Fifteen Issues of THE BIJUTSU KENKYU - The JOURNAL of ART STUDIES, 1939-1940.

The Bijutsu Kenkyu was, and still is, an important journal for the study of Japanese and Asian Art, and European and American art as it relates to Asian Art. The early issues are rather hard to find.

The issues in this lot are Numbers XCIV - CVIII (94 - 108). Fifteen issues. Published by The Institute of Art Research, Tokyo, Japan, 1939-1940.

Wrappers / Softcovers, 9x12 inches (22x30 cm), approximately 40 pages of text with in text b&w illustrations and 10 plates per issue (the number of text pages and plates does vary from issue to issue). Each issue came with a thin glassine overwrap, these have been removed from about half of the issues.

ILLUSTRATED with PLATES, including one tipped in color plate at the beginning of each issue.

Text in JAPANESE, but the rear wrapper of each issue gives a brief English description of the plates within.

These copies were presented "With the Compliments of PROFESSOR YUKIO YASHIRO", with his presentation card laid on top of the first issue. (Yukio Yashiro, b.1890 d.1975, was a Japanese academic, art historian, Botticelli scholar and Director of the Institute for Art Research in Tokyo. - Wikipedia.)

GOOD Condition: The glassine overwrap was removed from about half the issues, the glassine on the other issues has yellowed with age (it can easily be removed if desired); the spines have some wear and chipping; there is light dampstaining to the wrappers and on some of the inner pages of a few issues; overall the issues remain tight, bright, clean, clear and unmarked. Fifteen presentable copies. Great references.

A sampling of articles in the first few issues: Tthe Technique of Shitogwa (Finger-Drawing); Antonio Fontanesi and His Works in Japan; Panel Paintings of Kichijoten Shrine of Joruriji Temple; Five Hundred Arhats, by Ikeno Taiga; Study on Portraits of Goto Yujo and His Descendants; Study on the Biography of Uragami Gyokudo; Landscape of Four Seasons on Su Tung-P'o's Poems, by Shih-T'ao; Fragment of Wall-Painting of Fukiji Temple; Fragment of Wall-Painting of Fukiji Temple; Yashiro Yukio; Ise Monogatari Painted by Sotatsu.

About the Bijutsu Kenkyu Journal of Art Studies:

Published since 1932, the Bijutsu Kenkyu journal, edited by the Department of Art Research, has published monograms, research notes, explanations of plates, book reviews, exhibition reviews, and materials for art research, primarily pertaining to Japanese and East Asian classical art, but also European and American art that relates to modern and contemporary Japanese art. In its early years it was published monthly, but is now published three times a year.

INTERNATIONAL BUYERS PLEASE NOTE: This lot of 15 issues is heavy and will require substantial additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact us ahead of time to find out the shipping charge to your country. Thanks.

1860 HAND PAINTED ILLUMINATED FRONTISPIECE LEAF from a FAMILY BIBLE. This frontispiece leaf was hand painted and illuminated on a blank prelim page of an 1802 BIBLE owned by the HARDY FAMILY of Hampstead, England.

The leaf measures 5.5x 9". It has been disbound but is still sewn at spine together with the 1802 Bible's title page and a few pages of the Bible's Preface. The names, dates, and information on this gorgeous one-of-a-kind leaf are (some words painted legibly large, some almost hidden in the lovely painted ribbons and decorations): JOSEPH HARDY / Born May 16, 1788; MARY CLARKE SOUTHARD / Born May 29, 1790; JOHN FORBES HARDY / Born at Hampstead Oct 24th 1816. / Married June 12 1847 / ROSE (PARSLOP?) (At the bottom right in tiny letters hidden in a colored band) MARIANNE (HAYWARD?) / FECIT (i.e. painted / made by Marianne Hayward) (At the bottom left in tiny letters) 1860. Condition: There is some foxing and toning, but overall the illuminated leaf is gorgeous, and the gold stands out tangibly. The backside of the leaf and the facing title page of the bible are stained and darkened from where the paint bled through. JOHN FORBES HARDY is a relatively obscure ARTIST from HAMPSTEAD, ENGLAND, who was active as a painter from 1847 to 1874. One of his better known works is believed to be of a view of "Hampstead Heath". I do not know, and cannot seem to find out, who the illuminator / painter, Marianne Hayward, is - but someone must know because the work is so lovely. RARE and UNIQUE - an Illuminated Leaf related to HARDY, SOUTHARD and FORBES Families.

HANDWRITTEN LETTER by EDWARD MATTHEW WARD to FRANK GASKELL. Stationery is blind-stamped engraved "Glen Aray Lodge, Windsor". The letter is dated 3rd January 1878. (Ward died just 12 months later, 15 January 1879, a suicide.) Written on a single-fold piece of stationery, making 4 pages. The letter is on 2 pages, the front page and an inner page. The letter reads (as best I can make out): "My Dear Mr. Gaskell Many thanks for the Photo with which I was much pleased and by which I can imagine that the dress must have cut a very good figure in the room & I am glad that my suggestion was of any use to you in the matter. I very much envy you your Roman trip which must have been very enjoyable to you more [especially] in such excellent companionship of Mr. W. Wood who must be so au fait in all that belongs to the Eternal City, and the funeral of the gook King must have been very [impressive] and interesting and a thing to have seen. It is now nearly thirty eight years since I was in Rome, where I remained three years, but I have a most vivid recollection of it & all its glories, & still live in hopes of again seeing it before I die, though at present I see no probability of my being able to enjoy so great a pleasure in [the] future. It must have greatly altered since I was there & I have no doubt in the main for the better, especially in a sanitary point of view, though perhaps not altogether in [picturesqueness], but on one point I am sure it must have done so & that is in its government which when I was there was simply diabolical. I hope that we shall have the pleasure of seeing your father down here during his stay in London and immediately on receiving your letter yesterday I wrote a letter off to him at Wootton to be forwarded & I have no doubt that he will receive it tomorrow. I shall however send him a line to the Reform Club to make matters more sure, as I am most anxious for him to come down here and see the Windsor Tapestry Manufactory should he be able to spare the time. Mrs. Ward unites with me in kindest regards to Mrs. Gaskell & the rest of your family circle. & believe me, Yours ever Sincerely, E. M. Ward". CONDITION: The letter has a vertical and horizontal fold, perhaps from being folded to fit into a small envelope. The blank backside has paper remnants, as if the letter had been glued to a mount at some point and later removed. There is a small ink-stamped name on the black backside "K. J. Turner". The writing remains bright, clear and fully legible. Edward Matthew Ward RA (London 14 July 1816 - 15 January 1879) was an English Victorian narrative painter best known for his murals in the Palace of Westminster depicting episodes in British history from the English Civil War to the Glorious Revolution.

DIE BÜCHER-ORNAMENTIK DER RENAISSANCE : Eine Auswahl Stylvoller Titeleinfassungen, Initialen, Leisten, Vignetten und Druckerzeichen Hervorragender Italienischer, Deutscher umd Französischer Officinen aus der Zeit der Fruh renaissance. Nach der eigenen Sammlung Herausgegeben und Erlautert Von A. F. BUTSCH. (ORNAMENTATION of RENAISSANCE BOOKS: A Selection of Printed Ornaments including Stylish Titles, Initial Letters, Borders / Frames, Vignettes, and Excellent Printing

of Italian, German, and French origin from the time of the Early Renaissance. From the personal collection of, and edited and annotated by, A. F. BUTSCH.) Published by G. HIRTH, LEIPZIG, MDCCCLXXVIII (1878). This is Volume I, which stands on its own with its 100 plates. A second volume was published at a later date. Hardcovers, 1/4 leather and marbled paper covered boards, folio

10x14 inches (25x35 cm), 72 pages of text, including descriptions of the plates, and 100 PLATES each printed on its own leaf. The 100 Plates are lovely and a Great Reference to Early Renaissance Printing. Condition: The spine is lacking its leather covering (the spine card covering is still present), the spine folds are worn, the corners are lacking their leather covering, and the marbled paper covered boards are worn through at places along the edges; nonetheless the covers are sturdy and still doing their job; internally nice, the pages are just lightly used, still tight, bright, clean and unmarked. The 100 plates are all present and beautiful. INTERNATIONAL BUYERS PLEASE NOTE: This book is large and heavy and will require substantial additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact us ahead of time to find out the shipping charge to your country. Thanks.

Historic antique 1890 photograph of an early Napa Valley, California settler family (as yet unidentified). The photograph depicts a large multi-generational family in 19th century West Coast rural attire.

Original albumen studio photograph by H. H. Blakesly, Elite Studio, Saint Helena, California. The Studio's gilt imprint in bottom margin. No date, circa 1890. 12" x 10" mounted card photograph (slightly larger than an Imperial Mount). VERY GOOD CONDITION: some tiny spotting/scrapes to the photo surface, age toning to the card, edgewear, light warping and corner chips, overall a very bright and detailed antique mounted photograph.

Photographer H.H. Blakesly (American, 1851-1930). Blakesly is known for photographing Ambrose Bierce at his Elite St. Helena Studio around 1892 - there are catalogued photographs from that sitting. Blakesly operated the Elite Studio in St. Helena from about 1890 to 1893. He later relocated to Placerville, where he managed the A.K. Varney Studio. St. Helena is located seventy miles north of San Francisco in the heart of Napa Valley's wine country, in 1890 it's population was only 1,705.

STUTTGARTER BÜHNENKUNST: INSZENIERUNGEN der Königlich Württembergischen Hofoper von Werken Mozarts und von Schillings' Mona Lisa, von EMIL GERHAUSER. (STUTTGART THEATER STAGE ART: the STAGING of Productions by the ROYAL WÜRTTEMBERG COURT OPERA HOUSE of Works by Mozart and of Schillings' Mona Lisa. By Emil Gerhauser.) Mit den künstlerischen Entwursen der Bühnenausstattung von BERNHARD PANKOK. (With the Artistic Designs by Bernhard Pankok.) Herausgegeben und Verlegt von (Edited and Published by) Wilhelm Meyer-Ilschen, Stuttgart, Germany, 1917. TEXT IN GERMAN. FIRST and LIMITED EDITION, this being copy number 99 of only 300 copies. An Elaborate and Finely Produced Book featuring the Production of 5 Operas by Mozart and 1 Opera, Mona Lisa, by Max von Schillings. Each was performed at the Hofoper in Stuttgart. VELLUM COVERS, GILT DESIGNS on the front cover and spine, gilt page edges, floral patterned endpapers, 9x12.25 inches (23x31 cm). Pagination: viii, 418 pages, plus unnumbered photogravures and lithographic plates. Beautifully ILLUSTRATED with 7 PHOTOGRAVURES and 52 PLATES (45 IN COLOR) of opera sets and costumes. Includes the frontispiece etching by Pankok. Each plate and photogravure is protected with a patterned tissue guard. There are also many in-text b&w drawings of set designs and staging directions. GOOD condition, the covers are bowing and lightly soiled, the upper spine corners are bumped causing 1 inch of splitting at the top front spine fold, there are some scratches to the gilt page edges; overall these vellum and gilt covers are quite attractive and impressive; internally there is some light foxing to the first and last few pages and just a bit here and there throughout, there is a previous owner's signature and the date of 1955 on a blank prelim, there is a small tape ghost on the front free endpaper, the tissue guards are toned, some with creases, but all are present, overall the pages are tight, bright, clean, clear and unmarked, and all the photogravures and plates are gorgeous. About EMIL GERHÄUSER (from Wikipedia): ******Emil Gerhäuser, b. 1868 d. 1917, was a German opera singer and director. Gerhäuser first began law studies at the University of Munich before receiving vocal training as a tenor. In 1890 he made his debut at the Munich Court Opera .In 1909 Gerhäuser moved to Stuttgart, where he became a director at the Hofoper / Court Opera.****** About BERNHARD PANKOK (from Wikipedia): ******Bernhard Pankok (Münster, b. 1872 d. 1943, was a modern German painter, graphic artist, architect, and THEATRICAL DESIGNER. His works are characterized by the transition between Art Nouveau and the International Style. His furniture and book design, such as the catalog of the German section for the 1900 Exposition Universelle in Paris, have garnered him international recognition. Pankok opened a studio in Munich in 1892 and worked as a freelance artist, graphic designer and illustrator for the magazines Pan and Jugend. He remained in Munich until 1902 and co-founded the Vereinigten Werkstätten für Kunst im Handwerk (United Workshops for Art in Handcraft). In 1902 he moved to Stüttgart, and in 1913 he helped found a local art school, the Stuttgarter Killesberg, and became the its first director. In 1914 he was considered one of the leading artists of the famous Werkbund Exhibition in Cologne. In 1930 he became a foreign member of the MUNICH SECESSION.(In 1933 the National Socialist party began their crusade to bring all forms of artistic expression under their control: a process known as Gleichschaltung . Artists were eventually required to obtain state endorsement for all of their works. Those who were considered degenerate were not allowed to paint, these included members of the Munich Secession. In 1938, the Munich Secession was dissolved as part of the Kulturellen Säuberung / Cultural Cleansing.)****** INTERNATIONAL BUYERS: This book is large and heavy and will require substantial additional shipping charges.

Glossy 8x10" photo of ALMA RUBENS. This is an original publicity / press photo of Alma Rubens, undated but circa 1920. Rubber-stamped on the backside is "ALMA RUBENS / Appearing in / William Fox Photoplays". Written in pencil on the backside, below the rubber-stamped info is: "Keep one or Both for Files". VERY GOOD condition, toning to the edges, some creasing to the corners, a small piece of tape with "Alma Rubens" typed on to it is attached to the bottom white margin.

The photo itself is soft-focus. Printed on the photo in white is "Autrey 10". About ALMA RUBENS (from Wikipedia and IMDB): ******Alma Rubens (1897 - 1931) was an American film actress. Alma Rubens was born Alma Genevieve Reubens in San Francisco, California. She was interested in entertaining at an early age. By the time she was 19 she had become a full-fledged star. Her break came in 1916 in the film Reggie Mixes In (1916). Six more films followed that year, and she won critical acclaim in The Half-Breed (1916). In 1917 she again starred in a box-office smash, The Firefly of Tough Luck (1917). She became a busy young actress with role after role and hit after hit. In 1924, as Mildred Gower, she performed magnificently in The Price She Paid (1924). After a busy 1925, Alma suddenly found it difficult to obtain work, but it was not because her star had suddenly dimmed - it was because of her addiction to heroin. The money she made dwindled away in search of the next high. She was in and out of mental asylums, but it didn't really help much because she was still dabbling in drugs. Weakened by her habit, she died in Los Angeles in 1931, of pneumonia. She was less than a month away from her 34th birthday. Her final two films were two years earlier, Show Boat (1929) and She Goes to War (1929).******

BOOKBINDING MAGAZINE : The Official Business Paper of the Bookbinding Industry : A Magazine of Business Building Ideas for the Bindery. Arthur Freund and Leo H. Joachim, Publishers. Published in New York, 1929-1931. SIX ISSUES: Vol. X, No. 6, Dec. 1929; Vol. XI, No. 1, Jan. 1930; Vol. XI, No. 3, Mar. 1930; Vol.XI, No. 4, Apr. 1930; Vol. XII, No. 4, Oct. 1930; Vol. XIII, No. 8, May 1931. Softcover magazines, side stapled, 8.5x11.5 inches, approximately 70 pages per issue, including lots of ads for bookbinding machinery and materials. These 6 issues are in generally GOOD condition, the spines have wear including scrapes and peeling; there are some creases and general signs of handling; overall the issues are used but still tight, bright, clean and unmarked. Articles include: Bookbinding Industrial Exhibits; Views on Trade Outlook by Bookbinders (published in 1930, the beginning of the Great Depression); Local Bookbinders Associations; In Memoriam: George K. Bird; When a Woman Runs a Bindery; Economics of Book Production; If I Had to Choose Again I'd Be a Bookbinder; and more. A nice collection of six issues of this bookbinding trade magazine, all published at the beginning of the Great Depression. INTERNATIONAL BUYERS PLEASE NOTE: These six issues are heavy and will require substantial additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact me ahead of time to find out the shipping charge to your country. Thanks.

DRAWINGS BY JAPANESE CHILDREN.

Twenty-two (22) Full Color Plates, each tipped onto its own 10x10.5 inch card stock mounting board. The mounting boards are printed at the bottom with the name, age, and location of the child artist (e.g. Mr. Masao Koike, 6 yrs old, Koichi). The drawings were originally drawn in crayon, watercolor, and ink by Japanese children aged 6 to 13. There is also a single fold, 4 page introductory sheet that describes the drawings and the reason they were gathered in this publication.

The 22 mounted plates are loose and contained in a fold-open portfolio. The folder is constructed of cloth covered boards with leather spine and corners, it has a gilt titling on the front cover and spine.

Condition: The folder is in FAIR condition, sunning to the margins, scrapes and rubs to the boards, a couple small holes, and a previous owner's ink stamp on the inside front cover. The 4 page introductory sheet has creases and signs of handling. The 22 plates and their mounting boards are in GOOD condition, the boards have some areas of age toning and most have very two very tiny pin holes at the top corners, the plates are all bright, clean, clear and unmarked.

Published by Kokusai Bunka Shinkokai [The Society for International Cultural Relations], Japan, 1940. This collection of drawings by Japanese children was likely propaganda meant to generate sympathy for Japan at a time when it was becoming increasingly aggressive and imperialistic.

FAMILY PHOTO ALBUM with 50 Original b&w Photographs from the 1940s - 1950s. Snapshots of People on Boats and Beaches, and in front of Homes and Buildings. Good background images. Seems to be a Oceanside or Lakeside area. The album has NO HANDWRITTEN INFORMATION, so I have no idea who the people are or where they are. The 50 photographs are mounted with photo corner mounts in a vinyl cover photo album. The snapshots range in size, including their white borders, from 3.5x5" to 3x4" to 2.5x3.5" to a few even smaller. The images in and the style of these b&w photographs appears to date them from the 1940s and 1950s. Condition: Most of the photos are clean, clear, bright and sharp; a few have faded, and a few have some stains. The album is in solid, clean condition.

OBSERVATIONAL STUDY of a KINDERGARTEN GROUP USING CONSTRUCTIONAL MATERIALS, by Jack Durio Hoag, M.F.A. California College of Arts and Crafts 1954; M.A. University of California, 1958. DISSERTATION for the degree of DOCTOR OF EDUCATION in the GRADUATE DIVISION of the UNIVERSITY OF CALIFORNIA (Berkeley). Hardcovers, paper title label on spine, inner pages are typed carbon copies and pages with pasted on photographs with typed annotations pasted on beside them. 136 total pages, printed on one side only; 26 have pasted on photographs and annotations. VERY GOOD condition, just lightly used, still tight, bright, clean and clear. A UNIQUE U.C. BERKELEY DOCTORAL THESIS IN EDUCATION. INTERNATIONAL BUYERS PLEASE NOTE: This book is somewhat large and heavy, and will require additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact us ahead of time to find out the shipping charge to your country. Thanks.

THE JOYSDAY MACHINE. A poster by Michael Rossman, aided by Karen and Jan, three loyal alumni who teach.

POSTER, unmounted, 17x22 inches.

Published by Michael Rossman, [Berkeley, California], 1966.

Title in psychedelic yellow letters in a submarine shape at the center, surrounded by psychedelically arranged calligraphy.

Full of 60s radicalism: "THE MACHINE IS MADE TO SERVE US - DON'T SERVE THE MACHINE", "HAIL TO THE HIPPIES THAT TURNED US ON TO NEW IDEAS AT THE OPEN MIKE", etc.

GOOD CONDITION. Lightly age toned. a bit of edgewear including a 1 inch closed tear and associated creasing at the top edge, overall still solid, bright, clean and clear. The poster will be shipped carefully rolled in a sturdy mailing tube.

About MICHAEL ROSSMAN (from his 2008 New York Times Obituary):

******Michael Rossman, b.1939 d.2008, was an organizer of the Free Speech Movement at the University of California, Berkeley, and later known for his books on politics, society and education.

Rossman was a graduate student in math at Berkeley when the Free Speech Movement burst into being on Oct. 1, 1964. He was among the hundreds of students who massed around a police car that day and the next to stop officers from taking away the civil rights organizer Jack Weinberg. (Mr. Weinberg had been arrested for violating a longstanding university ban on political advocacy on campus.)

A close friend of Mario Savio, the movement's best known leader, Mr. Rossman left graduate school in 1966 to devote himself to activism, lecturing on campuses around the country. He remained a community activist to the end of his life.******

Michael Rossman was also known to have amassed a large collection of social activism posters. This was one of the few he produced himself.

MUDFLAT ART by William Jackson

Published by The Carson Jackson Fund, Verna Baxter, Lino Meiorin, Berkeley, California, 1967. First edition. Illustrated card covers, side staple bound, 9" x 6", 12 unnumbered pages, illustrated with 7 full page color photographs and one in text color photo. VERY GOOD Condition: some wear to the covers, internally signs of age and use, otherwise a respectable copy of this elusive publication about the old Emeryville Mudflat Sculptures.

In the 1960s the Emeryville Mudflats were a mere wasteland of space by the side of the Eastshore Freeway fronting San Francisco Bay. After some initial ad hoc sculpture popped up, the Mudflats evolved into a vibrant highly visible open air museum for a unique form of public art works. This amazing space of free expression lasted for about 30 years. Many of the sculptures are now in museum collections.