slight wear at the corner tips and spine ends, but are solid and attractive; the inner pages are lightly toned, are cracked at the hinge at one or two places but holding well, the illuminated pages are BRILLIANT!

A gem with gorgeous illumination by Mary Moulton Cheney.

About MARY MOULTON CHENEY and her CHEMITH PRESS(from Wikipedia):

******Mary Moulton Cheney, b.1871 d.1957, was a Minneapolis based artist, designer, publisher and bookbinder associated with the Arts and Crafts movement. In 1897 she opened a printmaking shop with Mary Marsh Smith named The Artcraft Shop: Sign of the Bay Tree. It was one of the first all woman private presses in the United States, making books, pamphlets, and bookplates. In 1902 she expanded into bookbinding and founded The Chemith Press which produced uniquely designed and finely printed books and pamphlets.

Cheney was also an influential figure in the development of the Minneapolis College of Art and Design. In 1897 she organized the college's first course on design. She went on to become the principal of the college's design department, then the Dean of Women, and finally served as the college's president from 1917 to 1925.******

TSUNEKO NAKAZATO EXHIBITION CATALOG Award Winning Japanese Female Writer - PHOTOS, MANUSCRIPTS, MEMORABILIA Kanagawa Museum 1989

TSUNEKO NAKAZATO EXHIBITION CATALOG including Manuscripts, Books, Photos, and Personal Memorabilia. The exhibition, THE HEART OF THE STORY, was held at the Kanagawa Modern Literature Museum in 1989. The catalog was published by the Kanagawa Literature Promotion Foundation in conjunction with the exhibition. First Edition. TEXT IN JAPANESE.

Softcovers, 7x10 inches, 32 pages. FULLY ILLUSTRATED.

NEAR FINE condition, tight, bright, clean and unmarked.

About TSUNEKO NAKAZATO (from Wikipedia):

******Tsuneko Nakazato, b.1909 d.1987, was the pen name of a novelist in Showa period Japan. Her real name was Nakazato Tsune.

Nakazato was born in Fujisawa city, Kanagawa prefecture and graduated from the Kanagawa Girls' Higher School. When she was 17 years old she met Tatsuo Nagai and started writing, publishing multiple novellas before her marriage at age 19.

In 1938, Nakazato became the first woman to win the prestigious Akutagawa Prize, with her short story Noriai bashi. After World War II, she came to be known for a number of works addressing the issue of international marriage, including Mariannu monogatari (Maryann's Story, 1946) and Kusari (Chain, 1959), which were drawn from her own daughter's marriage to an American. Her novel Utamakura (Song Pillow, 1973) was awarded the Yomiuri Prize. In 1974, she received the Japan Art Academy Prize, and became a member of that institution in 1983.

Nakazato was a resident of Zushi, Kanagawa from 1932 until her death due to colon cancer in 1987. Her grave is at the temple of Engaku-ji in Kamakura.******

UNFINISHED POEMS by MARIANNE MOORE. The Rosenbach Foundation, Philadelphia, 1972.

Photocopied pages, plastic spiral bound, 8.5x11 inches, 76 pages printed on one side only. VERY GOOD condition, the front and rear clear plastic covers are age toned and a bit soiled, the inner pages are lightly toned, the photocopied pages have many of the usual early copy machine lines, spots and changes in clarity. Overall a wonderful look at Marianne Moore's unpublished and often incomplete poems.

SCARCE. In 1972, the year Marianne Moore died, the Rosenbach Foundation realized it was necessary to get copyrights for Moore's unpublished poems, none of which were copyrighted at the time. The result, apparently, was this photocopied publication that was put together by the Rosenbach Foundation for the sole purpose of being sent to the Library of Congress for copyright protection.

In 1972 Patricia C. Willis was curator of the Marianne Moore papers at the Rosenbach Foundation. Here is what she wrote in 2015 about this 1972 photocopied collection of "Unpublished Poems" that she assembled for copyright protection (taken from the Internet):

"When as curator of the Moore papers at the Rosenbach I first sorted the poetry manuscripts...I saw that each was typed with Moore's typewriter of the time on the blue stationary that she customarily used for poems she sent to little magazines and most bore her Carlisle return address in the upper left corner. With the permission of her estate, I prepared a photocopy edition of "Unfinished Poems" in order to secure copyrights for her unpublished poems... - Patricia C. Willis, November 16, 2015."

I have no idea how many of these "Unpublished Poems by Marianne Moore" were put together for internal distribution at the Rosenbach, but it is the only copy I have or have ever seen.

************************************** From Wikipedia and various Internet sources:

Marianne Craig Moore, b.1887 d.1972, was an American modernist poet, critic, translator, and editor. Her poetry is noted for formal innovation, precise diction, irony, and wit.

The Rosenbach Foundation's literary collection includes virtually all of the manuscripts and papers of Marianne Moore (1887-1972), as well as her personal library, thousands of photographs, and the contents of her Greenwich village living room, thus making the Rosenbach the undisputed center for the study of Marianne Moore.

Patricia C. Willis is the author and editor of a number of books on Marianne Moore. She worked at the Rosenbach Foundation and later at Yale's Beinecke Library as its Elizabeth Wakeman Dwight Curator of the Collection of American Literature.

Clive E. Driver, whose name is on the copyright page, was the Literary Executor of the Estate of Marianne C. Moore. He worked at the Rosenbach Foundation and has written a number of works published by the Foundation. **************************************