HEROIC EROTICS: THE ANATOMY OF MISOGYNY IN THE ARS AMATORIA, by Laurie J. Churchill. An Original PhD Thesis.

Thesis submitted to the faculty of the Graduate School of the University of California, Santa Cruz, in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in LITERATURE.

Self published, Laurie J. Churchill, June 1985.

Printed paper covers, copy shop type printing, 8.5x11 inches, 163 pages, pages printed on one side only.

VERY GOOD condition, the covers are lightly toned, overall tight, bright, clean, clear and unmarked.

After graduating with a PhD. Laurie J. Churchill went on to become lead editor of the major scholarly work: "Women Writing in Latin: Women Writing Latin in Roman Antiquity; Women Writing Latin in Late Antiquity; and Women Writing Latin in the Early Christian Era" (Routledge, 2002). She has also written numerous articles on classical literature and feminist pedagogy.

IVONNE BAKI - PAINTINGS of WOMEN of the MIDDLE-EAST..

Ivonne Baki is primarily known for being a diplomat, politician and the first female Ambassador from Ecuador. She was an ambassador to Qatar and later to the United States. BUT she is also an artist. This book catalogs some of her paintings of Middle-Eastern Women (she lived 19 years in Lebanon where she raised her family) as well as promotes her as an artist.

SIGNED & INSCRIBED by IVONNE BAKI on the inside front cover, below her photo: "Muy estimado Fred, Con todo cariño y amistad! Te deseos stempu felicidad! / Ivonne / Dec. 7th, 1991". Baki also wrote a sentence in Arabic below the Spanish inscription.

Softcovers, 8.5x11.5 inches, 46 pages. TEXT in FRENCH and ENGLISH.

ILLUSTRATED with 6 reproductions of Baki's paintings, a photograph of a young Baki at work, and a photograph of Baki on the inside front cover. The book also contains listings of her exhibitions, works in private collections, press articles, etc.

GOOD condition, the covers are pulling from the inner text block due to weak glue, but the sewn text block remains tightly bound; otherwise bright, clean and clear.

Publisher not stated, perhaps self-published; printed by NAHHAL, Beirut, Lebanon, c.1991 (the date of the inscription).

An unusual item from a formidable Ecuadorian woman.

About IVONNE BAKI (from Wikipedia):

******Ivonne Leila Juez Abuchacra de Baki (aka A-Baki), b.1951, is an Ecuadorian politician and diplomat. She is most known for her time as the Ecuadorian Minister of Industries and Productivity and as the President of the Andean Parliament. She is Ecuador's former Ambassador to Qatar and the United States. She is currently the Ecuadorian Ambassador to France. She was the first female ambassador in Ecuadorian history. She is fluent in Spanish, English, French, German and Arabic.

In 1998, she became the first woman in Ecuadorian history to represent her country in Washington as ambassador, and four years later, the first woman ever to run for president. A-Baki, as she is commonly known, spent 19 years in Lebanon, living through Lebanon's brutal 1975-90 civil war, and more recently has witnessed Ecuador's rapid slide into violence and gang warfare.

Yet "my first identity is as an artist," A-Baki told The Washington Diplomat some 25 years ago. "Art opens the right and left sides of your brain. It helps you see the whole picture. Music, poetry, painting and dancing make you more human. In order to be in politics, you have to be human. And that's what art does for me."******

UN PORTRAIT D'APRÈS NATURE - ou l'histoire telle qu'on la crée. A monograph on the Belgian Female Surrealist Artist JANE GRAVEROL, by the surrealist poet PAUL NOUGÉ.

SIGNED and INSCRIBED by JANE GRAVEROL in FRENCH on a blank prelim page. Graverol's inscription thanks a friend for their kindness and companionship during her trip to New York and Washington. Ends with: "Très affectueusement / Jane Graverol / Mai 1963".

PARIS: Le Soleil Dans La Tête, 1955.

Wrappers / Softcovers, 5.5x7.5 inches (14x19 cm), 126 pages. Illustrated with 30 b&w reproductions of Graverol's surrealistic art works (28 in-text and two on the covers).

Condition: The covers are soiled, sunned, smudged, peeling at the spine, and starting to pull from the text, nonetheless they are present and still doing their job. Internally the pages are nice, lightly toned at the margins, otherwise bright, clean, clear and unmarked, and the sewn binding is holding the pages of text together well. Graverol's inscription is bright and bold.

Scarce with the Signature and Inscription of the sadly overlooked female Belgian surrealist artist, Jane Graverol.

About JANE GRAVEROL (from Wikipedia):

******Jane Graverol, b.1905 d.1984, was a Belgian surrealist painter. She started painting between 1920 and 1930, before the rise of surrealism and before she adapted the surrealist style she is known for today. She began to exhibit her work in 1927.

Graverol was closely linked to the development of surrealism in Belgium. She would considered her canvases to be "waking, conscious dreams". Her encounters after the war with René Magritte, Louis Scutenaire, Paul Nougé, and then Marcel Mariën, with whom she collaborated on the periodical "Les Lèvres Nues", reconfirmed her belief in surrealism. Her painting La Goutte d'Eau is a collective portrait of the Belgian surrealists. Her paintings offered an original, dreamy version of feminine sensibility, painted with a figurative technique that was both precise and cold.******

About PAUL NOUGÉ (from Wikipedia):

******Paul Nougé, b.1895 d.1967, was a Belgian poet, founder and theoretician of surrealism in Belgium, sometimes known as the "Belgian Breton".******

John Fitzgerald Kennedy was a strong ally of the International Ladies' Garment Workers Union (ILGWU) and had worked with Union President David Dubinsky on many important issues. JFK's assassination affected everyone and the editors of Justice printed a Memorial Edition which also included a Message of Support to Lyndon Baines Johnson from Dubinsky. JUSTICE was the official publication of the ILGWU from 1919 to 1995.

JUSTICE: International Ladies' Garment Workers Union. Volume 45, Issue 23, December 1, 1963. Published by the ILGWU, Jersey City, New Jersey, David Dubinsky President, Leon Stein Editor. Newspaper, 4 large leaves vertically folded into 8 pages, 16.5" x 11.5". Folded horizontally as issued. This original 1963 newspaper is in VERY GOOD CONDITION: small mailing label pasted to front page margin with penned number beneath, wear and small tears to the vertical fold but holding well, toning as normal and some light signs of age and use, otherwise tight, bright, clean and unmarked. A scarce JFK Memorial issue of this pioneering woman's labor union journal.

This JFK Memorial Edition features a full page portrait of JFK with a black memorial border on the front page, inside, within a black memorial border is President Kennedy's Inaugural Address delivered on January 20, 1962 with a b&w photograph of him speaking from the White House balcony. This is followed by the text of JFK's speech before the Convention of the American Federation of Labor Congress of Industrial Organizations (AFLCIO) in New York City on November 15, 1963, also with a black memorial border and b&w photo of him speaking. The back page shows a b&w photo of LBJ and a Message of Support in his new role as President of the United States sent to him by union leader David Dubinsky.

Founded in 1900, ILGWU was one of the largest and most significant labor unions in the American Labor Movement and one of the first with a primarily female membership. It's role in the history of women and immigrant Jewish and Italian women continues to be relevant today. Justice was published in English, Italian, Spanish, and Yiddish with much variation in content.

***** About the ILGWU from the Kheel Center for Labor Management Documentation and Archives Cornell University Library:

The International Ladies' Garment Workers' Union was founded in New York City in 1900 by mostly Socialist immigrant workers who sought to unite the various crafts in the growing women's garment industry. The union soon reflected changes in the sector and rapidly organized thousands of unskilled and semi-skilled women, mostly Jewish and Italian young immigrants. Exemplifying the "new unionism," the ILGWU led two of the most widespread and best-known industrial strikes of the early Twentieth Century: the shirtwaist makers' strike of 1909 in New York City and the cloak makers' strike of 1910 in Chicago. The union also tried to adapt to the fragmented and unstable nature of the industry. It adopted the "protocol of peace," a system of industrial relations that attempted to ensure stability and limit strikes and production disruption by providing for an arbitration system to resolve disputes.

The ILGWU exemplified the European-style social unionism of its founding members. They pursued bread and butter issues but provided educational opportunities, benefits, and social programs to union members as well. In 1919, the ILGWU became the first American union to negotiate an unemployment compensation fund that was contributed to by its employers. The ILGWU also pioneered in the establishment of an extremely progressive health care program for its members which included not only regional Union Health Centers but also a resort for union workers, known as Unity House. The Union also had an imaginative and pioneering Education Department which not only trained workers in traditional union techniques, but provided courses in citizenship and the English language.

ARCHIVE of ADA CLARK MERRELL, b.1856 d.1934, of RIPON, WISCONSIN (Wife of EDWARD H. MERRELL, second President of Ripon College). COMPILED AND HANDWRITTEN by ADA CLARK MERRELL, circa 1920s - 1950s.

Large, personal, in-depth archive on the genealogy of the Merrill, Clark and Related Families.

Includes 100s of handwritten pages, stuffed scrapbooks, notebooks, letters, etc. An incredibly comprehensive work that must have taken many years to compile and write. The papers and items have been separated into folders, most with an identifying post-it note on the front, likely by a relative or close friend. One post-it note reads; "Genealogy Papers as Found Together in A.C. Merrell's Trunk".

Includes:

Notebook filled with 148 pages of handwritten genealogy on the Clark and related families;

a folder with 25 manuscript pages;

a folder with letters and 25 pages of genealogy information;

a folder with about 54 manuscript pages plus genealogy charts and a Daughters of the American Revolution application;

a folder with 14 letters, 23 manuscript genealogy pages, some programs, and George C. Merrill biographical information;

packet of 20 or so manuscript genealogy papers and documents "found loose in Ada Merrell's Trunk";

more loose papers "found in AC Merrell's trunk" related to the Clark family, and to a Merrell Family Reunion;

a hardcover binder with a post-it title on the front cover that reads: "Ada Clark Merrell's genealogy research - 45 pages mostly handwritten, photos and postcards, DAR documents";

a hardcover binder with a label that reads: "Ada Clark Merrell's genealogy research and some writings, 149 pages plus other items mostly handwritten, a few typed, some clippings".

CONDITION: Lots of flaking to the edges of the old manila folders and some of the more fragile papers, but, with few exceptions, the manuscript pages, letters, documents, etc. are fully legible and in fairly good condition, with expected folds, edgewear, some stains, etc.

PLUS a FIRST EDITION COPY of ADA CLARK MERRELL'S book "LIFE AND POEMS OF CLARISSA TUCKER TRACY". Chicago, R.R. Donnelley & Sons, 1908. Hardcovers, 150 pages. Illustrated. GOOD condition, the title page is pulling from its binding (though still holding well) and there is a small chip to the top edge, otherwise tight, bright, clean and unmarked.

A TREASURE TROVE OF GENEALOGY researched and written by ADA CLARK MERRILL of the NOTED RIPON, WISCONSIN, MERRELL FAMILY.

INTERNATIONAL BUYERS PLEASE NOTE: This archive will require additional shipping charges. After placing your order you will be notified of the charges and be able to accept or reject them before payment is taken. Thanks!

LOVERS' SAINT RUTH'S and Three Other Tales, by LOUISE IMOGEN GUINEY.

BOSTON: Copland & Day, 1895. First edition.

SIGNED and INSCRIBED on the front pastedown by the author to "SKIFF" (likely Frederick W. Skiff, noted book collector). Inscribed as follows:

"Mr. SKIFF : Dear Sir : / The author disclaims, condemns and excommunicates this good-for-nothing output. Not one story of the four holds water, as a story; and each is full of silly aberrations and improbabilities! Ne Autor ultra crepidam. / L. I. G. (signed with initials) / A.D. 1904".

If anyone out there thinks the author was proud of this book her inscription should clear that up!

Hardcovers, decorated cloth covered boards, 5x7.5 inches, 123 pages.

GOOD Condition: The covers' spine is sunned and the spine titles have faded, the front and rear boards are sunned and a bit soiled, and the corner tips are worn, nonetheless the covers are solid, their decorated boards attractive, and they are doing their job well, Internally nice, many of the pages remain uncut, the text block is cracked at a number of places but is holding well with the sewn binding. A solid, presentable copy.

SCARCE with the unusual, self-deprecating inscription to the noted book collector Skiff.

About LOUISE IMOGEN GUINEY (from Wikipedia):

******Louise Imogen Guiney, b.1861 d.1920, was an American poet, essayist and editor, born in Roxbury, Massachusetts. She worked at various jobs, including serving as a postmistress and working in the field of cataloging at the Boston Public Library. She was a member of several literary and social clubs, and according to her friend Ralph Adams Cram was "the most vital and creative personal influence" on their circle of writers and artists in Boston. While in Boston she was believed to be in a "Boston Marriage" (the cohabitation of women, sexual or not) with the author Alice Brown, b.1857 d.1948.

In 1901, Guiney moved to Oxford, England, to focus on her poetry and essay writing. Soon after she began to suffer from illness and in 1920 died of a stroke near Gloucestershire, England, age 59. Much of her work was left unfinished. After Guiney died the noted historian and novelist Eva Tenison became enchanted with her works and in 1921 published "Louise Imogen Guiney; an Appreciation", and in 1923 published "Louise Imogen Guiney: Her Life and Works 1861-1920" and "A Bibliography of Louise Imogen Guiney 1861-1920". Tenison also published "The Recusant Poets: An Unpublished Work of Louise Imogen Guiney and Fr. Geoffrey Bliss, S.J."******

About FREDERICK WOODWARD SKIFF:

******Frederick Woodward Skiff, b.1867 d.1947, was an author, noted collector, bibliophile, expert on Americana and American Literature, and founder of the Acorn Club. Over the course of his life, Skiff amassed one of the most important private libraries in the United States, with particular emphasis on literature and history. After his death in 1947, the library's contents were sold at auction by Butterfield & Butterfield (now Bonham's) in San Francisco. Many of the books made their ways into other important collections. Countess Doheny purchased 800 books from Skiff's library, becoming part of the Estelle Doheny Collection of American Literature, which was in turn auctioned off by Christie's New York in 2001.******

UNFINISHED POEMS by MARIANNE MOORE. The Rosenbach Foundation, Philadelphia, 1972.

Photocopied pages, plastic spiral bound, 8.5x11 inches, 76 pages printed on one side only. VERY GOOD condition, the front and rear clear plastic covers are age toned and a bit soiled, the inner pages are lightly toned, the photocopied pages have many of the usual early copy machine lines, spots and changes in clarity. Overall a wonderful look at Marianne Moore's unpublished and often incomplete poems.

SCARCE. In 1972, the year Marianne Moore died, the Rosenbach Foundation realized it was necessary to get copyrights for Moore's unpublished poems, none of which were copyrighted at the time. The result, apparently, was this photocopied publication that was put together by the Rosenbach Foundation for the sole purpose of being sent to the Library of Congress for copyright protection.

In 1972 Patricia C. Willis was curator of the Marianne Moore papers at the Rosenbach Foundation. Here is what she wrote in 2015 about this 1972 photocopied collection of "Unpublished Poems" that she assembled for copyright protection (taken from the Internet):

"When as curator of the Moore papers at the Rosenbach I first sorted the poetry manuscripts...I saw that each was typed with Moore's typewriter of the time on the blue stationary that she customarily used for poems she sent to little magazines and most bore her Carlisle return address in the upper left corner. With the permission of her estate, I prepared a photocopy edition of "Unfinished Poems" in order to secure copyrights for her unpublished poems... - Patricia C. Willis, November 16, 2015."

I have no idea how many of these "Unpublished Poems by Marianne Moore" were put together for internal distribution at the Rosenbach, but it is the only copy I have or have ever seen.

************************************** From Wikipedia and various Internet sources:

Marianne Craig Moore, b.1887 d.1972, was an American modernist poet, critic, translator, and editor. Her poetry is noted for formal innovation, precise diction, irony, and wit.

The Rosenbach Foundation's literary collection includes virtually all of the manuscripts and papers of Marianne Moore (1887-1972), as well as her personal library, thousands of photographs, and the contents of her Greenwich village living room, thus making the Rosenbach the undisputed center for the study of Marianne Moore.

Patricia C. Willis is the author and editor of a number of books on Marianne Moore. She worked at the Rosenbach Foundation and later at Yale's Beinecke Library as its Elizabeth Wakeman Dwight Curator of the Collection of American Literature.

Clive E. Driver, whose name is on the copyright page, was the Literary Executor of the Estate of Marianne C. Moore. He worked at the Rosenbach Foundation and has written a number of works published by the Foundation. **************************************

CHILD MARRIAGES, by MARY E. RICHMOND.

SIGNED, INSCRIBED and DATED on the front free endpaper by MARY E. RICHMOND to LOUISE M. BOSWORTH: "Louise M. Bosworth / 1925 / From Mary E. Richmond". Both Mary E. Richmond and Louise M. Bosworth were American Social Work pioneers who worked for the benefit of Women and Their Families.

Published by Russell Sage Foundation, New York, 1925. First edition, with the date 1925 on both the title page and copyright page, with no indication of later printings.

Hardcover book, blue cloth covered boards with gilt titling on the front cover and spine, and a blind embossed emblem of the Russell Sage Foundation on both the front and rear covers, 5.5x8 inches, 159 pages including an Index at the rear.

VERY GOOD condition, a touch of wear to the covers' corner tips, spine ends and edges; internally, the pages are lightly toned, otherwise tight, bright, clean, clear and unmarked.

SCARCE, especially so SIGNED and with the INSCRIBED ASSOCIATION to LOUISE BOSWORTH.

About MARY ELLEN RICHMOND (from Wikipedia):

******Mary Ellen Richmond, b.1861 d.1928, was an American social work pioneer. She is regarded as the MOTHER OF PROFESSIONAL SOCIAL WORK along with Jane Addams. She FOUNDED SOCIAL CASE WORK, the first method of social work and was herself a Caseworker.

Richmond was raised by her widowed maternal grandmother, Mehitable Harris, and two aunts. Her grandmother was an active women's suffragist who was well known for being a spiritualist and a radical.

In 1900, she became general secretary of the Philadelphia Society of Organizing Charity. While there she advocated for legislation for compulsory education, against child labor, and for requiring support for spousal desertion. In addition, Mary believed the government should create a children's bureau and a juvenile court system. These were all radical ideas in her time.

In 1909 she helped establish networks of social workers and a method by which they did their work. This all started when she became the director of the Charity Organizational Department of the Russell Sage Foundation in New York City.

Some of the more notable contributions of Mary Richmond were her fight for legislation to help deserted wives, the founding of the Pennsylvania Child Labor Committee, her work to establish a juvenile court, and the creation of a Housing Association.

A large part of her work was dedicated to research in the field of social work. She created methodologies on how to establish contact and conduct information gathering conversations. SHE IS CONSIDERED TO BE THE FIRST TO HAVE ESTABLISHED SOCIAL WORK AS A PROFESSION.******

About LOUISE M. BOSWORTH, to whom the book is inscribed (from Wikipedia):

******Louise Marion Bosworth, b.1881 d.1982, was an American researcher at the Women's Educational and Industrial Union (WEIU) who extensively surveyed working women in order to learn about their working and living conditions. Bosworth helped to pave the way for more women to do social science research that benefited women and the public. She was the author of "THE LIVING WAGE OF WOMEN WORKERS: A Study of Incomes and Expenditures of 450 Women in the City of Boston", Longmans, New York, 1911. Bosworth died on August 6, 1982, at the age of 101.******

TEMPLE HILL CUT-OUTS, Chefoo China

Made by the Self-help Dept., Women's Bible School, Presbyterian Mission, Chefoo China, [nd] circa 1930.

Handmade album with textured illustrated cloth softcovers, 10.5" x 8.5", 19 pages (on double leaves) with 84 cut-out red paper silhouettes of various sizes adhered to the pages. With a small printed leaf of explanatory text laid-in. NEAR FINE Condition: complete as issued, tight, bright, clean and unmarked. These souvenir books were available to visitors of the Mission in Chefoo, China.

"The cut-outs of Temple Hill are an adaptation of figures of animals, plants, insects, dragons, etc., cut by the women of Shantung for unknown generations." The cut-out were made to adorn various types of cards from Christmas to note cards to help fund the mission.

THE TRAGEDIE OF OTHELLO, THE MOORE OF VENICE, by WILLIAM SHAKESPEARE. FINE PRINTING by GRABHORN PRESS. ILLUSTRATED by MARY GRABHORN.

SIGNED and INSCRIBED by JANE GRABHORN on the front free endpaper: "With love to Annie on her wedding day - from Jane Grabhorn / January 20, 1957'.

SAN FRANCISCO: Grabhorn Press, 1956. First edition. Limited to 185 copies.

From the Colophon page (the last page): "This edition, reprinted from the First Folio of 1623, is limited to one hundred and eighty-five copies printed at the Grabhorn Press in the Month of May, 1956. The type used, Franciscan, was designed for the Press by Frederic W. Goudy and the paper was made by hand in England. The drawings by Mary Grabhorn were reproduced from a combination of zinc, wood, and linoleum blocks."

Hardcovers, red leather covered spine and decorative paper covered boards, gilt titles to the spine, folio 15x10.5 inches, printed on handmade paper, CXV pages, plus title page and several blank leaves at the front and rear.

Condition: The covers' spine ends have some fraying, the inner pages have some small spots here and there and there is a darkish shadow line across two of the rear blank leaves, all likely a result of the production of the handmade paper or the hand printing; otherwise a beautiful copy, with pages that are clean and bright.

SCARCE FINE PRINTING by the GRABHORN PRESS, made wonderful with the loving inscription by Jane Grabhorn.

About JANE GRABHORN (from Wikipedia):

******Jane Bissell Grabhorn, b.1911 d.1973, was an American artist, typographer, bookbinder, and printer. Born in San Francisco, and educated in France, where she learned bookbinding. In 1932 she married Robert Grabhorn. She became a master printer, working at Grabhorn Press with her husband, and starting her own imprints: The Jumbo Press, and The Colt Press. Her thoughts about women in the man's world of printing were expressed in several of her works, including "A Typografic Discourse for the Distaff Side of Printing, a Book by Ladies".******

About MARY GRABHORN (from an Obituary):

******Printmaker Mary Grabhorn was born in San Francisco, CA, on July 25, 1932. She was the daughter of Edwin and Marjorie Grabhorn, Edwin being one of two brothers (along with Robert) who founded the noted Grabhorn Press in San Francisco. Despite little information found on her life and education, she was one of the press's most prolific illustrators, creating color woodcuts at a fairly young age for all nine of the Grabhorn Press Shakespeare folios and a French illuminated Book of Hours, among many other publications. For a time she lived in London. She died in San Francisco on September 10, 1981.******

The photographic image is 9.75 x 12.75 inches, mounted on a 11x13.75 inch stiff card mount. 14 women are in the photograph, 8 of them are named on the backside of the mount. The mount has two holes at the top and one on the bottom, perhaps for hanging with a cord. Printed on the bottom left side is: "G. Waldon Smith", and on the bottom right side is: "Boston, Portland & Old Orchard".

The image is in VERY GOOD condition, some light shorelining to the upper left corner area, overall bright and clear, lovely. The mount is GOOD, with wear at its corners and edges. The mount is slightly bowed.

A previous owner wrote on the backside in pencil "Smith College / circa 1888", but the only woman that I investigated who had a degree mentioned was "Clara Elise von Wettberg" who graduated from Wellesley in 1879. So maybe female students from Wellesley or some other New England college or colleges? A couple of the other women whose names I looked into indicated that the date "circa 1888" is in the ballpark. "Jessie Estelle Kline" was born in 1870 and was married in 1900. Frances Marie Barker married Harvard graduate Hugh Means in 1901, they both were from and returned to Lawrence, Kansas. Miss Margaret Dale Harrison of Philadelphia was listed in the 1898 Philadelphia Blue Book, and she was married in 1899. I could not find another college mentioned, but then again these women had very little mentioned online that I could find, other than the MEN they married. Hmmm. Perhaps these women just went to college to get married.

Whether the young women are from Smith, Wellesley, some other New England college, or no college at all, this c.1890 photograph of 14 well heeled young women is quite a picture of the times.

SAN FRANCISCO BURNING By Helen and Pat Adam, with Drawings by Jess. Published by Oannes, Berkeley, CA, September 1963, Limited first edition, 500 copies. This is copy #10 as indicated by the small black ink stamp on the rear cover. Illustrated wraps printed in black and brown attached to card covers, 9.75" x 7.5", 98 numbered pages printed on heavy brown paper, with one leaf of blue paper serving as a section divider, illustrated with line drawings by Jess in black and brown ink here and there throughout. NEAR FINE Condition: tight, bright, clean and unmarked, one of the best preserved copies I've seen.

A controversial 1963 ballad opera written by Helen Adam in collaboration with her sister Pat Adam is replete with subversive themes of occult destruction, sexual transgression, and explicit blasphemy. Set during the 1906 San Francisco earthquake and fire, the dark chaotic narratives reflect subversive queer and alternative lifestyles which challenged the traditional gender power dynamics of the mid 20th century. Scottish American Poet Helen Adam (1909-1993) A prominent figure in the San Francisco Renaissance and was one of only four women included in Donald Allen's The New American Poetry 1945-1960 anthology. She was a great performer and maybe one of the most important forebears of the way poets read their poetry in public today.

LIFE IS FREE, Volume 0, Number 0, Winter 1988

A unique zine detailing the Philadelphia Squatter Scene. Published by [Karen Eliot] c/o The Wooden Shoe, Philadelphia 1988. Karen Eliot, Editor. Underground Anarcho-Squatters' Newsrag, softcover tabloid, printed on newsprint, 17" x 11.5", 8 pages, illustrated throughout with b&w drawings and collages, includes illustrated instructions for building a stove for your squat. VERY GOOD CONDITION: solid, bright, clean, and unmarked. Scarce, only four copies located in OCLC collections worldwide.

An underground zine made by and for anarchist squatters, filled with guidance on how to squat, where to squat, the steps needed to equip the squat, squatter support, and prescient revolutionary political commentary on gentrification. I found one source that stated Karen Eliot created this zine and paid for the 500 copies she had printed from the money she earned as a sex worker. Sounds completely plausible to me, there are no records of Karen Eliot and her cohort of fellow squatters except in the pages of this compelling zine.

RAW by Roxanne Klein & Charlie Trotter

SIGNED and INSCRIBED by ROXANNE KLEIN Groundbreaking Raw Food Author and Chef Owner of her eponymous Larkspur, Marin County restaurant ROXANNE'S in black ink on the title page " Doug, Enjoy your Raw experience! Roxanne Klein 3.04 "

Published by Ten Speed Press, Berkeley, 2003. First edition, first printing so stated, number-line starts at 1. Hardcover in dustjacket, black cloth with green printing on the spine, 11.25" x 9.25", avocado green endpapers, 215 pages, beautifully illustrated throughout with color photographs of the captivating dishes detailed in the book. NEAR FINE CONDITION BOOK & DUSTJACKET: tight, bright, clean and unmarked, the unpriced-clipped DJ has a touch of edge and corner-tip wear. A handsome and uncommon copy SIGNED by iconic vegetarian chef and restauranteur Roxanne Klein.

In the early 2000s Chef Owner Roxanne Klein was the hottest thing on the American food scene. People called her a revolutionary, comparisons to Alice Waters were made. Klein created quite the stir in the culinary world by introducing a new fine dining cuisine based on raw, organic vegetarian ingredients. Roxanne's was one of the most innovative new restaurants in the San Francisco Bay Area. The restaurant's "living food" cuisine earned rave reviews from both diners and food critics. Gourmet Magazine stated, "Roxanne's is simply the most innovative restaurant of our time." Famed Bay Area critic Michael Bauer said Roxanne's offers "truly four-star dining, with a world class wine list and elegant decor." A graduate of the California Culinary Academy, her creativity with vegetarian cuisine and her broad knowledge of organic ingredients earned her respect from a variety of culinary authorities.

INNERVIEWS Vol. 4 Issue 1 / LOVE and MONEY Women's Two Dilemmas / February 1980

Jo Bookkeeper, Editor. Published by the Alice Walker sub-task force of the Margaret Bourke-White Task Force of Aradia, Inc. Grand Rapids, Michigan, 1980. First edition. Illustrated pink wrappers, 8.5" x 7", staple bound, 24 pages printed on pink and blue paper, illustrated with b&w drawings throughout. VERY GOOD Condition: fore edge stapled for mailing leaving tiny staple punctures, small handwritten mailing label on rear cover, light sunning to the spine margins and a touch of light wear, overall tight, bright, clean and unmarked. Scarce, just 3 holdings in OCLC collections worldwide.

Aradia, Inc. was a radical lesbian feminist separatist collective based in conservative West Michigan from 1978 to 1989. Innerviews served as a critical print forum, literary zine, calendar, and network for the regional lesbian and feminist community during an era of radical LGBTQ+ social movements. Known for their feminist activism, Aradians organized gatherings and counterculture milestones such as the Michigan Womyn's Music Festival, and published newsletters including Otherviews and W.E.B. Wimmin of the Earth Bonding.

A secret woman built community of strong, creative, women embedded in Grand Rapids and invisible to everyone but other Aradians and those close to them. A lesbian utopia literally existing unseen within the patriarchy, a supportive community they created as an alternative to mainstream culture, one that celebrated women loving women. Aradians called their hidden world Aradia, after the goddess Diana's daughter.

SERIOUS BUSINESS COMPANY [Scarce 1976 Film Catalogue] Freunde. Published by Freunde, Berkeley, CA, 1976. First edition. Illustrated softcover, 9" x 6", 159 pages, illustrated in b&w throughout. The film catalog of an iconic Bay Area feminist film distributor. GOOD Condition: complete as issued with a few sheets of company ephemera laid in, just some light wear from age and use otherwise tight, bright, clean and unmarked. Scarce.

Freude's extremely rare catalog explores sexual identity and representation, her curated film descriptions are brief but succinct and ultimately preserve a record of films by pioneering women filmmakers of the 1960s-1970s.

Feminist filmmaker and trailblazing film distribution entrepreneur, Freude (1942-2009) was a central figure in the San Francisco Bay Area film community in the late 1960s and 1970s. Freude founded Serious Business Company (1972-1984) to champion and distribute independent, feminist, avant-garde, underground, and experimental films, ultimately establishing a catalogue of 60 artists and over 250 titles. Focusing on personal, animated, and sexuality themed works, she provided early and critical support for the works of such filmmakers as James Broughton, Shirley Clarke, Bruce Conner, Johanna Demetrakas, Tom DeWitt, Barbara Hammer, John Knoop, Kathleen Laughlin, Danny Lyon, Gunvor Nelson, Pat O'Neill, Carolee Schneemann, Penelope Spheeris, and Chick Strand, and ex husband Scott Bartlett. Her company distributed many of the era's most acclaimed independent and experimental films, and created a platform for discovering lesser known works. At the time, no major commercial distributor specialized in avant-garde films or women's film. When her business shuttered, the golden age of independent and experimental film distribution was, essentially, finished. Freude's idea of a feminist identity offer a relevant way to curate the feminist, lesbian, and queer art and film of today.

THE MODERN WOMAN Magazine

A scarce woman's magazine for Russian women in Shanghai, China published in Shanghai from 1937 to 1941. Its publication started just months before the Battle of Shanghai, the military operation that began Asia's involvement in World War II. As the Second Sino Japanese War raged between the Empire of Japan and the Republic of China, Shanghai endured a siege that lasted from August 1937, to November 1937, which resulted in the Japanese capture of the city and heavy destruction.

During 1937, despite the ongoing war, The Modern Woman published a smaller combined September/October 1937 issue, halted the publication of its November 1937 issue, and resumed publication for its December 1937 issue. This is the entire published run for the year 1937. Published by United Magazines, Shanghai, China. Victor A. Vasiliev, Editor in Chief, Tatiana A. Barsukova, Editor. In Russian, some Chinese. NINE ISSUES: #1 February, March, April, May, June, July, August, September-October, and December 1937. Hardcover, original Publisher's textured beige cloth with black printing on the front cover and spine, 10.5" x 8", the entire nine issue run of 1937 are bound in preserving all illustrated wrappers, one original subscription insert still attached. Each issue is between 35 and 45 pages. Filled with all the reporting, stories, current events and in-text b&w photographs the au courant Russian emigre woman could want including the latest out of Hollywood, What To Wear in 1937, make-up techniques, hairstyles, events in Shanghai, world events, the latest short stories and poetry from Russian writers, crosswords, recipes, and loads of advertisements for household products, aspirin, cosmetics, soaps, perfume, fashions and local businesses. VERY GOOD CONDITION: Front blank free endpaper roughly torn out, otherwise complete. Covers are lightly worn, have some ink staining and light soil. Internally, the pages are age toned and a touch brittle, there are small edge tears, the crosswords have been penciled in, some small clear tape repairs, and light signs of use and age, overall a solid, bright and clean collection of magazines. SCARCE, especially so being the complete run of issues from its first year of publication in 1937. The OCLC has only a few random copies printed between 1937 and 1941 in 4 collections worldwide.

From the editors: "The Sino-Japanese events, which disrupted normal living conditions for both individual residents of Shanghai and entire enterprises and organizations, also had a heavy impact on the life of the magazine. The release of this issue, albeit in a reduced size, only proves the viability of the magazine and the energy with which the publisher works to, despite all the obstacles, present the magazine to readers even in these difficult times . The hostile actions that took place in China had a strong impact on the publishing of the magazine, and the editors considered it untimely to publish the magazine when thousands of our compatriots, residents of the areas that were subjected to shelling, were forced to flee from their homes, when many of them were left homeless and without means of subsistence, when it was more necessary to donate money to help refugees than to spend it on buying a magazine. However, hundreds of phone calls and masses of letters to the editor expressing the desire to see the magazine led to the fact that we are publishing this issue, overcoming all obstacles, and we expect to publish the next issue by November 30."

TSUNEKO NAKAZATO EXHIBITION CATALOG Award Winning Japanese Female Writer - PHOTOS, MANUSCRIPTS, MEMORABILIA Kanagawa Museum 1989

TSUNEKO NAKAZATO EXHIBITION CATALOG including Manuscripts, Books, Photos, and Personal Memorabilia. The exhibition, THE HEART OF THE STORY, was held at the Kanagawa Modern Literature Museum in 1989. The catalog was published by the Kanagawa Literature Promotion Foundation in conjunction with the exhibition. First Edition. TEXT IN JAPANESE.

Softcovers, 7x10 inches, 32 pages. FULLY ILLUSTRATED.

NEAR FINE condition, tight, bright, clean and unmarked.

About TSUNEKO NAKAZATO (from Wikipedia):

******Tsuneko Nakazato, b.1909 d.1987, was the pen name of a novelist in Showa period Japan. Her real name was Nakazato Tsune.

Nakazato was born in Fujisawa city, Kanagawa prefecture and graduated from the Kanagawa Girls' Higher School. When she was 17 years old she met Tatsuo Nagai and started writing, publishing multiple novellas before her marriage at age 19.

In 1938, Nakazato became the first woman to win the prestigious Akutagawa Prize, with her short story Noriai bashi. After World War II, she came to be known for a number of works addressing the issue of international marriage, including Mariannu monogatari (Maryann's Story, 1946) and Kusari (Chain, 1959), which were drawn from her own daughter's marriage to an American. Her novel Utamakura (Song Pillow, 1973) was awarded the Yomiuri Prize. In 1974, she received the Japan Art Academy Prize, and became a member of that institution in 1983.

Nakazato was a resident of Zushi, Kanagawa from 1932 until her death due to colon cancer in 1987. Her grave is at the temple of Engaku-ji in Kamakura.******

This is an UNPRODUCED SCREENPLAY by EVA BARTOK titled LETTER This is an UNPRODUCED SCREENPLAY by EVA BARTOK titled LETTER TO MY DAUGHTER or IMRE. Undated (c.1970?)

The screenplay seems to be Semi-Autobiographical. It tells the story of a Mother and Her Young Daughter in Nazi Germany. Eva Bartok had a Catholic mother and a Jewish Father, and so does the mother in this screenplay. The inner angst this caused Bartok (and the mother and child in this screenplay) during the Nazi years is on full display.

Photocopied on plain white paper (copy machine copies were, and still are, common among draft, production and working screenplays; drafts could be quickly made and sent to the film's writers, agents, producers, directors, etc.), 8.5x11 inches, 136 pages plus a title page, pages printed on one side only. Plastic spiral bound.

GOOD condition, the title page has some words covered with White Out and white label tape, the title is written in black marker on the front page edges; there are a few relevant margin notes (photocopied as is this entire draft); the last few pages have light staining at the left margin; there are the usual photocopying dust marks and some corner creases, otherwise the script is bright and clear.

An Unusual and Rare Screenplay by the Actress EVA BARTOK, perhaps revealing some of what it was like for her as a Catholic / Jewish child married to a Nazi Officer in Nazi Germany. This is the only copy that I have or have ever seen.

About EVA BARTOK (from Wikipedia):

******Eva Bartok (b. 1927 d. 1998), was an actress born in Budapest, Hungary as Eva Marta Szoke Ivanovics. She began acting in films in 1950 and her last credited appearance was in 1966. She is best known for appearances in Blood and Black Lace, The Crimson Pirate, Operation Amsterdam, and Ten Thousand Bedrooms.

During World War II, a 15 year-old Eva Bartok, the daughter of a Jewish father and a Catholic mother, was forced to marry Hungarian Nazi officer Geza Kovacs; the marriage was annulled after the war on the grounds of coercion of a minor. She had four other marriages, all of which ended in divorce, including her final marriage, to actor Curd Jurgens (1955-56). Her daughter Deana was born in 1957, shortly after the marriage to Jurgens ended. Three decades later, Bartok claimed Deana's biological father was actually Frank Sinatra, with whom she had a brief affair in 1956. Eva Bartok died on 1 August 1998 in London.******