WAR AND THE HOLOCAUST, by ILLAN PALAT.

TEXT IN RUSSIAN, except for an 8 page section in English.

Self published, San Francisco, 2004. Printed by Anzori Printing.

Softcovers, 8.5x11 inches, 211 pages. Illustrated with some b&w photographs.

VERY GOOD condition, just lightly used, tight, bright, clean, clear and unmarked.

About the author ILLAN PALAT (from the BLAVATNIK ARCHIVE website):

******Illan Palat was born on April 10, 1924, in Ukraine. When he was three, his family had their property confiscated and was forced to move to the Jewish Autonomous Oblast. They lived and worked in Birofeld, a local kolkhoz, until Palat's father learned accounting and relocated his family to Birobidzhan. Palat was drafted in October 1942, underwent infantry training, and was sent to the front. His first combat experience was in the Battle of Kursk, where he fought on the front line in a 45mm anti-tank artillery unit. The battles were brutal, and Palat's unit suffered heavy losses. There were intermittent shortages of food and water, but there was also a strong sense of camaraderie among all soldiers, regardless of their backgrounds. In late 1943, Palat was severely wounded in the leg; he was saved by another solider, who carried him off the battlefield and into a local house. After eight months of hospitalization and multiple surgeries, Palat returned to Birobidzhan on crutches. Of the forty-three young men who were drafted from Birobidzhan with him, only two would come back. After demobilization, Palat worked as a watchmaker in Birobidzhan, until doctors advised him to move to a warmer climate because of his wound. In 1947, Palat moved to Tbilisi, Georgia, where he worked in construction. In 1977, he moved to United States and lived in New York and San Francisco. In addition to working as a contractor, he wrote the books A SOLDIER FROM BIROBIDZHAN and THE WAR AND THE HOLOCAUST.******

WILL DISBURSEMENTS & PERSONAL PROPERTY VALUATION related to THE WASHBURN FAMILY of NEW YORK: FRANK S. WASHBURN, b. 1855 d. 1922;

IRENE RUSSELL WASHBURN, b. 1856 d. 1957; ELIZABETH R. WASHBURN, b. 1906 d. (?). Frank S. Washburn, b. 1855 d. 1922 at age 67, founded CYANAMID CORP. in 1907 and was its President and Chairman of the Board. He was a Cornell Graduate, class of 1883. He was a Trustee of Cornell from 1895 to 1902. This Lot Consists of Two Multi Page Legal Documents: (1) IRENE RUSSELL WASHBURN as Trustee of the trust created for ELIZABETH R. WASHBURN under the Last Will and Testament of FRANK S. WASHBURN, deceased. ACCOUNT OF PROCEEDINGS OF TRUSTEE. Carbon typescript in legal paper covers, prepared by Forrest Hyde, Attorney, 30 Rockefeller Plaza, New York. Signed by Elizabeth R. Washburn and Irene Russell Washburn. Also signed by a Westchester County, New York, Notary Public, along with his official bindstamp. 24 pages, carbons, 8.5x12 inches, paper blue lined at the margins, stapled at the top, in a blue paper cover, folded for filing. Contains lots of monetary disbursements, sales and purchases of various stocks and bonds (including lots of Cyanamid Corp), dividends, etc. Dated, where signed by the Washburns, March and April 1936. VERY GOOD condition, some creasing to the edges of the covers, signs of handling to the pages, otherwise a solid document with printing that is bright, clean, clear and fully legible. (2) ESTATE of IRENE RUSSELL WASHBURN. Carbon Copy of a Professional Valuation of the Personal Property of Irene Russell Washburn, taken after her death, and dated January 1957. This piece by piece valuation was undertaken by a Professional Auctioneer retained by the Guaranty Trust Company of New York. 12 pages, carbons, 11x16 inch paper, stapled at the top. The personal property is in sections by room, i.e. LIVING ROOM, KITCHEN, UPSTAIRS FOYER, and sometimes by category, i.e. STERLING SILVER. Only FAIR condition, the paper has browned, some of the carbon typescript is blurred and hard to read, the pages are all tearing and chipping at the bottom blank margin and some at the top margin as well, there are relevant handwritten notes and marks throughout, there are numerous folds where this has been folded into a small size. Nonetheless a complete and interesting inventory valuation of the entire personal property of Irene Russell Washburn at the time of her death in 1957. Dated January 1957, the year of the death of Irene Russell Washburn.

WHERE'D YOU GO BERNADETTE, by Maria Semple.

ADVANCE READING COPY / UNCORRECTED PROOF.

Published by Little, Brown and Company, New York, 2012. This Advance / Proof has the FIRST EDITION statement and the number line starting at "1" on the copyright page but was printed PRIOR to the release of the book. The front cover has the statement "Coming in August 2012" and the back cover has upcoming marketing and promotion information.

SOFTCOVERS, 6x9 inches, 326 pages.

GOOD condition, there is a crease to the bottom front corner of the book, leaving a crease to that corner of the covers and inner pages; there is some edge and spine end wear; otherwise just lightly used, the spine is smooth, the pages are tight, bright, clean, clear and unmarked.

The Little, Brown & Company Advance Reading Copy / Uncorrected Proof of this book is hard to find.

The book is GREAT, the movie is mediocre.

SINGLE SOURCE : The EARLY POEMS (1934-1940), by WILLIAM EVERSON (aka Brother Antoninus). Introduction by Robert Duncan.

Published by Oyez, Berkeley, 1966. First Edition, FIRST STATE, with the typo "langauge" instead of "language" on page ix.

Hardcover Book in Dustjacket, cloth covered spine and paper covered boards, gilt lettering on spine, 6x9.5 inches, 105 pages plus Colophon page (the last page).

Limited edition, one of only 1,000 copies. From the Colophon page: "SINGLE SOURCE has been designed & printed by Graham Mackintosh in an edition of 1000 copies..."

Though not called for, this copy is SIGNED and INSCRIBED by BROTHER ANTONINUS to DENNIS TURNER (a San Francisco Doctor who was a Friend of Many Poets and Artists, and who was also a Fine-Printer in his early days at Harvard; he died in 2013):

"for Dennis / with the best wishes of / Brother Antoninus / Good Friday 1968 / Cambridge, Mass."

Laid-in is the single fold, four panel prospectus for this book

Condition: The book has a circular blindstamp of Dennis Turner (to whom Brother Antoninus inscribed this book) on the title page, and a bookseller's label at the bottom of the front pastedown (Grolier Book Shop / Cambridge); otherwise a NEAR FINE book, tight, bright, sharp cornered, and clean; in a GOOD MINUS dustjacket with scrapes, edge wear, a pea-size hole, a couple 1" closed tears, and some rubbing and soiling.

FIVE WILLIAM T. WILEY ART EXHIBITION CATALOGS, plus a Memorial Tribute pamphlet.

TWO of the ART EXHIBITION CATALOGS are SIGNED & INSCRIBED by WILEY to his good friends MICHAEL and SANDRA GOOD.

(The items come from the estate of MICHAEL and SANDRA GOOD. Sandra Good, a noted bookbinder, was a past President of the Hand Bookbinders of California. Michael Good was an antiquarian bookseller and a one time President of the ABAA.)

The catalogs are in GOOD to VERY GOOD condition, the Robert Hudson / William Wiley catalog is scraped and worn at the spine, otherwise the items just show light signs of handling and age.

The exhibition catalogs are:

STRUCK! SURE? SOUND / UNSOUND. Wm. T. Wiley. The Corcoran Gallery of Art, Washington D.C., 1991. Softcovers, 7x11 inches, 44 pages. Illustrated. SIGNED & INSCRIBED by WILEY on the half-title page: "For Mike and Sandy / Love / Wiley / 91".

ROBERT HUDSON: SCULPTURE / WILLIAM T. WILEY: PAINTING. Rose Art Museum, Brandeis University, Waltham, Massachusetts, 1991. Softcovers, 10x11 inches, 50 pages. Illustrated. SIGNED & INSCRIBED by WILEY on the front endpaper: "For the GOODS / With Love / Wiley / 91".

WILLIAM T. WILEY - AFTERBURNER. Rena Branstein Gallery, San Francisco, 1994. Softcovers, 8.5x11 inches. Illustrated. 32 pages.

STEAL THE WITNESS FOR THE TIME BEING. William T. Wiley. Fuller Goldeen Gallery, San Francisco, 1984. 8.5x11 inches. Illustrated. 31 pages.

WILLIAM T. WILEY - SELECTIONS FROM TWO EXHIBITIONS. John Berggruen Gallery, San Francisco; Charles Cowles Gallery, New York. 2007. 10x10 inches. Illustrated. 72 pages.

PLUS:

A Celebration of the Life of William T. Wiley - San Geronimo Valley Community Center, July 17, 2021. Small, single fold pamphlet (4 pages), 5.5x8.5 inches.

WITCHCRAFT: CATALOGUE OF THE WITCHCRAFT COLLECTION IN THE CORNELL UNIVERSITY LIBRARY. Edited by Martha J. Crowe; Introduction by Rossell Hope Robbins; Index by Janes Marsh Dieckmann.

Published by Kto Press / Kraus-Thomas, Millwood, New York, 1977. First edition.

Hardcovers, red cloth covered boards, gilt spine titles, 9.5x12 inches, xxcviii, 644, [8]. A comprehensive catalogue of the 3,000+ titles in the collection, no illustrations.

GOOD condition: The covers are lightly soiled; internally, "MASTER SET - Do Not Remove From Shelf" is stamped near the top of the front free endpaper, overstamped with "WITHDRAWN", otherwise the pages are tight, bright, clean, clear and unmarked.

An important bibliographical reference for that Witch in your life or soul.

From the Cornell University Library website:

******Part of Cornell University Library's Division of Rare and Manuscript Collections, Cornell's Witchcraft Collection contains over 3,000 titles documenting the history of the Inquisition and the persecution of witchcraft, primarily in Europe.

The majority of the Witchcraft Collection was acquired in the 1880s through the collaborative efforts of Andrew Dickson White, Cornell's first President, and his first librarian, George Lincoln Burr. The collection documents the earliest and the latest manifestations of the belief in witchcraft as well as its geographical boundaries, and elaborates this history with works on canon law, the Inquisition, torture, demonology, trial testimony, and narratives. The collection focuses on witchcraft not as folklore or anthropology, but as theology and as religious heresy.

It features many early texts from the period when the theory of the heresy of witchcraft was being formulated, including fourteen Latin editions of the Malleus maleficarum, which codified church dogma on heresy. Four of these Latin editions were printed in the fifteenth-century, most notably the scarce first edition printed before April 14, 1487. The collection also contains other defining texts of the doctrinal discussion of demonology, such as Jean Bodin's De la Demonmanie des sorciers (1580), Nicolas Remi's Daemonlatreiae (1595), Henri Boguet's Discours des sorciers(1602) and Pierre de Lancre's Tableau de I'inconstance des mauvais anges (1612).

Significant in the collection are a small and extremely rare number of works by theologians who opposed the Inquisition, such as those of Cornelius Loos, the first theologian in Germany to write against the witch hunts. The most important materials in the Witchcraft collection, however, are the court records of the trials of witches, including original manuscript depositions taken from the victims. These documents, in both original manuscript and in print, reveal the harsh outcome of the more remote doctrinal disputes. Perhaps the most significant of all manuscripts in the Witchcraft collection is the minutes of the witchcraft trial of Dietrich Flade, a sixteenth century city judge and rector who spoke out against the cruelty and injustice of the persecutions in the 1580s. These and other trial documents are listed in the collection's finding aid.

In the 21st century, curators began building on AD White's witchcraft collection by acquiring modern materials such as posters and publicity for films featuring witches or sorcery, and newsletters on the activities of contemporary Wiccan and Pagan communities.******

WONDERLAND '98. READ IT THEN PROFIT BY YOUR READING AND GO AS SEE IT. REACHED BY THE NORTHERN PACIFIC RAILWAY. Text by Olin Wheeler.

ST. PAUL: Northern Pacific Railway / Chas. S. Fee, 1898

Pictorial wrappers with a bare-breasted goddess of fertility, two naked cherubs, and a cornucopia on the front cover, 6.75x9.75 inches (25x17.5 cm), 103, [5] pages. Illustrated throughout with drawings, photographs, and full-page maps.

Promotional publication promoting the Northern Pacific Railway route and the lands and National Parks it crossed. Issued yearly.

GOOD condition: The covers have edge wear, tears and chips to the spine, and a small corner piece missing from near the bottom of the spine, but the front and rear wrapper images remain bright and clear. Internally, there is some professional reinforcement to the inner hinges, making this a solid, well bound copy; the pages are tight, bright, clean, clear and unmarked.

The original 1898 issue of Wonderland '98 with the art-deco bare-breasted fertility goddess cover is quite hard-to-find.

WOVEN WIRES: the ART of MODERN ZULU WIRE WEAVING, by Laura Ponter, illustrated by Camille Stabler.

SIGNED and INSCRIBED by the AUTHOR on the first page: "To Florence Graham / The weave of freedom begins with simple thoughts and basic materials and a spirit of humanness / Laura Ponter".

Published by Spirits in Stone Press, Glen Ellen, California, 2008. First Edition, so stated. ISBN: 9780615214177.

Softcovers, 9x10 inches, 64 pages. Illustrated throughout.

VERY GOOD condition, just lightly used, tight, bright, clean, clear and unmarked. A solid, very nice copy.

From the rear cover: "Woven Wires is an introduction to the history, technique and beauty of the modern art of weaving with wires. It is one person's journey into the growing craft art of the Zulu people of South Africa."

YOSHIO TANIGUCHI - NINE MUSEUMS, by Terence Riley and Yoshio Taniguchi. Published by the Museum of Modern Art, New York, 2004. First edition. Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, November 20, 2004 - January 31, 2005...The exhibition is supported by AGNES GUND and DANIEL SHAPIRO.

SIGNED & INSCRIBED ASSOCIATION COPY. SIGNED and WARMLY INSCRIBED by both the Author, TERENCE RILEY, and the Architect, YOSHIO TANIGUCHI, to DANIEL (Daniel Shapiro) & AGGIE (Agnes Gund) on the half-title page:

"For Daniel & Aggie / With gratitude for all you have done and for your friendship. / Terence Riley / Nov. 17, 2004" along with Yoshio Taniguchi's small inscription in Japanese and his signature in English. Terence Riley inscribed, signed and dated the book in black felt tip pen; Yoshio Taniguchi signed and inscribed in blue ink.

AGNES GUND, b.1938, is a renowned ARTS PATRON, MUSEUM OF MODERN ART PRESIDENT EMERITA, and PROGRESSIVE PHILANTHROPIST. Her second husband was Daniel Shapiro. Agnes Gund was a member of the selection committee that chose YOSHIO TANIGUCHI to be the architect to redesign the Museum of Modern Art, New York.

Hardcover Book in Dustjacket, 10x10 inches (25x25 cm), 212 pages with 239 illustrations, 140 in color. The book covers the eight Japanese museums Taniguchi designed, and his redesign of New York's Museum of Modern Art..

Condition: VERY GOOD book, just lightly used, tight, bright, clean and clear; in a VERY GOOD dustjacket that has some shelf rubbing. A solid, lovely copy.

RARE and UNIQUE SIGNED & INSCRIBED copy with an ASSOCIATION to AGNES GUND and THE MUSEUM OF MODERN ART.

About TERENCE RILEY (from his NYT 2021 obituary):

******Terence Riley, Architectural Force in the Museum World, Dies at 66. He was instrumental in bringing to fruition two of the most important works of 21st century museum architecture.

As the chief curator of architecture and design at the Museum of Modern Art, Mr. Riley helped select and guide the Tokyo based architect Yoshio Taniguchi in the Museum's $858 million expansion, which was completed in 2004.******

About AGNES GUND (from Wikipedia):

******Gund joined MoMA's International Council in 1967; she then joined the Board of Trustees in 1976 and served as its President from 1991 until 2002. She serves on the boards of the Cleveland Museum of Art, the Foundation for Art and Preservation in Embassies, and the Morgan Library and Museum.

A civic leader and staunch supporter of education, women's issues and environmental concerns, among other causes, Gund is the former Chair of the Mayor's Cultural Affairs Advisory Commission of New York City, a former member of the New York State Council on the Arts, and has served on the boards of such wide ranging organizations as the Aaron Diamond AIDS Research Center, the Andy Warhol Foundation, the Barnes Foundation, Chess in the Schools, the Frick Collection, the Foundation for Contemporary Art, the Fund for Public Schools, the J. Paul Getty Trust, and the Robert Rauschenberg Foundation.

In 1997, Gund received the National Medal of Arts from President Bill Clinton, the highest award given to artists and arts patrons by the U.S. government. In 1998, Gund received the Golden Plate Award of the American Academy of Achievement. In 2011, Gund was nominated by President Barack Obama as a member of the Board of Trustees of the National Council on the Arts. In 2016, she was elected Honorary Fellow of the Royal Academy of Arts.******

In 2018 the New York Times wrote a long, glowing article about Agnes Gund titled: "Is Agnes Gund the Last Good Rich Person?" The article can be found online, well worth reading.

INTERNATIONAL BIDDERS PLEASE NOTE: This book will require additional shipping charges. After placing your order you will be notified of the charges and be able to accept or reject them before payment is taken. Thanks!

CAREER MATERIALS OF PROF. YUYU YANG: LIFESCAPE SCULPTURE 1952-1988. YUYU YANG (aka YANG YING-FENG) was one of the leading contemporary sculptors in Taiwan. He was also a noted

landscape architect, art theorist, writer, and educator. This book is a compilation of newspaper and magazine articles published between 1952 and 1988 about the sculptor and his works. Each article is reproduced as it originally appeared and in its original language, either Chinese or English. Softcovers, gilt titling on the front cover and spine, 10x14.5 inches oblong.

Illustrated throughout with b&w illustrations reproduced from the original newspaper and magazine articles. VERY GOOD condition, just lightly used and still tight, bright, clean and unmarked. An interesting chronological / biographical look at the life and works of Yuyu Yang as seen through the eyes of others who wrote articles about him and his works. About YUYU YANG: YUYU YANG (aka YANG YING-FENG), b. 1926 d. 1997, was a renowned TAIWANESE SCULPTOR, ENVIRONMENTAL DESIGNER and ARCHITECT. Yang produced more than a thousand works during his lifetime, ranging from prints, sculpture, and laser art, to landscaping and architectural designs, many of which were award winning and exhibited throughout the world. He also wrote more than 20 books on art. INTERNATIONAL BUYERS PLEASE NOTE: This is a large, heavy book, that will require additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Thanks.

ZAGATO - Magnificent Italian Sports Cars - Illustrated History - Two Volumes in Slipcase - Text in ITALIAN and ENGLISH -

(1) ZAGATO SEVENTY YEARS IN THE FAST LANE, by Michele Marchiano. Illustrates ZAGATO sports car production and racing events from 1919-1989. First published in 1989, the book was reprinted to accompany the second volume in this two volume set.

(2) ZAGATO 1990-2000, by Joanne Marshall. Shows Zagato sports car, and some fast trains, designed from 1990-2000.

Published by Georgio Nada Editore, Milan, Italy, 2000.

Hardcover Books in Dustjackets, 10x11 inches, 182 and 112 pages respectively. Both volumes illustrated throughout, V1 in b&w, V2 in color. Both volumes together in a slipcase.

Condition: Both books are in FINE condition, sharp cornered, tight, bright, clean and unmarked; both in NEAR FINE dustjackets, lightly signed at the spine, a touch of handling. Together in a solid and bright slipcase. Overall a beautiful set.

Acquired from the estate of MARK KETCHAM, a well-known rare sports car collector, vintage racing car broker (Ketcham Imports), and winery owner (Ketcham Estate, Healdsburg, California).

ZANE GREY and HENRY WALLACE PHILLIPS - TWO MANUSCRIPT LETTERS by TWO WRITERS OF WESTERNS, laid into a SIGNED BOOK by H.W. Phillips. THE WRITERS DID NOT LIKE EACH OTHER.

(1) Letter from ZANE GREY to HENRY PHILLIPS regarding Phillips telling people that Grey writes his books with the intent that they be turned into movies, and stating that he, Phillips, taught Grey how to do so. The letter is written on a folded single sheet of paper (making 4 pages) and written on 3 of the 4 pages. It is addressed to Mr. Henry Phillips, New York City, and has the return address of Middletown, N.Y. It only has the month and day, March 26, and not the year. The letter reads in part:

"I have been informed that you have used my name in talks on moving-pictures, etc. - claiming that I came to you to learn how to write my books so they would be adaptable to the screen...I have never written a line in the interest of moving-pictures...different people claimed they heard you...if it is true please do not do that any more...And please consider how embarrassing it would be for you if I happened to drop in somewhere and hear you make such a statement...Yours sincerely / Zane Grey."

Zane Grey has had more films made based on his books than perhaps any other author in history, yet in this handwritten letter he states that he has "never written a line in the interest of motion-pictures". Uh, ok then.

(2) An unrelated letter from HENRY PHILLIPS to a MR. BURKHARDT. In the letter Phillips states he will not participate in an upcoming dinner (presumably to be attended by hopeful authors) but instead sends his advice about writing in this letter. The letter is written on a folded single sheet of paper (making 4 pages) and written on 2 of the 4 pages, it is dated April 10, '05. The letter reads in part:

"...The most practical help I can offer towards the object of the dinner is to turn out stuff that will sell - I defy anyone to dispute that. It is so simple that even I can understand it. And as I am the sort of person who would often rather do other things than write I have to keep close to my job...Sincerely / H. W. Phillips."

Though not directly related to the Zane Grey letter, one can sense why Grey is filled with anger towards Phillips. Grey's letter shows how serious he is about his writing, and Phillips' letter shows how flippant he is about writing, saying how easy it is for anyone to write [including Grey] and to only do it for money [which means for the movies, I suppose].

(3) BOTH LETTERS are laid into a WESTERN novel by HENRY WALLACE PHILLIPS. The book is SIGNED by H. W. PHILLIPS on the front free-endpaper. The book is: RED SAUNDERS: His Adventures West & East. Published by McClure, Phillips & Co., New York, eighth printing, 1907. Hardcover book, no dustjacket as issued, 210 pages.

****************************

CONDITION: Both of the letters are in VERY GOOD condition, some old folds, overall solid, bright and clear. The book is in GOOD condition, some scrapes and marks to the covers, fading to the spine, internally, some inner hinges are cracked but holding, overall the pages are bright, clean and unmarked.

THE OLD WEST HAD SIX GUNS, THESE COMPETING WESTERN WRITERS HAD POISON PENS.

About ZANE GREY (from Wikipedia):

******Pearl Zane Grey, b.1872 d.1939, was an American author and dentist. He is known for his popular adventure novels and stories associated with the Western genre. Riders of the Purple Sage (1912) was his bestselling book. In addition to the success of his printed works, his books have second lives and continuing influence adapted for films and television. HIS NOVELS AND SHORT STORIES WERE ADAPTED INTO 112 FILMS.******

About HENRY WALLACE PHILLIPS (found on a Google Books Internet site):

******Henry Wallace Phillips, b.1869 d.1930, was a revered American author remembered for his depiction of Western frontier life. His literary oeuvre is best symbolized by his book Red Saunders******

ZERO GUTAI KUSAMA. Catalogue for the Exhibition that took place at Bonhams, London, from October 11 through October 20, 2015.

Softcovers, 8x10 inches (19.5x26 cm), 119 pages. (Bonhams, London 11 - 20 October 2015).

Illustrated throughout in color and b&w.

FINE condition, tight, bright, clean and unmarked.

From the Bonhams announcement of the show:

****** 20 masterpieces by the Gutai and ZERO groups from a private collection on exhibition at Bonhams from October 11 through October 20.

Works by Yayoi Kusama, including Macaroni Shirt, Red Dots and Phallic Bottle Tray, will also be on show.

Bonhams is to display lost masterpieces from a private collection by Gutai and ZERO groups for the first time since the 1960s. It offers an opportunity to reassess these ground breaking art movements, both of which have recently been in the spotlight in exhibitions such as Zero: Countdown to Tomorrow at The Guggenheim, New York. Writing about the groups for Bonhams Magazine, Serpentine Co-Director, Hans Ulrich Obrist described the emergence of these artists as one of the great moments of the avant garde in the post war era.

Bonhams Head of Contemporary Art, Ralph Taylor, says, "To have the opportunity to host this museum quality collection at Bonhams is a rare and wonderful privilege. It is exactly where Bonhams excels; demonstrating connoisseurship and using the profile of an auction house to rediscover forgotten masterpieces and to champion the very best in Post War & Contemporary art."

Among the works to be on view in Bonhams headquarters on New Bond Street are: Three works from Yayoi Kusama's first solo European show in 1965: Macaroni Shirt, Red Dots and Phallic Bottle Tray; Kazuo Shiraga's Red Fan; A suite of four early and delicate works by Jan Schoonhoven; A large piece by Günther Uecker from 1967.

The first time ZERO and Gutai art were shown together was at the 1965 Stedelijk Museum's Nul exhibition. In 2006, this Nul 1965 show was reconstructed in the ZERO exhibition at Museum Kunst Palast in Düsseldorf. This was the beginning of the revival in both ZERO and Gutai we have witnessed today.******