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  • Category = "Ephemera, Letters, Diaries, Papers, Scrapbooks"
  • 100+ FINE FABRIC SWATCHES for TAILORED MEN'S SUITS + EPHEMERA in TRAVELING SALESMAN'S SAMPLE KIT 1941 100+ FINE FABRIC SWATCHES for TAILORED MEN'S SUITS + EPHEMERA in TRAVELING SALESMAN'S SAMPLE KIT 1941

    TRAVELING SALESMAN'S FABRIC SAMPLE KIT for MEN'S SUITS.

    Small hinged suitcase type box with 100+ fine fabric swatches on 78 descriptive cards laid in, approximately 39 of the cards have a single 4x7 inch swatch and 39 have two 4x3.5 inch swatches smaller swatches). The fabrics are mainly wool and meant for Men's Finely Tailored Suits.

    The cost of the suit made from the various fabrics is cleverly printed beneath the swatches, meaning that a potential customer would see the fabric they like and actually touch it, before being shocked by the price, e.g. $27.95 for a suit! It's the old salesman's trick, once a potential client touches an item the odds are they're going to buy it.

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    TRAVELING SALESMAN'S FABRIC SAMPLE KIT for MEN'S SUITS.

    Small hinged suitcase type box with 100+ fine fabric swatches on 78 descriptive cards laid in, approximately 39 of the cards have a single 4x7 inch swatch and 39 have two 4x3.5 inch swatches smaller swatches). The fabrics are mainly wool and meant for Men's Finely Tailored Suits.

    The cost of the suit made from the various fabrics is cleverly printed beneath the swatches, meaning that a potential customer would see the fabric they like and actually touch it, before being shocked by the price, e.g. $27.95 for a suit! It's the old salesman's trick, once a potential client touches an item the odds are they're going to buy it.

    Salesman's ephemera is laid-in on top of the cards, including: "Agents Price List and Bonus Offers / Fall and Winter 1941 / Do Not Show To Customers"; Order Forms, Mailing Envelopes, Measuring Chart, Receipt Book, Notepad with Company Letterhead, etc.

    VERY GOOD condition: The case has wear to its edges and shows signs of use, but is still solid and working well, in fact I could go door-to-door with it now no problem; internally everything seems in very good shape, bright, clean, complete.

    1941 Fabrics for Men's Suits. They don't make them like that anymore. At least not in Chicago!

    INTERNATIONAL BUYERS PLEASE NOTE: This item is heavy and will require substantial additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact us ahead of time to find out the shipping charge to your country. Thanks.

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  • 1724 HANDWRITTEN SIGNED DOCUMENT from LIMOGES, FRANCE w/ OFFICIAL LIMOGES SEAL by NOTAIRE ROYAL 1724 HANDWRITTEN SIGNED DOCUMENT from LIMOGES, FRANCE w/ OFFICIAL LIMOGES SEAL
    NOTAIRE ROYAL

    HANDWRITTEN "LETTRE DE CHANGE ET QUITTANCE" - An Official Signed Document, Written and Signed by a "NOTAIRE ROYAL". The document is written on both sides of an 7.5x10" piece of laid rag paper. WRITTEN IN FRENCH. The letter begins "A Limoges Le Deuzieme jour des mois de Novembre mil sept cens vente quatres apres midy..." (Limoges, November 2, 1724, afternoon) There is an Official Stamp of the Seal of Limoges, France on the backside, below which is the signature of the official "Notaire Royal". GOOD condition. The letter has a number of horizontal folds and a vertical fold, all from where it was folded to fit into a small envelope (no envelope is present). There is some edge and corner…

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    HANDWRITTEN "LETTRE DE CHANGE ET QUITTANCE" - An Official Signed Document, Written and Signed by a "NOTAIRE ROYAL". The document is written on both sides of an 7.5x10" piece of laid rag paper. WRITTEN IN FRENCH. The letter begins "A Limoges Le Deuzieme jour des mois de Novembre mil sept cens vente quatres apres midy..." (Limoges, November 2, 1724, afternoon) There is an Official Stamp of the Seal of Limoges, France on the backside, below which is the signature of the official "Notaire Royal". GOOD condition. The letter has a number of horizontal folds and a vertical fold, all from where it was folded to fit into a small envelope (no envelope is present). There is some edge and corner wear, and a few closed tears at the edges of some of the folds. Overall a sturdy copy with writing that is clear and legible.Would look great framed. Please see the provided images to get a good idea of the letter, its contents, and its condition.

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  • 1737-1796 HANDWRITTEN EPHEMERA LEDGER DOCS - COLONIAL PENNSYLVANIA AMERICANA 1737-1796 HANDWRITTEN EPHEMERA LEDGER DOCS - COLONIAL PENNSYLVANIA AMERICANA

    NINE PIECES of EPHEMERA / HAND-WRITTEN DOCUMENTS, COLONIAL and POST REVOLUTIONARY WAR AMERICANA, related to WILLIAM JONES and OTHERS, apparently from PENNSYLVANIA (as per a few indications in the documents, and my research into a few of the names in the documents). All the items are handwritten on various size pieces of laid paper, some have watermarks.Following is a descriptive list of EACH OF THE 9 ITEMS (caps are usually mine): (1) 1783 Handwritten financial document dated October 11th, 1783. Writing on one side only, small calculation on backside. "Received October 11th 1783 of WILLIAM JONES by the hand of HIS SON MATHEW thirty three shillings and six pence in full." Signed by STEPHEN PASCHALL. Paper in FAIR CONDITION, yellowed…

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    NINE PIECES of EPHEMERA / HAND-WRITTEN DOCUMENTS, COLONIAL and POST REVOLUTIONARY WAR AMERICANA, related to WILLIAM JONES and OTHERS, apparently from PENNSYLVANIA (as per a few indications in the documents, and my research into a few of the names in the documents). All the items are handwritten on various size pieces of laid paper, some have watermarks.Following is a descriptive list of EACH OF THE 9 ITEMS (caps are usually mine): (1) 1783 Handwritten financial document dated October 11th, 1783. Writing on one side only, small calculation on backside. "Received October 11th 1783 of WILLIAM JONES by the hand of HIS SON MATHEW thirty three shillings and six pence in full." Signed by STEPHEN PASCHALL. Paper in FAIR CONDITION, yellowed with age; creases from folding; tape used along top edge for mending. (2) 1769 Handwritten banking memo. Single sheet of paper with miscellaneous notes and calculations. Writing on both sides. Reference to a purchase of 21 oxen on April 2nd, 1769 in the amount of one hundred and ninety three pounds twelve shillings by a William Jones. "Received of WM. JONES One Hundred and Ninety Three Pounds Twelve Shillings in full for 21 oxen Delivered him April 2nd 1769..." Signed by EBENEZER CANFIELD. Ledger notes include: "28 oxen Brought Down Between WM. JONES and JOHN SMITH..."; "MOSES MARTIN bought 2 at..."; "CHARLES MOORE'S horse came Nov 27, Took away March 26th..." Paper in POOR CONDITION, yellowed and faded with age, ink has gone through to other side of paper in places; creased from folding; hole through center of both pages; tape used to attempt to mend tears and holes. (3) 1796 Small Handwritten bank note dated February 5, 1796. Writing on one side only. "Received Feb 5th 1796 of MR. ANTHONY C. (MARNIS ?) four pounds two shillings and six pence in full for [illegible]." Signed by WILLIAM & JOS (JOSEPH) GRAY. Paper in GOOD CONDITION, creased along edges and corners. (4) 1764 Half-page Handwritten bank note dated July 21, 1764. Writing on one side only. "Received of MR. WILLIAM JONES July 21st, 1764 by the hands of your Overseer the sum of three pounds two shillings on Account". Signed by JOHN SAYRE & COMPANY. Paper in FAIR CONDITION, yellowed with age; crease marks from folding; holes along creases; paper loss along right edge; tape repairs on blank backside.(5) 1737 Half-page probably from a banking book, dated 1737 in the top left corner. Writing mostly on one side, a column of numbers on backside. Handwritten page is presumably from a banking ledger, recording amounts and transactions. Nice list of Colonial American Names. List of names with sums: JOHN GRIFFEY, MATTHIAS CARTE, PETTER PETERSON, JOHN (RANSON?), THOMAS CLAYTON, JOSEPH GRIST, GEORGE GRIST, JOHN (RAILIE?) Paper in POOR CONDITION, yellowed and darkened with age; creased from folding; discoloration; tape used to mend tears, tape has discolored paper. (6) Undated Half-page probably from a banking ledger, no date. Writing on one side only. "DR. MATHEW JONES, ESQ. in (acct?) with RICH. (RICHARD) LLOYD. Ledger contains dates and transaction details. Paper in FAIR CONDITION, discolored with age; creased from folding. (7) 1787 Handwritten banking memo dated May 10, 1787. Writing on both sides. "Balance Due WILLIAM JONES..."; "Settled this 10th day of May 1787 By us - WILLIAM JONES, DANIEL (BURCHALL?)". Paper in POOR CONDITION, faded with age; heavy creases from folding; clear (now darkened) tape used to reinforce creases. (8) 1787 Handwritten bank note dated March 12, 1787. Writing on both sides. "Received of WILLIAM JONES the sum of seven pounds being the fees & expense in full for surveying two tracts of land one on STONEY CREEK and the other in MILLFORD (MILFORD) TOWNSHIP". Signed by GEORGE WOODS. There is a written note on the backside that mentions a DR. WILLIAM H. DELANY and a (DR.?) TOBIN. Paper in FAIR CONDITION, yellowed with age; creased from folding; tape used to mend tears. (9) 1796 Handwritten large-page ledger document--dated 1796

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  • 1783 CLAUDE FAUCHET - GUILLOTINED FRENCH REVOLUTIONIST BISHOP - HANDWRITTEN SIGNED LETTER by Claude Fauchet 1783 CLAUDE FAUCHET - GUILLOTINED FRENCH REVOLUTIONIST BISHOP - HANDWRITTEN SIGNED LETTER
    Claude Fauchet

    CLAUDE FAUCHET - FRENCH BISHOP who STORMED THE BASTILLE and EULOGIZED BENJAMIN FRANKLIN - HANDWRITTEN, SIGNED, WORRIED LETTER dated 1783 - HE was GUILLOTINED on HALLOWEEN in 1793

    SIGNED, HANDWRITTEN LETTER from the French Bishop CLAUDE FAUCHET to a M. CHEVIN, Fils. Dated May 15, 1783. In French.

    Single page letter written on a single fold sheet of laid, watermarked paper, with an address leaf and wax seal on the backside. The letter measures 8.5x12 inches (20x31.5 cm). A typed translation is provided on a sheet of paper that has browned and is a bit brittle with age (1940s?).

    The letter is written to a close friend, M. Chevin, fils. It is warm and intimate. Fauchet tells that his life…

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    CLAUDE FAUCHET - FRENCH BISHOP who STORMED THE BASTILLE and EULOGIZED BENJAMIN FRANKLIN - HANDWRITTEN, SIGNED, WORRIED LETTER dated 1783 - HE was GUILLOTINED on HALLOWEEN in 1793

    SIGNED, HANDWRITTEN LETTER from the French Bishop CLAUDE FAUCHET to a M. CHEVIN, Fils. Dated May 15, 1783. In French.

    Single page letter written on a single fold sheet of laid, watermarked paper, with an address leaf and wax seal on the backside. The letter measures 8.5x12 inches (20x31.5 cm). A typed translation is provided on a sheet of paper that has browned and is a bit brittle with age (1940s?).

    The letter is written to a close friend, M. Chevin, fils. It is warm and intimate. Fauchet tells that his life is beset with "thorns" and "grief", likely troubles related to the bubbling 1789 French Revolution. Though a Revolutionist himself, Fauchet was tried and guillotined by the Revolutionists in 1993. The letter begins:

    "I am very touched, my dear friend, by the part you take in my trouble and for all the evidences of affection you have shown me...for some time my life has been beset with thorns and every day brings me new grief. If the consolations of friendship did not sweeten the bitterness which pours into my heart, I would consider it a great blessing to withdraw from this world and to live only with God and my conscience."

    Condition: Age toning, several original folds, tear where the letter was opened not affecting text. Overall this 1783 letter remains in GOOD condition, the writing is bright and clear, the wax seal shines, the paper's watermark is visible.

    RARE FRENCH REVOLUTION ERA DOCUMENT by a BISHOP who STORMED THE BASTILLE WITH the REVOLUTIONISTS and was THEN GUILLOTINED BY THEM.

    About CLAUDE FAUCHET (from Wikipedia):

    ******Claude Fauchet (22 September 1744 - 31 October 1793) was a French bishop.

    He was born at Dornes, Nièvre. He was a curate of the church of St Roch, Paris, when he was engaged as tutor to the children of the marquis of Choiseul, brother of Louis XVs minister, an appointment which proved to be the first step to fortune. He was successively grand vicar to the archbishop of Bourges, preacher to the king, and abbot of Montfort-Le Carre.

    HE WAS ONE OF THE LEADERS OF THE ATTACK ON THE BASTILLE, and on 5 August 1789 he delivered an eloquent discourse by way of funeral sermon for the citizens slain on 14 July, taking as his text the words of St Paul, 'Ye have been called to liberty".

    He blessed the tricolor flag for the National Guard and in September was elected to the Commune. In 1790 he wrote France's Eulogy to Benjamin Franklin (Eloge Civique De Benjamin Franklin). He retired from the Commune in October 1790. During the next winter he organized within the Palais Royal the Social Club of the Society of the Friends of Truth, presiding over crowded meetings under the self assumed title of procureur général de la vérité. Nevertheless, events were marching faster than his opinions, and the last occasion on which he carried his public with him was in a sermon preached at Notre Dame on 4 February 1791.

    In July 1793 he was imprisoned on the charge of supporting the federalist movement at Caen. He was brought before the Revolutionary Tribunal on 30 October, and was guillotined on the following day, October 31 (Halloween!!!)."******

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  • 1798 HANDWRITTEN WILL of RICHARD DODD, RECTOR of COWLEY, MIDDLESEX COUNTY by Richard Dodd 1798 HANDWRITTEN WILL of RICHARD DODD, RECTOR of COWLEY, MIDDLESEX COUNTY
    Richard Dodd

    HANDWRITTEN WILL of RICHARD DODD, RECTOR of COWLEY, MIDDLESEX COUNTY. DATED MAY 13, 1798. Single-Fold Sheet to make four pages, handwritten on the front page and on the two inner pages. Written on laid-paper with the WATERMARK "ALLEE 1796". The writing is bright and clear, though the calligraphy is somewhat difficult. There are numerous folds from where the will had been folded into a small size, there is some edge wear including a few small closed edge tears. Still a solid, clean, manuscript Will. Here is my transcription of the manuscript Will (pardon my errors): "I Richard Dodd Rector of Cowley in the County of Middlesex revoking all other wills, do make this my last will and Testament.

    Imprimo:

    I…

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    HANDWRITTEN WILL of RICHARD DODD, RECTOR of COWLEY, MIDDLESEX COUNTY. DATED MAY 13, 1798. Single-Fold Sheet to make four pages, handwritten on the front page and on the two inner pages. Written on laid-paper with the WATERMARK "ALLEE 1796". The writing is bright and clear, though the calligraphy is somewhat difficult. There are numerous folds from where the will had been folded into a small size, there is some edge wear including a few small closed edge tears. Still a solid, clean, manuscript Will. Here is my transcription of the manuscript Will (pardon my errors): "I Richard Dodd Rector of Cowley in the County of Middlesex revoking all other wills, do make this my last will and Testament.

    Imprimo:

    I appoint my dear wife Eliz. Dodd & the Revd. Philip S. Dodd my second son the joint executors & the administrators of this my said will desiring & ordering that they will within

    in one twelve month of my decease or before of they think proper buy & transfer & place two thousand pounds ________ in the name &

    for the use of my son William Dodd & likewise that they buy & place the same sum in the same stock in the name of & for the use of my daughter Frances Margaret Dodd. That they assign and make over

    to them likewise these shares.

    In the Middlesex _______________ that_______________ / _______________ / names of William / _______________, Dodd _______________. The rest & residue of my property, be it of whatever kind I leave to my dear wife desiring that she will

    leave it to her children.

    Elizabeth Philip & Charles such shares & proportions as she shall think right & proper (trusting she will not whilst living or at her death leave any improper partiality of

    she regards the memory of a Dear affectionate husband who look unwearied pains to save her of them from the distrust she in early life experienced from.

    The inability of a most excellent Father and afford him any _______________

    I sign this on the thirteenth of May in the Year of our Lord

    one thousand seven hundred and ninety eight. - Rich Dodd."

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  • 1848 Dienstbuch - Eighteen Year Old GERMAN SERVANT GIRL'S I.D. STATUS & DUTIES DOCUMENT - SERVICE IDENTIFICATION BOOK 1848 Dienstbuch - Eighteen Year Old GERMAN SERVANT GIRL'S I.D. STATUS & DUTIES DOCUMENT - SERVICE IDENTIFICATION BOOK

    Antique German booklet, a Rare "Dienstbuch" (literally translated as "Service Book") from the year 1848 (with later notations from 1850), stipulating the status of the individual bearing this document as "servant class", and stating conditions of their legal employment. Official Document / Booklet, string bound with a portion of the string sealed with wax on the back page, 4.75x7.5", 32 pages. This particular booklet has been given the number 1019 and is made out to a young woman, aged 18. I cannot decipher, from the handwriting, the name and particulars of the girl whose book this was. The servant was required by law to carry this Official Statement of Employment, and had to be shown when proof of employment was…

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    Antique German booklet, a Rare "Dienstbuch" (literally translated as "Service Book") from the year 1848 (with later notations from 1850), stipulating the status of the individual bearing this document as "servant class", and stating conditions of their legal employment. Official Document / Booklet, string bound with a portion of the string sealed with wax on the back page, 4.75x7.5", 32 pages. This particular booklet has been given the number 1019 and is made out to a young woman, aged 18. I cannot decipher, from the handwriting, the name and particulars of the girl whose book this was. The servant was required by law to carry this Official Statement of Employment, and had to be shown when proof of employment was required by Police or other authorities. This small publication consists of 32 pages (no covers as issued). Only 9 of the pages have writing or printing, the rest are numbered but blank (kind of like a mostly unused passport). The first page has handwriting and printing, providing points of identification of this Dienstbuch holder. The next 7 pages (2-8) contain printed matter only, including warnings, rules, and governing servitude ordinances. Page 9 is filled in with handwriting, including a couple "1850" dates. I don't know what the writing says, but I have tried to provide a clear image for those of you who might be able to read the it. The bottom of page 9 has an ink stamp that bears bears the name of the town of Gerstungen in Thuringia. The back page (page 32) has an Official Wax Seal. The wax seal is stamped over the binding threads, making it very difficult for pages to be removed so that false ones could be entered. Condition: Toned, foxed, some soiling, but still solid, clear, and fully legible. A wonderful historic document relating to Young Servant Girls in 19th Century Germany.

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  • 1849 LETTER by EDWARD P. BURNHAM - MASON GRAND MASTER, SON OF AMERICAN REVOLUTION by Edward P. Burnham 1849 LETTER by EDWARD P. BURNHAM - MASON GRAND MASTER, SON OF AMERICAN REVOLUTION
    Edward P. Burnham

    FOUR PAGE MANUSCRIPT LETTER, written on a single-fold four-page sheet of paper, each page 8.5" x 9.75". A personal letter, full of flights of fancy, talk of spirits, advice for overcoming grief, humor (give them a kiss for me - or don't you do such a thing?), etc. WRITTEN BY A SON OF THE AMERICAN REVOLUTION, FREE-MASON GRAND MASTER and GRAND COMMANDER in MAINE, and Resident of SACO and BANGOR MAINE and ROXBURY MASSACHUSETTS. You can find information on GRAND MASTER EDWARD PAYSON BURNHAM on various MASONIC related websites. You can research the GENEALOGY of EDWARD PAYSON BURNHAM, SON OF THE AMERICAN REVOLUTION on the Sons of the American Revolution, Maine Society, website.

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  • 1851-1920 HANDWRITTEN SPEECHES by O.T. EVERHART CIVIL WAR SURGEON + EVERHART FAMILY GENEALOGY by Oliver Troxell Everhart 1851-1920 HANDWRITTEN SPEECHES by O.T. EVERHART CIVIL WAR SURGEON + EVERHART FAMILY GENEALOGY
    Oliver Troxell Everhart

    Unique manuscript collection of speeches by Dr. Oliver Troxell Everhart, a Civil War surgeon and prominent physician. He was very active in his community and belonged to various fraternal and medical organizations. He was often a featured speaker at events, commencements, medical meetings, etc. Includes table of contents and 80 handwritten speeches. The contents span from 1851, his freshman year at Marshall College to 1920, at age 89. Occasionally augmented with mounted newspaper articles. Includes his bookplate on the front pastedown.

    The speeches are handwritten on mostly lined paper, 6x9 inches (15x23.5 cm). The pages are hand-numbered. Pagination: [4], 426, [30] pages. Most of the speeches are non-medical in nature. Titles of all the speeches can be seen in the…

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    Unique manuscript collection of speeches by Dr. Oliver Troxell Everhart, a Civil War surgeon and prominent physician. He was very active in his community and belonged to various fraternal and medical organizations. He was often a featured speaker at events, commencements, medical meetings, etc. Includes table of contents and 80 handwritten speeches. The contents span from 1851, his freshman year at Marshall College to 1920, at age 89. Occasionally augmented with mounted newspaper articles. Includes his bookplate on the front pastedown.

    The speeches are handwritten on mostly lined paper, 6x9 inches (15x23.5 cm). The pages are hand-numbered. Pagination: [4], 426, [30] pages. Most of the speeches are non-medical in nature. Titles of all the speeches can be seen in the photos of the contents pages.

    CONDITION: The leather covered boards and spine are falling apart, spine mostly gone, boards worn and soiled, spine folds with old tape marks, etc. Internally, there is some foxing and finger soiling throughout, some speeches rather tightly bound in at the left margin, there is some edge wear and small tears here and there, page 146 has some pieces torn off that are laid in, the inner binding has seriously cracked at a number of places. Nonetheless the pages are complete, remain bound together with the string binding, and, most important, the writing is clear and fully legible throughout.

    ACCOMPANIED with an ORIGINAL 1883 FIRST EDITION GENEALOGY BOOK written by O(LIVER) T(ROXELL) EVERHART, M.D.

    The book is titled: "A HISTORY OF THE EVERHART and SHOWER FAMILIES from 1744 to 1883, Embracing SIX GENERATIONS. Also A SKETCH of MANCHESTER, MD." It is EX-LIBRARY, bound in library hardcovers with the usual stamps, labels, pockets, and shelving numbers. There is a "withdrawn" stamp on several of the labels. Ex-lib aside the book is in GOOD condition, signs of general handling and wear, but still tight, bright, clean, clear and unmarked. The book was written and self-published by O.T. Everhart, M.D., primarily for family and friends. As such, the first edition is quite rare.

    TWO ITEMS by O.T. EVERHART, M.D. - A One-Of-A-Kind Collection of Handwritten Speeches, and a Rare First Edition of the Everhart & Shower Families.

    About OLIVER TROXELL EVERHART (from the Franklin & Marshall College Library website, and elsewhere on the Internet):

    ******Oliver Troxell Everhart (1832-1921) was a Union Army physician, captured briefly after a raid on Chambersburg before being released. While tending to the wounded he contracted chronic diarrhea, which after moving camps would eventually worsen into an inflammation of the spine which left him paraplegic and resulted in an honorable discharge. Despite his injuries, he continued to practice medicine in York and Perry counties in Pennsylvania before settling in Hanover in 1878. He was a prominent physician, eventually joined in practice by his son Dr. George S. Everhart. He practiced medicine until his death in 1921.******

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  • 1859 JOHN HORTON SLAUGHTER Important HANDWRITTEN LETTER Civil War TEXAS Sam Houston by TEXAS JOHN SLAUGHTER, JOHN HORTON SLAUGHTER, SHERIFF SLAUGHTER 1859 JOHN HORTON SLAUGHTER Important HANDWRITTEN LETTER Civil War TEXAS Sam Houston
    TEXAS JOHN SLAUGHTER, JOHN HORTON SLAUGHTER, SHERIFF SLAUGHTER

    Important, Rare, Handwritten Letter by JOHN HORTON SLAUGHTER (aka TEXAS JOHN SLAUGHTER, SHERIFF SLAUGHTER, JOHN H. SLAUGHTER), written in 1859 when he was only 18 years old. Single Page Handwritten Letter, single sheet, light blue laid paper with a nickel size blind embossed emblem at the upper right corner, approximately 7.75 x 12 inches. GOOD condition, several folds where the letter was probably folded to fit into a small envelope (NO envelope is present), very small holes where a couple folds intersect, a few ink stains on the blank back side, otherwise solid with writing that is fully legible. Folded is how the letter was preserved and is its normal state. The letter was written to John H. Slaughter's 22…

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    Important, Rare, Handwritten Letter by JOHN HORTON SLAUGHTER (aka TEXAS JOHN SLAUGHTER, SHERIFF SLAUGHTER, JOHN H. SLAUGHTER), written in 1859 when he was only 18 years old. Single Page Handwritten Letter, single sheet, light blue laid paper with a nickel size blind embossed emblem at the upper right corner, approximately 7.75 x 12 inches. GOOD condition, several folds where the letter was probably folded to fit into a small envelope (NO envelope is present), very small holes where a couple folds intersect, a few ink stains on the blank back side, otherwise solid with writing that is fully legible. Folded is how the letter was preserved and is its normal state. The letter was written to John H. Slaughter's 22 year old friend and trusted horse selling partner JOHN B. LINDSEY, of Frankfort, Kentucky. (The Lindsey / Lindsay family is an old and prominent Kentucky family, as are its relations.) The contents of the letter seem to indicate a familial relationship of some sort between the Slaughter and Lindsey family lines. This pre Civil War letter written at the age of 18 is by far the earliest letter of JOHN HORTON SLAUGHTER that I have seen. It gives a glimpse of his life and ambitions that have rarely, if ever, been recorded. The letter reads in great part: "(??) August 24, 1859. / Dear John / Yours of the 8th has been received and the draft for $500 which was very acceptable. You say you have not heard from me in a long time. I answered your other letter acknowledging the receipt of the other draft & your Aunt also wrote in it making a long letter. I hope you have received it before this in that I left all the matter of collections to your own judgement as I do in this need the money, but I can get along (as I?) have raised a small crop of cotton & I have some cattle & young horses to sell if I could meet with a purchaser. You say your state has gone for the Democrats. You had better quit it and come to Texas, it has gone the opposition ticket. Houston is elected by a large majority. Your relations are all well as usual except (?) who has been quite sick but she is now on the mend... the rest of our family is as well as usual... We don't know (what) you do to stand it in Ky. You must suffer very much. Remember me to all./

    Yours Truly, John H. Slaughter." This letter was acquired in Northern California from the estate of a member of (per the estate listing): "a very prominent Southern family, offering... pre-and post-Civil War ephemera (letters and documents)..." Most of the interesting old documents I found related to the LINDSEY FAMILY of FRANKFORT, KENTUCKY, including many documents and letters of JOHN B. LINDSEY (born July 4, 1837, Frankfort, KY, died 1922, Frankfort, KY), among which was this letter. I also acquired an unpublished autobiography by Edwin S. Lindsey, the Grandson of John B. Lindsey. There is a paragraph on page 3 where he writes: "When he was a young man, Grandfather Lindsey had tuberculosis, the dreaded Great White Plague of that age. He went to Texas for better climate and was a horse trader, buying horses in Mexico and selling them in the U.S. West. Those were the wild days of the West, and many were his adventures, which will have to be omitted now. He recovered his health and returned to Frankfort, where he practiced law very successfully till he retired at the age of eighty four". This paragraph matches perfectly with the Slaughterhouse letter urging the young John Lindsey to leave Kentucky and join him in Texas. About JOHN HORTON SLAUGHTER (excerpted from Wikipedia): "John Horton Slaughter, b. 1841 d. 1922, also known as Texas John Slaughter, was an American lawman, cowboy, poker player and rancher in the Southwestern United States during the late 19th and early 20th centuries. After serving in the Confederate States Army during the American Civil War, Slaughter earned a reputation fighting hostile Indians and Mexican and American outlaws in the Arizona and New Mexico territories."

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  • 1867 JULES-EMILE PLANCHON HANDWRITTEN LETTER to DR. V.A. SIGNORET, plus two of J.-E. Planchon's ORIGINAL WORKS on the FRENCH PHYLLOXERA VINEYARD PLAGUE, plus a SIGNED WORK by J.-E. Planchon's brother, GUSTAVE PLANCHON by JULES-EMILE PLANCHON, Gustave Planchon 1867 JULES-EMILE PLANCHON HANDWRITTEN LETTER to DR. V.A. SIGNORET, plus two of J.-E. Planchon's ORIGINAL WORKS on the FRENCH PHYLLOXERA VINEYARD PLAGUE, plus a SIGNED WORK by J.-E. Planchon's brother, GUSTAVE PLANCHON
    JULES-EMILE PLANCHON, Gustave Planchon

    1867 JULES-EMILE PLANCHON HANDWRITTEN LETTER to DR. V.A. SIGNORET, plus two of J.-E. Planchon's ORIGINAL WORKS on the FRENCH PHYLLOXERA VINEYARD PLAGUE, plus a SIGNED WORK by J.-E. Planchon's brother, GUSTAVE PLANCHON. THREE PAGE HANDWRITTEN LETTER by JULES EMILE PLANCHON to DR. VINCENT ANTOINE SIGNORET (addressed to "Monsieur", but clearly to Dr. Vincent Antoine Signoret, identified by the other included items that are described below). The letter is on a single-fold sheet, making 4-pages. Handwritten on the front page and the two inside pages, the back page is blank. Signed by J. E. Planchon at the end of his letter, with his current positions as Professor and Director of Pharmaceuticals in Montpellier, written beneath his signature. AN IMPORTANT LETTER -…

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    1867 JULES-EMILE PLANCHON HANDWRITTEN LETTER to DR. V.A. SIGNORET, plus two of J.-E. Planchon's ORIGINAL WORKS on the FRENCH PHYLLOXERA VINEYARD PLAGUE, plus a SIGNED WORK by J.-E. Planchon's brother, GUSTAVE PLANCHON. THREE PAGE HANDWRITTEN LETTER by JULES EMILE PLANCHON to DR. VINCENT ANTOINE SIGNORET (addressed to "Monsieur", but clearly to Dr. Vincent Antoine Signoret, identified by the other included items that are described below). The letter is on a single-fold sheet, making 4-pages. Handwritten on the front page and the two inside pages, the back page is blank. Signed by J. E. Planchon at the end of his letter, with his current positions as Professor and Director of Pharmaceuticals in Montpellier, written beneath his signature. AN IMPORTANT LETTER - Written during the time J-E PLANCHON was investigating the cause of the destruction of grape vines throughout Europe. Much of the letter discusses botany, with botanical words such as: Chènes, Coccus, Gramutii, Pulvinatus, Chermes, Cultivés, Coquilles, Èspece, etc. Much of the letter has to do with scale insects, a specialty of the letter's recipient, DR. V.-A. SIGNORET. The letter is dated: Montpellier le 10 Decembre 1867. It appears that the letter was originally sent to GUSTAVE PLANCHON, the brother of JULES EMILE PLANCHON, in response to a booklet written by Gustave Planchon titled: LE KERMES DU CHENE - AUX POINTS DE VUE ZOOLOGIQUE, COMMERCIAL & PHARMACEUTIQUE. But the letter by Signoret to Gustave Planchon was either intercepted by or forwarded to Jules Emile Planchon, who read it and responded to it. THE LETTER IN THIS AUCTION IS THE LETTER BY J.-E. PLANCHON to SIGNORET, it DOES NOT include the assumed letter written by Signoret to Gustave. However... GUSTAVE'S BOOKLET IS INCLUDED. The booklet has printed blue wrappers, sewn binding, 5.25x8.25", 47 pages. Published in PARIS and MONTPELLIER, 1864. The booklet is SIGNED and INSCRIBED by GUSTAVE PLANCHON at the top of the front cover: "hommage de l'auteur / Gustave Planchon (signed)". The booklet has the ink-stamped signature of SIGNORET on the half-title page, again on page 7 (the beginning of the text), and a third time on the blank bottom of the last page (page 47).

    Handwritten on the front cover, presumably by SIGNORET is "ecrit à M. Planchon le 21 Nbre 1867". This corresponds nicely with the December 10, 1867, date on the letter by E.-J. Planchon to (presumably) Signoret. The booklet also has a handwritten, single-line, relevant note on page 23, presumably by Signoret. ALSO INCLUDED are TWO BOOKLETS on GRAPE VINES and VINEYARDS by J. E. PLANCHON. (1) An 8 page booklet titled "LA PHTHIRIOSE ou PEDICULAIRE DE LA VIGNE CHEZ LES ANCIENS - Et Les Cochenilles de la VIGNE Chez Les Modernes". A separately bound extract from the Societe des Agriculteurs de France, 1870. (2) A 16 page booklet titled "NOTES ENTOMOLOGIQUES SUR LE PHYLLOXERA VASTATRIX". A separately bound extract from the Societe des Agriculteurs de France, 1869. IN SUMMARY, THIS AUCTION IS FOR: (1) A 3-PAGE HANDWRITTEN LETTER BY JULES-EMILE PLANCHON. (2) A 42 PAGE Booklet by GUSTAVE PLANCHON, SIGNED by GUSTAVE PLANCHON, and owned by VINCENT ANTOINE SIGNORET, with his stamped Signature and Handwritten notes. (3) AN 8 PAGE Booklet by JULES EMILE PLANCHON on VINES both Ancient and Modern. (4) A 16 PAGE Booklet by JULES EMILE PLANCHON on PHYLLOXERA, the Plague that was destroying the Vineyards of France and Europe. CONDITION: The letter is solid, there are some stains, spots, creases and edge toning but the writing is clear throughout. The letter has a number of folds from where it was folded, presumably to fit into a small envelope.

    The booklet by Gustave Planchon has a couple of creases and spots, but remains solid and nice.

    The 8 page booklet has some creases but remains sturdy, bright and clean. The 16 page booklet is soiled, has edge wear, creases, and tears, has some foxing, and has some early previous owner's margin marks and text underlining.

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  • 1878 EDWARD MATTHEW WARD - HANDWRITTEN LETTER SIGNED to FRANK GASKELL by EDWARD MATTHEW WARD 1878 EDWARD MATTHEW WARD - HANDWRITTEN LETTER SIGNED to FRANK GASKELL
    EDWARD MATTHEW WARD

    HANDWRITTEN LETTER by EDWARD MATTHEW WARD to FRANK GASKELL. Stationery is blind-stamped engraved "Glen Aray Lodge, Windsor". The letter is dated 3rd January 1878. (Ward died just 12 months later, 15 January 1879, a suicide.) Written on a single-fold piece of stationery, making 4 pages. The letter is on 2 pages, the front page and an inner page. The letter reads (as best I can make out): "My Dear Mr. Gaskell Many thanks for the Photo with which I was much pleased and by which I can imagine that the dress must have cut a very good figure in the room & I am glad that my suggestion was of any use to you in the matter. I very much…

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    HANDWRITTEN LETTER by EDWARD MATTHEW WARD to FRANK GASKELL. Stationery is blind-stamped engraved "Glen Aray Lodge, Windsor". The letter is dated 3rd January 1878. (Ward died just 12 months later, 15 January 1879, a suicide.) Written on a single-fold piece of stationery, making 4 pages. The letter is on 2 pages, the front page and an inner page. The letter reads (as best I can make out): "My Dear Mr. Gaskell Many thanks for the Photo with which I was much pleased and by which I can imagine that the dress must have cut a very good figure in the room & I am glad that my suggestion was of any use to you in the matter. I very much envy you your Roman trip which must have been very enjoyable to you more [especially] in such excellent companionship of Mr. W. Wood who must be so au fait in all that belongs to the Eternal City, and the funeral of the gook King must have been very [impressive] and interesting and a thing to have seen. It is now nearly thirty eight years since I was in Rome, where I remained three years, but I have a most vivid recollection of it & all its glories, & still live in hopes of again seeing it before I die, though at present I see no probability of my being able to enjoy so great a pleasure in [the] future. It must have greatly altered since I was there & I have no doubt in the main for the better, especially in a sanitary point of view, though perhaps not altogether in [picturesqueness], but on one point I am sure it must have done so & that is in its government which when I was there was simply diabolical. I hope that we shall have the pleasure of seeing your father down here during his stay in London and immediately on receiving your letter yesterday I wrote a letter off to him at Wootton to be forwarded & I have no doubt that he will receive it tomorrow. I shall however send him a line to the Reform Club to make matters more sure, as I am most anxious for him to come down here and see the Windsor Tapestry Manufactory should he be able to spare the time. Mrs. Ward unites with me in kindest regards to Mrs. Gaskell & the rest of your family circle. & believe me, Yours ever Sincerely, E. M. Ward". CONDITION: The letter has a vertical and horizontal fold, perhaps from being folded to fit into a small envelope. The blank backside has paper remnants, as if the letter had been glued to a mount at some point and later removed. There is a small ink-stamped name on the black backside "K. J. Turner". The writing remains bright, clear and fully legible. Edward Matthew Ward RA (London 14 July 1816 - 15 January 1879) was an English Victorian narrative painter best known for his murals in the Palace of Westminster depicting episodes in British history from the English Civil War to the Glorious Revolution.

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  • 1880 Original SIGNED Cabinet Card of Opera Diva AMY GORDON by Chicago Photographer Joseph W. Gehrig by Amy Gordon 1880 Original SIGNED Cabinet Card of Opera Diva AMY GORDON by Chicago Photographer Joseph W. Gehrig
    Amy Gordon

    1880 Original SIGNED Cabinet Card of Opera Diva AMY GORDON By Chicago Photographer Joseph W. Gehrig

    Cabinet Card of Prima Donna AMY GORDON in falling "snow." Photographed by Celebrity Photographer Joseph W. Gehrig in his Chicago Studio circa 1880. Printed card mount, 6.5" x 4.25". VERY GOOD Condition: some light signs of age and wear, and light smudging/small staining on the image, otherwise a sharp, bright image.

    SIGNED and Inscribed by Amy Gordon in red ink on rear: " To Mrs Stevens / from / "Emma" / Amy Gordon Morgan / Kansas City "

    Amy Gordon was the Prima Donna of her own Musical Theater Company, The Amy Gordon Opera Company. An accomplished artist she was active from the late…

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    1880 Original SIGNED Cabinet Card of Opera Diva AMY GORDON By Chicago Photographer Joseph W. Gehrig

    Cabinet Card of Prima Donna AMY GORDON in falling "snow." Photographed by Celebrity Photographer Joseph W. Gehrig in his Chicago Studio circa 1880. Printed card mount, 6.5" x 4.25". VERY GOOD Condition: some light signs of age and wear, and light smudging/small staining on the image, otherwise a sharp, bright image.

    SIGNED and Inscribed by Amy Gordon in red ink on rear: " To Mrs Stevens / from / "Emma" / Amy Gordon Morgan / Kansas City "

    Amy Gordon was the Prima Donna of her own Musical Theater Company, The Amy Gordon Opera Company. An accomplished artist she was active from the late 1870s through the 1890s. She performed with various entertainment organizations including the D'Oyly Carte Comedy Opera Company, W.C. Mitchell's Pleasure Party, Rice's Surprise Party Theater Company, Grenier's, and the Bijou Comic Opera, performing grand burlesque comic extravaganzas at iconic venues across the United States from Broadway to Chicago, San Francisco, London, and the British provinces. She was married to fellow entertainer W. A. Morgan sometime in the 1880's until his untimely death in 1888.

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  • 1880s NOTED AMERICAN ART DEALER'S ACCOUNTS LEDGER - CHARLES M. KURTZ by Charles McMeen Kurtz 1880s NOTED AMERICAN ART DEALER'S ACCOUNTS LEDGER - CHARLES M. KURTZ
    Charles McMeen Kurtz

    1880s AMERICAN ART DEALER ACCOUNTS LEDGER - CHARLES M. KURTZ, noted art museum curator, art dealer, art critic, and writer on art. Handwritten by Kurtz in his beautiful and completely legible calligraphy. At the top of all the accounting pages Kurtz has written: "Picture Business: in account with" and then signed his name: "Charles M. Kurtz".

    Manuscript accounts ledger with double entries on lined ledger pages. Note that only the first 27 pages are used, the remaining pages are blank. The entries consist of art purchases and sales for the years 1884-1896.

    Full leather ledger, gilt framing on the front and rear boards, gilt titling and designs on the spine, four raised spine bands, marbled page edges, 5.5x9 inches,…

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    1880s AMERICAN ART DEALER ACCOUNTS LEDGER - CHARLES M. KURTZ, noted art museum curator, art dealer, art critic, and writer on art. Handwritten by Kurtz in his beautiful and completely legible calligraphy. At the top of all the accounting pages Kurtz has written: "Picture Business: in account with" and then signed his name: "Charles M. Kurtz".

    Manuscript accounts ledger with double entries on lined ledger pages. Note that only the first 27 pages are used, the remaining pages are blank. The entries consist of art purchases and sales for the years 1884-1896.

    Full leather ledger, gilt framing on the front and rear boards, gilt titling and designs on the spine, four raised spine bands, marbled page edges, 5.5x9 inches, 273 pages of which only the first 27 pages are used. There are also 10 loose handmade accounting pages laid-in, some of which are on the backsides of printed notices from the "Department of Fine Arts / World's Columbian Exposition / Chicago, August 1, 1891". One is on the backside of a "National Academy Notes / New York / 188_" which ends with "Yours respectfully / Charles M. Kurtz / 23 Gramercy Park, New York." There is also an article laid-in with a photo of artworks and the caption: "Saint Louis Exposition / Office of the Art Department / Charles M. Kurtz, Director / St. Louis, Mo., October 11, 1897".

    Double page entries. The left page has the Artists' Names, Artwork Titles, Size of the Artworks, Amount Paid for the Art, Amount Paid for the Frames, Total Cost. The right page has the Dates Sold, the Names of the Purchasers, Prices Received, and Profits or Losses.

    Artists in this accounts book include (selected at random): Charles Melville Dewey, Ralph Albert Blakelock, F. Brissot (Felix-Saturin Brissot de Warville), Childe Hassam (including 'Girl (Lady) in Pink' which was purchased for $32.50), Antoni Piotrowski, Léon Germain Pelouse, Nico Steffelaar, Patty Prather Thum, Cornelius Van Leemputten, George B. Wood, and many others. Many of the artists seem to be American.

    GOOD condition: The covers have some leather deterioration at the edges and folds, but are otherwise sturdy and doing their job well. The inner pages are very nice and the handwriting of Charles M. Kurtz would get an A+ in a handwriting class, it is lovely, bright and fully legible. The laid in ephemera is generally GOOD condition, with creases, folds, edgewear and general signs of handling and age.

    An intimate look at the buying and selling of art in America in the late 1880s by an Art Dealer and Art Museum Curator who helped shape America's taste in Art.

    About CHARLES M. KURTZ (from Wikipedia):

    ******Charles McMeen Kurtz, b.1855 d.1909, was an American art critic, writer, and museum curator.

    He graduated from Washington & Jefferson College in 1876. He then studied at the National Academy of Design in New York City, later earning an M.A. from Washington & Jefferson in 1878.

    In 1881 he published the first edition of the National Academy Notes. He married Julia Stephenson in 1885, and they had three daughters.

    In 1891 he was appointed as one of Halsey Ives's assistants in the Fine Arts Department of the World's Columbian Exposition, where he introduced American art audiences to Glasgow School, the Danish School, Mihály Munkácsy, Joaquim Sorolla. He also worked as the Assistant Director of Fine Arts for the United States for the Paris Exposition of 1900. He was the art director for the Louisiana Purchase Exposition in 1904.

    His papers are held at the Smithsonian Archives of American Art.******

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  • 1887-1897 San Francisco ORPHEUM THEATER Anniversary Program VIEWBOOK Drag Queens AFRICAN AMERICAN ACTORS Vaudeville BURLESQUE Entertainers Musicians by Gustav Walter 1887-1897 San Francisco ORPHEUM THEATER Anniversary Program VIEWBOOK Drag Queens AFRICAN AMERICAN ACTORS Vaudeville BURLESQUE Entertainers Musicians
    Gustav Walter

    Souvenir Retrospective Program Celebrating San Francisco's Orpheum Theater's First Ten years 1887 to 1897.

    One of the greatest performance spaces in Bay Area history, the Orpheum opened on O'Farrell street by Union Square on June 30, 1887. It was conceived, built and run by notable Impresario Gustav Walter, a German immigrant to San Francisco. This scarce Orpheum Viewbook is an illustrated retrospective of its historic first decade 1887 to 1897. Filled with sixty-five (65) b&w photographic portraits and fifty-three (53) unique biographical sketches of the principal artists, musicians, Vaudeville and Burlesque stars, drag queens, circus performers, opera stars, comedians, female impersonators, and variety show entertainers who appeared during this most successful first decade. A long list of other notable…

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    Souvenir Retrospective Program Celebrating San Francisco's Orpheum Theater's First Ten years 1887 to 1897.

    One of the greatest performance spaces in Bay Area history, the Orpheum opened on O'Farrell street by Union Square on June 30, 1887. It was conceived, built and run by notable Impresario Gustav Walter, a German immigrant to San Francisco. This scarce Orpheum Viewbook is an illustrated retrospective of its historic first decade 1887 to 1897. Filled with sixty-five (65) b&w photographic portraits and fifty-three (53) unique biographical sketches of the principal artists, musicians, Vaudeville and Burlesque stars, drag queens, circus performers, opera stars, comedians, female impersonators, and variety show entertainers who appeared during this most successful first decade. A long list of other notable performers appears at the end. Calamitously, only nine years later, the Orpheum was totally destroyed in the 1906 earthquake and fire.

    Among the featured entertainers are Albert and Mamie Anderson, an important African American Vaudeville husband and wife duo.

    ORPHEUM 10TH ANNIVERSARY SOUVENIR June 30, 1887 - June 30, 1897. Gustav Walter, Director General Orpheum Circuit, John Morrisey, Ass't Director. Published by Theatrical Pub's Co. (Horwinski Bros.) Printers, Publishers, Advertising Agents, Programmes and Souvenirs our Specialty, San Francisco, 1897, first and only edition. Printed card covers, front cover is embossed, bound with twisted gold string laced through three punched holes and bow tied at the top, 9.25" x 12", unpaginated 52 pages (including covers). Richly illustrated throughout with black and white photographs, and period advertisements for well heeled theatre patrons including local restaurants, hotels, tobacco shops, liquor stores, photographers and talent agencies. VERY GOOD CONDITION: Original 1897 program is complete as issued, covers have light shorelining to the right margin that lightly affects the inner pages, front cover has small staining, creases, edge wear, some wear to the string bound edge, and it's a touch faded, internally, some leaves have small closed edge tears, light signs of wear from handling, and a word is pencilled out on the retrospective essay, overall, tight, bright, clean and unmarked, a very respectable copy. Scarce. Only 2 copies held in OCLC collections worldwide, California Historical Society and Milner Library at Illinois State University. There may be a copy held in the San Francisco Museum of Performance & Design, Performing Arts Library Collection of Bay Area Theater Images and Memorabilia, the OAC (Online Archive of California) shows an image of the front cover only.

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  • 1897 MANUSCRIPT DENTISTRY NOTEBOOK of PHILADELPHIA DENTAL COLLEGE STUDENT 1897 MANUSCRIPT DENTISTRY NOTEBOOK of PHILADELPHIA DENTAL COLLEGE STUDENT

    Handwritten School Notebook of W. E. Shaw, a Dentistry Student at Philadelphia Dental College in the mid 1890s. His signature is on both the front and rear pastedown. He also wrote "Class of '97" on the front pastedown and "Philadelphia Dental College" on the rear pastedown.

    Hardcover notebook, paper covered boards, containing 140 lined 7.5x9.5 inch pages. About 110 of the pages are completely filled with the student's very organized and fully legible notes.

    On the front pastedown he has written an Index, which states:

    MATERIA MEDICA - Page 1 / PHYSIOLOGY - Page 33 / OPERATIVE DENTISTRY - Page 58 / PLASTICS - Page 71 (appears to be a section on various filling materials) / ANESTHESIA -…

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    Handwritten School Notebook of W. E. Shaw, a Dentistry Student at Philadelphia Dental College in the mid 1890s. His signature is on both the front and rear pastedown. He also wrote "Class of '97" on the front pastedown and "Philadelphia Dental College" on the rear pastedown.

    Hardcover notebook, paper covered boards, containing 140 lined 7.5x9.5 inch pages. About 110 of the pages are completely filled with the student's very organized and fully legible notes.

    On the front pastedown he has written an Index, which states:

    MATERIA MEDICA - Page 1 / PHYSIOLOGY - Page 33 / OPERATIVE DENTISTRY - Page 58 / PLASTICS - Page 71 (appears to be a section on various filling materials) / ANESTHESIA - Page 85. The latter pages also include a few other titled sections not in the student's handwritten index, including Valvular Disease, Apoplexy, and a section of 223 questions and answers, perhaps for study or a final exam. Though most of the Q&A's seem straightforward for dentistry of the 1890s, some are bizarre, and a few are racist, e.g. "Name some peculiarities of Negroes teeth? They are dense, hard, and yellowish." "What kind of teeth do you select for young people with dark eyes and hair? Dark teeth."

    CONDITION: The front cover is disbound but present, the spine covering is completely lacking,

    the rear cover is hanging on reasonably well but feels like a good tug could unbind it; internally, the inner hinge is split at numerous places but holding; the good news is that the notebook is complete with all its pages, and they are just lightly toned, bright, clean and clear. The dental student's handwriting is fully legible throughout. An important Americana document relating to dentistry.

    A wonderful "I was there" look at American Dental College and Dentistry in 1897. A unique item.

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  • 1900 SICILIAN SANITARIUM PHOTOBOOK - NUOVO SANATORIO CANDELA, PALERMO 1900 SICILIAN SANITARIUM PHOTOBOOK - NUOVO SANATORIO CANDELA, PALERMO

    NUOVO SANATORIO CANDELA. Published by the Nuovo Sanatorio Candela, Via Villareale 32, Palermo [Sicily], circa 1900.

    Booklet, brown paper wrappers, 6.75x4.75 oblong, 40 pages. A photo-book.

    30 pages of PHOTOGRAPHS plus 10 pages of introductory text in Italian. The photographs show the various operating rooms, wards, medical equipment, and staff.

    GOOD condition, some toning to the cover edges, overall tight, bright, clean and clear.

    Hope you weren't sick and in Sicily in the early 1900s!

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  • 1907 PROGRAM OF THE PROMENADE CONCERT AT THE INAUGURATION OF THE HOTEL FAIRMONT APRIL 16TH Scarce San Francisco Ephemera POST EARTHQUAKE Opening Celebration 1907 PROGRAM OF THE PROMENADE CONCERT AT THE INAUGURATION OF THE HOTEL FAIRMONT APRIL 16TH Scarce San Francisco Ephemera POST EARTHQUAKE Opening Celebration

    Scarce San Francisco Fairmont Hotel Ephemera. I can't find another example.

    On April 16th 1907, less than one year after the devastating San Francisco earthquake and fire, the Fairmont Hotel (after an extensive renovation by California's first female licensed architect and engineering expert Julia Morgan) opened with a society benefit concert for several local charities. The Fairmont Hotel was named after mining magnate and U.S. Senator James Graham Fair by his daughters, Theresa Fair Oelrichs and Virginia Fair Vanderbilt, who built the hotel, atop Nob Hill, in his honor. Initially scheduled to open on April 18, 1906, mother nature had other plans .

    PROGRAM OF THE PROMENADE CONCERT AT THE INAUGURATION OF THE HOTEL FAIRMONT APRIL 16TH 1907.

    Published by…

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    Scarce San Francisco Fairmont Hotel Ephemera. I can't find another example.

    On April 16th 1907, less than one year after the devastating San Francisco earthquake and fire, the Fairmont Hotel (after an extensive renovation by California's first female licensed architect and engineering expert Julia Morgan) opened with a society benefit concert for several local charities. The Fairmont Hotel was named after mining magnate and U.S. Senator James Graham Fair by his daughters, Theresa Fair Oelrichs and Virginia Fair Vanderbilt, who built the hotel, atop Nob Hill, in his honor. Initially scheduled to open on April 18, 1906, mother nature had other plans .

    PROGRAM OF THE PROMENADE CONCERT AT THE INAUGURATION OF THE HOTEL FAIRMONT APRIL 16TH 1907.

    Published by the Press of Levison Printing Co., San Francisco, 1907. First and only printing, illustrated wraps, side staple bound, 10.25" x 6.75", 70 un-numbered pages including covers, filled throughout with advertisements, some illustrated, some in red and blue ink, and commentary from hundreds of local businesses that survived the 1906 earthquake. ACCEPTABLE Condition: covers are disbound, 2" edge tear and quarter size area of rubbing to front cover, chipped at the edges, old clear tape repair to spine, rear cover torn through and old clear tape repaired, overall the covers remain quite bright and legible, internally, some small stains, foxing, and waviness here and there throughout, staples oxidized but holding well, overall the pages are clear, bright and unmarked. Scarce, I have not found another copy in collection anywhere.

    ****About the Fairmont Hotel Inauguration Promenade Concert from the April 13 and 20, 1907 editions of THE WASP, a weekly journal published in San Francisco:

    "All the arrangements for the Promenade Concert at the Fairmont Hotel next Tuesday evening, under the direction of Dr. H. J. Stewart, are complete, and the event will beyond question be the greatest charitable affair given up to this date in San Francisco. It is no exaggeration to say that all the ladies of influence in San Francisco are working for it and many of them have had a wide experience in arranging such affairs so as to insure success. Society en masse will attend this great concert, which is for the benefit of the San Francisco Nursery for Homeless Children, The Doctors' Daughters, and the San Francisco Polyclinic. Among those taking part in the musical program will be the Stanford and Berkeley Glee Clubs, the De Koven Glee Club, the Swedish Singing Society, the Fairmont Hotel Orchestra, Mrs. Birmingham, Miss Helen Heath, Miss Camille Frank, Mrs. Charles Camm, Mr. Marc, Miss Virginia Pierce, and Mr. Romeo Frick. The arrangements for the concert have been made by a joint committee of ladies from the three charities interested, of which Mrs. H. de Young is the head."

    "No hotel could have had a more auspicious opening and the Hotel Fairmont management cannot complain that the inaugural night was not in every respect one that should give Messrs. Law and their able staff the utmost satisfaction. The board of managers, of which Mrs. M. H. de Young was chairman, announces that the financial returns from the promenade charity concert at the Fairmont Hotel ."

    "The great promenade concert with which the Fairmont Hotel was opened not only came up to the highest expectations of the enthusiastic promoters but exceeded them. The ladies who got up the affair for the benefit of several most deserving charities are entitled to the highest praise. The affair netted nearly $25,000 for charity. The donations alone amounted to $10,000, and $8,000 were taken in for the sale of admission tickets. The raffle for the splendid Winton automobile, which was won by David Rich, the well-known real estate man, contributed $4500 to the grand total."

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  • 1916 Letter by PROGRESSIVE REPUBLICAN TEXAN, WILLIAM E. SINGLETON, to CECIL ANDREW LYON re: THE TEXAS REPUBLICAN PARTY by William E. Singleton 1916 Letter by PROGRESSIVE REPUBLICAN TEXAN, WILLIAM E. SINGLETON, to CECIL ANDREW LYON re: THE TEXAS REPUBLICAN PARTY
    William E. Singleton

    Three Page Handwritten Draft Letter by a Politically Progressive Texas Man re: Reforming the Texas Republican Party: "I am one of the progressives who is in favor of co-operation with you in trying to restore the Republican Party to its former prestige and usefulness..." The draft letter is written by W. E. Singleton (Captain WILLIAM E. SINGLETON) of Jefferson, Texas, and addressed to "Hon. C. A. Lyon" (Honorable CECIL ANDREW LYON). The draft letter is dated "Jefferson Texas / Feb (17th and 18th), 1916". It is interesting to note that Cecil A. Lyon died two months after this draft was written, and William E. Singleton died within a year after this draft was written. Both deaths marking the end of…

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    Three Page Handwritten Draft Letter by a Politically Progressive Texas Man re: Reforming the Texas Republican Party: "I am one of the progressives who is in favor of co-operation with you in trying to restore the Republican Party to its former prestige and usefulness..." The draft letter is written by W. E. Singleton (Captain WILLIAM E. SINGLETON) of Jefferson, Texas, and addressed to "Hon. C. A. Lyon" (Honorable CECIL ANDREW LYON). The draft letter is dated "Jefferson Texas / Feb (17th and 18th), 1916". It is interesting to note that Cecil A. Lyon died two months after this draft was written, and William E. Singleton died within a year after this draft was written. Both deaths marking the end of "Progressive Republicans" in Texas. This draft letter is handwritten, it is the same text written out twice, once in pencil and once in ink, as if in practice for a finished letter that would (presumably) be sent. Three pages written on one side only of three sheets of watermarked laid-paper 5x8". The text is as follows: "I am in receipt of your circular letter of date February 4th (?) and will say: I am one of the progressives who is in favor of co-operation with you in trying to restore the Republican Party to its former prestige and usefulness. I am very much in favor of a conference of the leading Republicans and Progressives to try and adjust their differences and will be glad to meet with you and assist in any capacity in bringing about harmony and party discipline. I am very sincerely yours, W.E. Singleton". POOR condition, thumbprint size chip on the right side of the sheets, lesser chipping at the bottom right corner, all sheets have two horizontal folds from where they were folded to fit into an envelope, one sheet has insect holes all along its upper fold, almost splitting the sheet into two parts, another sheet has some insect holes across its top fold, the chip and holes affect some text, all sheets have some toning and foxing; NONETHELESS, the writing is clear and the text legible. An interesting historic letter regarding PROGRESSIVE REPUBLICANS in TEXAS in the early 20th century. About the PROGRESSIVE REPUBLICAN ERA (from Wikipedia): ******During the 1910s and 1920s, progressives formed a faction in the Republican Party. They typically held center-left views on most issues, supporting broad government involvement in business, particularly breaking 'trusts' and limiting the size of corporations, reforms in government, income taxes, universal health care, and other forms of 'social justice'. This faction gradually shrank, with many joining the Democratic Party as it shifted to the left. Prominent progressive Republicans included Theodore Roosevelt, Hiram Johnson, and Robert La Follette.****** About CECIL ANDREW LYON (from the Texas State Historical Association website): ******On the heels of the Republican convention, when Roosevelt bolted the party to run as the candidate of the National Progressive Republican League, Lyon led the state Progressive convention, which met at Dallas. He served as this party's state chairman and as a national committeeman from 1912 until his death. After Democrat Woodrow Wilson's victory Lyon worked to unify the Republican party in the state. He called for a meeting of reunification that convened in Dallas in March 1915 and served as the first step in healing political wounds. Lyon, however, played only a small role in that reunification, for he died on April 4, 1916. At the time of his death, in addition to his political activities, he was president of the Lyon-Gray Lumber Company, vice president and general manager of the Hardeman County Irrigation Company in Sherman, and a member of the board of directors of the Great Southern Life Insurance Company of Houston.****** The Jefferson Texas Home of CAPTAIN WILLIAM E. SINGLETON is a Historic Landmark.

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  • 1917 HENRY DINGLEY COOLIDGE - 35 HANDWRITTEN PAGES - PARLIAMENTARY LAW LECTURE by Henry Dingley Coolidge 1917 HENRY DINGLEY COOLIDGE - 35 HANDWRITTEN PAGES - PARLIAMENTARY LAW LECTURE
    Henry Dingley Coolidge

    1917 HENRY DINGLEY COOLIDGE - 35 HANDWRITTEN PAGES - LECTURE ON PARLIAMENTARY LAW & PROCEDURE. His personal, manuscript lecture notes, with many hand corrections and changes, for a lecture he gave at a "Parliamentary Club" meeting. The pages are hand numbered, some numbered "a" and "b" (e.g. 30a, 30b); 35 total pages. Handwritten on one side of 6" x 9" sheets of paper (a few sheets are somewhat smaller). Most of the paper is plain paper, originally blank on both sides. Some of the latter sheets are written on the blank backsides of paper that is printed with "THE COMMONWEALTH OF MASSACHUSETTS - 1917 - AN ACT" and associated information on the other side (i.e.the original printed documents were being…

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    1917 HENRY DINGLEY COOLIDGE - 35 HANDWRITTEN PAGES - LECTURE ON PARLIAMENTARY LAW & PROCEDURE. His personal, manuscript lecture notes, with many hand corrections and changes, for a lecture he gave at a "Parliamentary Club" meeting. The pages are hand numbered, some numbered "a" and "b" (e.g. 30a, 30b); 35 total pages. Handwritten on one side of 6" x 9" sheets of paper (a few sheets are somewhat smaller). Most of the paper is plain paper, originally blank on both sides. Some of the latter sheets are written on the blank backsides of paper that is printed with "THE COMMONWEALTH OF MASSACHUSETTS - 1917 - AN ACT" and associated information on the other side (i.e.the original printed documents were being reused as scrap paper for these lecture notes). The lecture notes are undated, insofar as I can tell, but I'm assuming 1917 based on the date on the printed backsides of a few sheets. Along with these lecture notes are 3 sealed envelopes with "HENRY DINGLEY COOLIDGE / CONCORD, MASSACHUSETTS" printed on the envelope flap (the envelopes are sealed, but there is nothing inside, and they are unopened); a piece of unused printed stationery; and a letter addressed to "Mr. Henry D. Coolidge, Clerk to the Senate, Concord, Mass." on "The Commonwealth of Massachusetts / Executive Chamber / State House, Boston" letterhead. The letter is signed by (?). It is in response to a recommendation by Coolidge for the appointment of Henry J. Walcott to some position or other. The letter is dated August 1, 1910. Condition: The sheets are toned and have some signs of light handling, wear and use; but overall they are clean, bright, clear and fully legible. About HENRY DINGLEY COOLIDGE (from the Internet): ******Massachusetts Senate Clerk Henry Dingley Coolidge (1858-1922). Coolidge, a direct descendant of Mayflower pilgrim William White, served as Clerk for the Massachusetts Senate for 33 years. He is known for writing the revised and updated "MANUAL FOR THE USE OF THE GENERAL COURT" in 1889, and a number of subsequent revisions of the same book. Henry D. Coolidge's General Court Manual became an important, standard, widely used. legal reference work.******

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  • 1919 FINANCIAL STATEMENTS - E. H. EDWARDS "WIRE ROPE" CO. of SAN FRANCISCO by Alphonse Sutter, C.P.A. 1919 FINANCIAL STATEMENTS - E. H. EDWARDS "WIRE ROPE" CO. of SAN FRANCISCO
    Alphonse Sutter, C.P.A.

    ANNUAL FINANCIAL STATEMENT - E. H. EDWARDS CO. - December 31, 1919.

    Financial Statement Prepared by ALPHONSE SUTTER, Certified Public Accountant, Nevada Bank Building, San Francisco.

    Paper covers, 8.5x11 inches, 10 typed pages, bound with 3 brass brads. Includes the usual financials: Assets, Liabilities, Accounts Receivable, etc.

    Signed at the bottom of page 2 by the CPA, Adolph Sutter, a descendant of John Sutter of Sutter's Mill.

    FAIR condition: pages are toned, there is creasing and wear to the corners and edges, some closed tears, a few small stains, and general signs of handling and use, nonetheless a complete copy including its covers, and all pages are clear and fully legible.

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